Analogue Productions - AAPO 004 - 180 gram Virgin Vinyl -

D2D Direct To Disc - Limited Edition - Pressed at RTI 

From all accounts, George Butler came by his nickname Wild Child honestly. On Sundays, some of the older ladies would come to the shack where he lived to visit his mother. Even as a toddler, little George would grab their legs and tug their skirts. The ladies would tell his mother that she had to "do something about that wild child," and the name stuck. Fortunately, he found time between the youthful shenanigans to learn some harp basics at age 12. He was gigging professionally as a bandleader by the late 1950s, but the harpist didn't have much luck in the recording wars until he moved to Chicago in 1966 and signed with Shreveport, La., based Jewel Records.

Wild Child's resume is top notch. He has toured with Jimmy Rogers, Lightnin' Hopkins, Cousin Joe and Roosevelt Sykes. His biggest influence is John Lee Sonny Boy Williamson and yet his sound is all his own. A prolific songwriter, Wild Child Butler performs mostly original compositions. George Butler is one of the most stylistically interesting and underrated blues performers in the business today.

In this, an era when Blues is so frequently fused with rock, soul and other more commercially viable music forms, Wild Child stands his artistic ground. Wild Child still plays and sings his blues in exactly the same authentic style that he developed and learned from his rural Alabama sharecropping mentors more than 40 years ago. When asked if he would change his style to be more commercially successful, Wild Child's didn't hesitate. "No I would not! Record companies have asked me to do that before. I wouldn't do it then, and I wouldn't do it now, just to sell more records. The way I do my blues, that's me! The blues isn't just something that I do, it's something that I am."

George is polite but firm with his audiences. In fact, when you meet George Butler, one finds him to be a pleasant, highly personable man with a ready smile as big as an Alabama cotton field, and in no way keeping with the image conjured up by the name Wild Child. He was asked "Why in spite of all the hard times and bad luck, do you still keep going?" He replied with an audible grin, "The blues is the facts of life, the truth, and the blues is what I'm about."

Indifferent agents, unethical record companies, insensitive audiences and the tough life on the road have not squelched the blues fire in Wild Child Butler. The swamp-harp king is one authentic original folk blues artist who can, in his own words, "Sho' 'nuff make the blues come down." Side A is Wild Child and his electric band. Side B is acoustic with Jimmy D. Lane accompanying on guitar. 6 songs.

Before he could walk, little George Butler took to harassing the women who visited his mother at their rural Alabama shack. He would crawl across the floor and pull on their skirts and legs until the women began telling Beatrice Butler that her son was "a wild child." The name stuck. Wild Child began playing harmonica at age five. A local musician gave him a harp with a worn-out key, and Wild Child learned his first licks by playing around that bad spot. Finally, when that harp had gone completely bad, Wild Child fashioned a rustic model out of a Prince Albert Tobacco can, which he played for the next few years. From the time Wild Child picked up the harp, he played it upside down. He still does. In fact, it wasn't until he was about 25 years old that somebody told him the high notes were supposed to be played on the right side of the harp. But by then, Wild Child had developed his upside down sound.