AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Speakers Corner / Decca SXL2062  - 180 Gram Virgin Vinyl 

Limited Edition - Pure Analogue Audiophile Mastering - Pressed  at Pallas Germany

Ravel’s ballet music Ma Mère l’Oye, originally written for piano, four hands, was inspired by Charles Perrault’s fairy tale. Ravel mostly wrote music for small forms which is reflected by the short movements of the suite. The world renowned Orchestre de la Suisse Romande, led by the conductor best suited to this kind of music, Ernest Ansermet, bring out the vivacious and colourful elements of the work. The orchestra’s timbre is well suited to the gentle shading of the music, as is shown in the final Jardin féerique.

Completed by Debussy in 1899, the three Nocturnes reveal the aesthetics of a composer who put Nature above Art. Debussy endeavoured to achieve a natural flow and consistency in his music without slavishly copying the sounds of nature. Although Nuages (Clouds), Fêtes (Festivals) and Sirènes (Sirents) are night pieces, they are seen with a view to light and shadow: two optic conditions that influence the music.

The artists give an amazingly transparent and differentiated performance of the music. The present recording should not be missed by any lover of Impressionist music.

Musicians:

• Orchestre de la Suisse Romande
• Ernest Ansermet

Recording: November 1957 at Victoria Hall, Geneva by Roy Wallace
Production: James Walker

Selections:
1. Prelude et Danse du Rouet
2. Pavane de la Belle au bois dormat
3. Laideronnette Imperatrice des Pagodes
4. Les entertiens de la Belle et de la Bete
5. Le jardin feerique