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Categories JAZZ Marco Renzi - Italian Big Band - 45rpm 180g 2LP
Marco Renzi - Italian Big Band - 45rpm 180g 2LP
Product no.: LP037In stock
£29.99
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Fone Records - LP037 - 180 Gram Virgin Vinyl - 45RPM - Two Disc
Pure Analogue Recording , Mastering & Cutting
Club 496 - Only 496 Copies Numbered Limited Edition - Pressed in Germany
• 180g Virgin Vinyl
• Limited Edition
• 45 rpm
• Pure Analogue Recording & Cutting
• Cutting Machine wired by Signoricci
• One-Stage Pressing Process
• Heavy Quality Sleeves
• Signoricci Vinyl Printed in Germany
• Produced in only 496 copies
Marco Renzi conducts this recording of Italian Big Band music by Rossi and other Italian composers.
Recording a Jazz Big Band is an experience not easy to tell. Everything gets more complicated then they pretend (as I wanted to do well in this occasion) to take possession of the interpretation of the soul, to seek not only stamps, colors and size of the orchestra, but also the tap of the finger that pushes the buttons of the trumpet, the sound of skins affected by the rods, the movement of air moved by the clarinet in route to the solo all in a perfect acoustic enclosure: the Teatro Comunale di Atri, a charming town in Abruzzo. In short, the physical effort combined with the passion of playing the perfect execution in a 'natural sound' become more and more esoteric. Jazz itself is pure emotion, made of shivering warm bass, the flashes of brass, the whispers of brushes on flat ahd hi-hat, bass drum and the thunder of bells sounding.
The Italian Big Band was founded in 1993 by conductor Marco Renzi, bringing together the elements of a classic organic jazz orchestra: Six trumpets, five trombones, five saxophones, piano, guitar, bass and drums. Its repertoire harkens to the traditions of Italian composers: From Carlo Alberto Rossi and Giovanni D'Anzi to Vincenzo De Crescenzo. The Italian Big Band performs numerous concerts in Italy and abroad.
Musicians:
Marco Renzi, conductor
Selections:
LP1 - Side A:
1. Italian Medley No. 2 (arr. Marco Renzi)
In Cerca Di Te (Sciorilli)
Nun E' Peccato (C.A. Rossi)
Quando una Ragazza (L. Luttazzi)
2. Carlo Alberto Rossi Medley (arr. Marco Renzi)
E Se Domani
Amore Baciami
Mon Pais
‘Na Voce, ‘Na Chitarra
Conosci Mia Cugina
LP1 - Side B:
3. Bruno Martino Suite (arr. V.A. Morra)
Baciami Per Domani
Cos’Hai Trovato in Lui
E La Chiamano Estate
Estate
4. Kramer Medley (arr. Marco Renzi)
Domenica E' Sempre Domenica
Merci Beaucoup
Un Bacio a Mezzanotte
Pippo Non Lo Sa
LP2 - Side A:
5. Stoccolma Malinconica (Melancholy Stockholm)
Composer: Buddy De Franco, ASCAP Arr. Rob Pronk
6. D’Anzi Medley (arr. Marco Renzi)
Bambina Innamorata
Non Dimenticar le mie Parole
Silenzio Slow
Ma L’Amore No
LP2 - Side B:
7. Senza Fine (Paoli) arr. V.A. Morra
Nel Blu Dipinto di Blu (Modugno) arr. V.A. Morra
8. Italian Medley No3 (arr. Marco Renzi)
Ancora (De Crescenzo)
Quando, Quando, Quando (T. Renis)
L’Italiano (T. Cutugno)
The story of fonè
In the context of classical and jazz music market, fonè proposes three decades of recordings using advanced techniques, aimed at the recovery of the original musical atmospheres.
Each new recording is the result of a passionate encounter between art and the art of execution and aims to recreate and reproduce the same spirit with which the works of the past have been performed. One basic feature that makes the difference between fonè and others, is the recording of musical works in natural places and original, constant production that leads to choose from time to time historically more space? Suitable for: church, theater, villa, living room ...
All this is done by retrieving a simple incision that does not do violence to the music: all the equipment is in high definition. Using pairs of valves Neumann microphones in the years 1947 and 1949 (U47, U48 and M49) using techniques very natural timbre bimicrofoniche field effect. These microphones have an important story: they are the microphones used to record the Beatles at Abbey Road Studio and RCA for the "Living Stereo."
No use is made of electronic manipulation of the signal, nor any artificial correction that if they make a sound easier to carve, it is true that distort so unacceptable. With this method you get to transfer the music information on the standard analog for the production of virgin vinyl 180g & 200g
fonè uses for the standard analog Nagra 4S, Studer C37 and J37 and Ampex ATR 102, the standard for digital, in collaboration with Philips the DSD (Direct Stream Digital) technology that has opened the doors to the SACD. For all subsequent stages of processing and control, in which it must be a playback of the sound reproduction systems are used very sophisticated.
After the pressing demands of the enthusiast market and after a long series of investigations to ensure the best possible support, the virgin vinyl 180/200 grams, fonè now makes available its most prestigious titles in the LP format.
strong opposition to current trends in the multinational market, tending to offer a product that is increasingly homogenized and devoid of content.
Implementation is of the highest quality and is dedicated to those who appreciate the pursuit of perfection in the field of sound reproduction, to collectors, to the true connoisseur and expert of things beautiful.
