Francisco Tarrega - Gitarrenwerke - 180g LP

Product no.: FGHJK56

Francisco Tarrega - Gitarrenwerke - 180g LP
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The guitarist Francisco Tárrega (1852-1909) Classical or Spanish guitar is the term for the beginning of the 19th century played by most six-string guitar concert instrument with frets.

Klaus Jäckle - Guitar from Knut Welsch from Erlangen with Dr. Junge-Saiten 

recording on April 27, 2010 in the Reitstadel Neumarkt 
Head of the analogue recording: Heinz Wildhagen 
Production: Peter Suchy, clearaudio 

The death of the Spanish guitarist Francisco Tarrega (1852-1909) For this occasion, an LP with both original compositions and arrangements based on Spanish piano compositions was released. Its importance with regard to the further development of gaming technology, in particular the production of sound, is beyond question: its goal is the production of a powerful and at the same time singing sound. In addition to the short "Preludio D-Dur" at the beginning of the album, you can look forward to extraordinary musical pearls ("Endecha", "Oremus", "Lagrima"). It is more joyful in Mazurkas, Polken and Waltz, which Tarrega has dedicated mainly to Frederic Chopin. The most famous piece is the "Gran Vals" (bar 13-16 is the Nokia ringtone), a brilliant waltz in the salon style of its time. The masterful "Jota" shows all the playing possibilities of the Spanish guitar by changing between singing and narrative sections and a dance in Aragon. The musical realization took over Klaus Jäckel. The master guitarist of our time knows how to design the pieces presented and to perform them technically. A successful masterpiece! 


Title:
A-page 
1. Preludio D major 1:15 
2. Jota 10:58 
3. Sueo (Mazurka) 2:10 
4. Endcha 1:18 
5. Oremus 1:02 
6. Maria 1: 
24 7. Marieta 4:04 
8. Gran Vals 3:13 

B side 
1. Capricho arabe 5:33 
2. Recuerdos de la Alhambra 5:36 
3. Las dos hermanitas 2:42 
4. Preludio Miguel Llobet 1:57 
5 . Adelita 2:00 
6. Lgrima 1:58 
7. Rosita (polka) 1:37 
8. Tango 2:34 


the guitarist Francisco Trrega (1852-1909)

on the occasion of the 100th death year of Francisco de Asis Trrega y Eixea so His full name, the thought came to dedicate this LP to the most important guitarist of the modern age. 
Trrega was born in Villareal, Spain, on November 21, 1852, and learned the guitar playing as an eight-year-old. Coming from a musical parental home, his father stopped him from learning the pianoforte, Which later was certainly the reason for his numerous arrangements of piano compositions. Trrega was also often called the "Chopin of the guitar". He died on 15 December 1909 in Barcelona. 
The special significance of Trregas lies in the further development of the playing technique, in particular the sound generation, of the stroke of the right hand. Its aim is to produce a powerful and at the same time singing sound. (This put me over and over again my teacher Ekard Lind close, the pupil of Luise Walker was, which had in turn learned from Miguel Llobet, the favorite pupil of Francisco Trrega, to whom he dedicated a particularly beautiful and harmonically rich Preludio ...) 
The Trrega's other great significance lies in his works, both the arrangements, as already mentioned, which deserve an extra chapter, As well as his original composition, of which I have made a selection here. 
Pearls full of poetry are often the only 8-bar preludes, as the prelude in D major. A world of its own at shortest distance, originally conceived for the guitar. 
These include Endecha, a mourning song as well as Oremus, "let us pray", which he composed only a few days before his death, as well as Lgrima, the tear. Frequent, on the other hand, are the mazurs, polkas, or waltzes, a genre to which Chopin also devoted himself. Sueo, the dream, Adelita and Rosita, as well as Maria and Marieta may describe musically the nature of the corresponding names. Likewise the waltz Las dos hermanitas, the two sisters. 
The Gran Vals, many certainly not present, One of the most common pieces of Trrega at all: clock 13-16 is the ringtone of Nokia phones. A brilliant waltz in the salon style of his time, as well as the jota, the longest piece on the record. The Gran Jota is, so to speak, a compendium of all the technical possibilities of the guitar in the form of the Aragon-danced dance. The dance changes with a vocal and narrative part. Trrega also turned to the movement of "Alhambrism." A musical-literary movement that brought the Alhambra, the castle above Granada, to life as a symbol of the golden age, a time of peaceful coexistence of people of different faiths and origins. Recuerdos de la Alhambra, the memories of the Alhambra, is part of it, as well as the Capricho arabe, a piece with arabesques and Moorish singing. A fiery tango decides my selection. 


Klaus Jäckle Biography:

"Poetry and passion at the same time", "a stylist of particular goodness" is the thrust of the press on Klaus Jäckle. 
The master guitarist Klaus Jäckle played among others for Herbert von Karajan, the Princess of Tonga or the Berlin Philharmonic. 
Klaus Jäckle graduated with distinction from the Salzburg Mozarteum and has won several prizes. His friend Pepe Romero, who calls his game a "moving experience", also influenced him considerably. 
As a sought-after soloist and chamber musician, he performed at prestigious festivals and major music centers, including the Schleswig-Holstein Music Festival, Salzburg Castle Concerts, Konzerthaus Berlin, Gewandhaus Leipzig, Gasteig Munich, Meistersingerhalle Nuremberg, Mozarteum Salzburg, Vienna, Paris, Prague, Florence, Sacramento, Los Angeles. 
He performed with artists such as Monika Teepe, Irena Grafenauer, Tabea Zimmermann, the ensemble "Los Romeros", the Camerata Salzburg, the Gewandhaus Quartet. 
At last, with his successful singing duo Marshall & Alexander, he became enthusiastically on a sold-out church tour with the "Götterfunken" program in 100 concerts throughout Germany. From and with him 20 CDs and LPs appeared, as well as numerous Rundfunkaufungen for the BR, SWR and ORF. 
Recently released on clearaudio his solo album "Una Hora Espanla" with Spanish romantic guitar music. Among them are works by Isaac Albniz. Jens Voskamp of the Nürnberger Nachrichten writes: "... Thus interprets the interpretation, so naturally the result. 
Nothing is artificial and one thinks inevitably after listening: Yes, it has to be heard. " He plays a guitar from Knut Welsch, Erlangen, and dr-junger-saiten.de Klaus Jäckle on the Internet: www.classicalguitar.de
LP cover:

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