David Manley - More Best Of The Best - 180g LP


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David Manley - More Best Of The Best - 180g LP

Product no.: LP113

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David Manley - More Best Of The Best - 180g LP
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Fone Records -  LP113 - 180 Gram Virgin Vinyl - AAA 100% Analogue

AAA Pure Analogue Recording , Mastering & Cutting

Club 496 - Only 496 Copies Numbered Limited Edition - Pressed in Germany

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head

• 180g Virgin Vinyl
• Limited Edition
• 33 rpm
• Pure Analogue Recording & Cutting
• Cutting Machine wired by Signoricci
• One-Stage Pressing Process
• Heavy Quality Sleeves
• Signoricci Vinyl Printed in Germany
• Produced in only 496 copies
 

In autumn 2016, the Italian high-end label Fone released a compilation of recordings from the archive of sound engineer legend and VTL founder David Manley under the title "Best of the Best". After Manley's death in 2012 Fone boss Giulio Cesare Ricci had bought numerous master tapes and matrices from its label ViTal, and initially released on CD and finally on vinyl selected recordings in compilation. Following the enthusiastic response to the vinyl version of "Best of the Best," Ricci is now releasing more footage of the early '90s from this archive on "More Best Of The Best."
"Best of the Best" is certainly a more than fitting title for this collection, as David Manley was definitely one of the best in his field. Insiders audiophile music fans worldwide have known this for a long time, or can convince themselves of this at the latest here. Musicians, especially from the jazz field knew it too, because Manley had made in his long time as a sound engineer in the legendary Abbey Road Studios in London before the creation of his own label ViTal with his great work numerous friends in the music world, and So it is not surprising that he always managed to bring well-known jazz musicians to his recording rooms.

 The Australian singer Karen Knowles opens the round with a movingly mystical version of "Nature Boy", originally recorded for her 1992 album "Moonglow". New York bassist Sekou Bunch's combo lures Latin-groove on "Night On The Town", playing the rarely heard solo instrument with the confusing name tenor-bass - an e-bass tuning a fourth higher is. Also from 1992 is the recording of "It Happens Every Day" - originally a Joe sample number, played here by e-guitarist Josh Sklair (probably best known as a companion and producer on late Etta James albums), who shakes a seductive Fusion ballad out of his sleeve. And who can resist the warm alto voice of Vickie Leigh when she sings "Dont Say No Tonight"?

 On page two, contrabassist and Grammy Award winner James Leary, who earned his spurs in the Count Basie Orchestra, has a mighty swing with his quartet "Have You Met Miss Jones". And then Kate McGarry is probably the most famous musician in this compilation: from "Haunted Heart" from her debut album "Easy To Love" you can learn how to sing romantic jazz ballads. Of course, the energetic music of the Band Toolbox should not be missing here either - "Latin Slam" lives up to its title, before finally percussion grandmaster Munyungo Jackson with a five-piece percussion combo and the aptly titled "Drums, Drums, Drums" to Kehraus yet once turned up really.
Whether Latin-Einheizer or gentle swing-ballad, sonically David Manley has captured all these musicians masterfully, the compilation thrilled by an extremely natural, spatial and clear sound that can easily comply with the usual Fone standards. An ornament for every collection! wv 

Pure Analogue Recording and Cutting, One-Stage Pressing Process, limited to 496 pieces, pressed by Pallas in Germany on 180 g-Vinyl! 


Title:

Page 1: 
Karen Knowles: MOONGLOW - NATURE BOY 
E. Abba 
Karen Knowles, vocals 
Frank Crawford, piano 
Bruce Bishop, acoustic guitar 
John Leftwick, bass 
Josh Sklair, electric guitar 
Bob Summers, trumpet 
Larry Klimas, sax
Efraim Toro, drums & percussion 

Sekou Bunch: SEKOU - NIGHT ON THE TOWN 
S. Bunch 
Sekou Bunch, tenor bass 
Tom MacMorran, piano 
Doc Powell, guitar 
Bill Summers, percussion 
Rayford Griffin, drums 
Keith Jones, fretless bass 

Josh Sklair: JOSH - IT HAPPENS EVERY DAY 
J. Sample 
Josh Sklair, guitar 
Ron Ross, bass 
Frank Crawford, piano 
Jack Le Compte, drums 

Vickie Leigh: MORE VICKIE - DONT SAY NO TONIGHT 
V. Leigh, B. Bishop 
Vickie Leigh, vocals 
Bruce Bishop, acoustic guitar 
Josh Sklair, guitar 
Frank Crawford, piano 
Bill Von Ravensberg, bass 
Jack Le Compte, drums 

Page 2:
James Leary: JAMES II - HAVE YOU MET MISS JONES? 
Rogers & Hart 
James Leary, bass 
Eddie Harris, sax 
Billy Childs, piano 
Ralph Penland, drums 

Kate Mc Garry: EASY TO LOVE - HAUNTED EART 
Schwartz, Dietz 
Kate Mc Garry, vocals 
Paul Kreibich, drums 
Karen Hammack, piano 
Eric Von Essen, bass 

Toolbox: TOOLBOX - LATIN SLAM 
D. Garfield, M. ONeill 
Michael ONeill, guitar 
David Garfield, piano 
Larry Klimas, sax 
John Leftwich, bass 
Efrain Toro, drums & percussion 

Munyungo Jackson: MUNYUNGO - DRUMS, DRUMS, DRUM 
R. Rayford, M Jackson 
Munyungo Jackson, percussion 
Bill Summers, percussion
Lenny Castro, percussion 
Frances Awe, percussion 
Maurice Dosso, percussion 
Angel Figueroa, percussion 
Todd Cochran, piano 
Sekou Bunch, bass 
Michael ONeill, guitar 
Rayford Griffin, drums

David Manley - More Best Of The Best - 180g LP
The story of fonè
 
In the context of classical and jazz music market, fonè proposes three decades of recordings using advanced techniques, aimed at the recovery of the original musical atmospheres.
Each new recording is the result of a passionate encounter between art and the art of execution and aims to recreate and reproduce the same spirit with which the works of the past have been performed. One basic feature that makes the difference between fonè and others, is the recording of musical works in natural places and original, constant production that leads to choose from time to time historically more space? Suitable for: church, theater, villa, living room ...
 
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fonè uses for the standard analog Nagra 4S, Studer C37 and J37 and Ampex ATR 102, the standard for digital, in collaboration with Philips the DSD (Direct Stream Digital) technology that has opened the doors to the SACD. For all subsequent stages of processing and control, in which it must be a playback of the sound reproduction systems are used very sophisticated.
 
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strong opposition to current trends in the multinational market, tending to offer a product that is increasingly homogenized and devoid of content. 
 
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