Analogue Productions - AAPJ 084 - 200 Gram Virgin Vinyl
AAA 100% Analogue - Mastered By Ryan Smith at Sterling Sound
Limited Edition - Pressed at QRP Quality Record Pressings
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
"Columbia's LP release had decent sound, but Analogue Productions' new vinyl mastering by Ryan Smith at Sterling Sound, takes the sound up several notches from there. The LP is housed in a gorgeous film-laminated jacket from Stoughton Printing — it looks and sounds better than ever." Recording = 10/10; Music = 9.5/10 - Dennis D. Davis, Hi-Fi +
I've enjoyed Mark Wilder's 1997 CD remastering of Head Hunters for Columbia/Legacy, but every time I played it, I thought I should pick it up on LP. Listening to the new Analogue Productions edition (AAPJ 084) confirmed that suspicion. Hancock's opening synth lines in 'Chameleon' thump soundly in both formats, but have cleaner edges from the new vinyl. More important, as the other instruments join in, each has more room to breathe. Harvey Mason's kick drum is too forward on the CD and crowds the music; on AP's LP, it's audible but in support. Reverb is now audible in the notes of Bennie Maupin's sax, and Paul Jackson's bass, still the funk backbone of the album, isn't as overbearing as it now sometimes sounds to me on the CD. AP's 33.3rpm mastering gives each instrument space, and by deepening the soundstage it humanizes Hancock's electronic keyboards and burnishes some of the high-treble edge they have on the CD. ... This new pressing lets you hear how carefully Hancock constructed the music, and how well he and the other musicians worked together to bring it to life." — Joseph Taylor, SoundStage! Hi-Fi,
A defining masterpiece of jazz funk, now on 200-gram vinyl! Plated and pressed at Quality Record Pressings!
Stoughton Printing old-style deluxe film-lamination tip-on jacket
There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.
In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer, and later on he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.
Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).
Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul and hip-hop.
Herbie Hancock is a true icon of modern music. Throughout his explorations, he has transcended limitations and genres while maintaining his unmistakable voice. There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.
Herbie was originally discovered by trumpeter Donald Byrd in 1960. After two years of session work with Byrd as well as Phil Woods and Oliver Nelson, he signed with Blue Note as a solo artist. His 1963 debut album, Takin’ Off was an immediate success, producing the hit “Watermelon Man.”
In 1963, Miles Davis invited Herbie to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer and later on made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.
Herbie's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles andSpeak Like a Child. He also composed the score to Michelangelo Antonioni's 1966 film Blow Up, which led to a successful career in feature film and television music.
After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. With its crossover hit single "Chameleon," it became the first jazz album to go platinum and remains one of the best-selling jazz/fusion records of all time. His groundbreaking work during this period also inspired and provided samples for generations of hip-hop and dance music artists that followed. By mid-decade, Herbie was playing for stadium-sized crowds all over the world!
- Herbie Hancock -electric piano, clavinet, synthesizer
- Bennie Maupin - saxophone, flute
- Paul Jackson - electric bass
- Bill Summers congas, shekere, balafon, agogo, cabasa, hindewhu, tambourine, log drum
- Harvey Mason - drums
2. Watermelon Man
4. Vein Melter
ORIGINAL MASTER TAPES
AAA 100% ANALOGUE
We use the Original Tapes and work with only the Best Mastering Studios
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Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl
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Highest Quality Jackets and Rice Paper Inner Sleeves
Less than 1,000 Records per Stamper
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