Beethoven - Symphonies Nos. 1 , 2 + 8 : Wojciech Rajski : Polish Chamber Orchestra - 180g 2LP

Product no.: L238

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Beethoven - Symphonies Nos. 1 , 2 + 8 : Wojciech Rajski : Polish Chamber Orchestra - 180g 2LP
£34.99
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Tacet - L238 - 180 Gram Virgin Vinyl - AAA 100% Analogue 

Limited Edition - Half-Speed  Audiophile Mastering - Pressed at Pallas

This one will stay on my shelves.  Tacet has succeeded on all fronts here, marrying pure sound with deft performances of great music Sound 5/5 The Audio Beat

Ludwig van Beethoven: Symphony No. 1 in C major Op. 21, No. 2 D major Op. 36 and No. 8 in F major Op. 93 - The Polish Chamber Philharmonic conducted by Wojciech Rajski

In view of the large catalog stock of compelling Beethoven recordings, a portion of self-confidence already belongs to a further edition of the symphonies on the market. With this production of Beethoven's symphony, a fresh wind blows through the high house of the Viennese classic, which could blow many a sound monument there from the pedestal.

The reason for this is not only the outstanding sound in which the two early symphonies are youthful, but in the brave and courageous approach of the performers: Wojciech Rajski and the Polish chamber orchestra play Beethoven, a joyous and striking but by no means rashly illustrative: the musicians Understand it, The explosive core and its soft conversion excellently harmoniously to each other and provide a clearly defined and full-sounding listening pleasure. Loving attention is given to the recording and playback of the wind instruments, whose intense intensity is reminiscent of the recordings with Otto Klemperer in the 50s and 60s. Rajski, in the corner movements, is looking forward to the temptations of the temptation, which, especially in the explosive finale of the second symphony, unleash all virtuoso powers. In the Eighth, whose pounding gesture of the second movement was once the inventor of the metronome Mälzel, the lively play of the Polish actors unleashed all rhythmic, metrical, and not least humorous forces. Now, at the latest, when this fire-headed symphony is entirely at the house of Tacet, Reference hunters should consider this record edition. 

Inspiring Tube Sound:
What is it that makes "tube sound" what it is? The advantages of tubes over transistors are difficult to describe in technical terms. Perhaps the reference to the higher and different type of distortion with tube amplifiers is most applicable, although "distortion" has a rather negative meaning: the more distortion, the worse it is. So this can't be entirely right. Besides, the distortions of these microphones of 1947 are much too slight to be really noticeable. The recording of the Partitas of Johann Sebastian Bach with Florin Paul is, for me, although meanwhile almost 23 years old, still the best example in our TACET catalogue of the special quality of tube microphones. The two U 47 microphones by Neumann made their contribution. 
For the LP, however, (except for rare exceptions, justified for musical reasons) the signal is even stored on a tube tape recorder and then mastered with valve equipment, so that one would be right in saying that for the entire production not a single transistor was used. 
 
We have always been especially pleased to receive so much feedback about our Tube Only productions. This motivates us even more to keep working with this technology and rescue it from oblivion. People have told us that the music sounds warmer, without losing any of its TACET brilliance. The timbres glow more. We have also heard that people have the impression of a more homogeneous sound, whatever that is meant to be. So let everyone listen to their own hearts and to the Tube Only recordings and feel something special! Even the sheer joy of this slightly nostalgic outstanding technology can be reason enough to like these productions. Yet what would it all be without the wonderful work of the artists! 

Now in Halfspeed!

Recording: 2005 and 2006 in the church of "Stella Maris" in Sopot, Poland, by Andreas Spreer and Roland Kistner 
Production: Andreas Spreer

Recorded in the church of Stella Maris, Sopot, Poland in 2005 and 2006, the Polish Chamber Philharmonic Orchestra are conducted by Wojciech Rajski in performing Beethoven's 1st, 2nd & 8th symphonies.

Half-speed is literally half the speed. But only during the production! When being played, everything runs perfectly normally again. This record requires no special treatment at all; it simply sounds better. It is as if the craftsman had taken twice as much time for his work. Not only the tempo is reduced at half speed, but also the pitch by a factor of 2. For example, a note of 40 kHz - Tacet recordings do indeed contain such high notes! - is transferred like a 20-kHz tone of a standard recording. Through this, electronics can process higher frequencies and the cutting stylus calmly cuts all the details into the lacquer foil. 

Musicians

Polish Chamber Philharmonic Orchestra
Wojciech Rajski, conductor

Selections:
Ludwig van Beethoven
Symphony No. 1 in C Major, Op. 21
Symphony No. 2 in D Major, Op. 36
Symphony No. 8 in F Major, Op. 93

Beethoven\u0020\u002D\u0020Symphonies\u0020Nos\u002E\u00201\u0020\u002C\u00202\u0020\u0026amp\u003B\u00208\u0020\u003A\u0020Polish\u0020Chamber\u0020Orchestra\u0020\u003A\u0020Wojciech\u0020Rajski\u0020\u002D\u0020180g\u00202LP     Tacet-Logo

PALLAS
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade! 
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