AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Fone Records - LP121- 180 Gram Virgin Vinyl -
AAA 100% Analogue - Pure Analogue Recording , Mastering & Cutting
Club 496 - Only 496 Copies Numbered Limited Edition - Pressed in Germany
More than 40 years after its publication, the album Lassa sta 'la me creatura continues to be systematically cited in the stories of Italian music related to the '70s as a completely unique and innovative event in the music scene of those years.
The members of Canzoniere del Lazio, early promoters of the folk music revival promoted by the "New Italian Canzoniere," turned their aim on a new and different language: music sensitive to jazz, contemporary composition and pop-rock. They added electric guitars, bass, saxophones, drums and more.
The pieces in Lassa sta 'la me creatura are all taken from repertoires of Italian musical folklore. They mark a transition toward transcultural musical writing that will characterize the production of the Canzoniere del Lazio in the years to come.
The qualitatively new effect is still quite perceptible in Lassa sta 'la me creatura: in the quality of vocal and instrumental sounds and timbres, in solitary and orchestral constructive solutions but above all in the unmistakable expressive power of execution.
A remarkable Italian folk-fusion-rock album with experimental tendencies, originally from 1974 remastered by Giulio Cesare Ricci, Fonè Records. Highly recommended
1) ANTIDOTO (TARANTOLA) 2'04 "
2) 'NCOMINCIAI A NO' MORE '' GOOD IN MY LIFE 9'37"
3) SALTARELLO DELLA TOLFA 3'27 "
4) PROCESSION 5'23"
5) ON GRAVELLU ARRUBIU The Red Carnation 6'14 "
6) LU POVERO ANTONUCCIO 3'18"
7) CANTE A METE OF BARBARANO 7'59 "
8) SALTARELLO 1'43"
Carlo Siliotto: violin, giant guitar, percussions, vocals;
Francesco "Bubù" Giannattasio: organ at two and eight bass, tenor sax, percussion,
flute with reed, voice;
Gianni Nebbiosi: soprano sax, sopranino sax, percussion, voice;
Giorgio Vivaldi: drums, percussion, marranzano, voice;
Luigi Cinque: tenor sax, clarinet, percussion, vocals;
Pasquale Minieri: bass, electric guitar, voice;
Piero Brega: voice, guitar, electric bass, tabla
They collaborated: Glauco Borrelli (double bass)
Sara Modigliani (voice), Andrea Piazza
Recorded from 4/7/74 to 13/7/74, Studio Chantalain
Sound engineer Giorgio Loviscek Mixing
Ricky Gianco, Loviscek.
Ricky Gianco production
The mastering for the SuperAudioCD was carried out by Giulio Cesare
Ricci using the entirely analogic and valvular Signoricci system.
The Master has been realized by pouring on the dCS A / D Converter DSD the Analog
Master realized with the Ampex ATR 102, 2 tracks, 1/2 inch, 76 cm / sec.
The story of fonè
In the context of classical and jazz music market, fonè proposes three decades of recordings using advanced techniques, aimed at the recovery of the original musical atmospheres.
Each new recording is the result of a passionate encounter between art and the art of execution and aims to recreate and reproduce the same spirit with which the works of the past have been performed. One basic feature that makes the difference between fonè and others, is the recording of musical works in natural places and original, constant production that leads to choose from time to time historically more space? Suitable for: church, theater, villa, living room ...
All this is done by retrieving a simple incision that does not do violence to the music: all the equipment is in high definition. Using pairs of valves Neumann microphones in the years 1947 and 1949 (U47, U48 and M49) using techniques very natural timbre bimicrofoniche field effect. These microphones have an important story: they are the microphones used to record the Beatles at Abbey Road Studio and RCA for the "Living Stereo."
No use is made of electronic manipulation of the signal, nor any artificial correction that if they make a sound easier to carve, it is true that distort so unacceptable. With this method you get to transfer the music information on the standard analog for the production of virgin vinyl 180g & 200g
fonè uses for the standard analog Nagra 4S, Studer C37 and J37 and Ampex ATR 102, the standard for digital, in collaboration with Philips the DSD (Direct Stream Digital) technology that has opened the doors to the SACD. For all subsequent stages of processing and control, in which it must be a playback of the sound reproduction systems are used very sophisticated.
After the pressing demands of the enthusiast market and after a long series of investigations to ensure the best possible support, the virgin vinyl 180/200 grams, fonè now makes available its most prestigious titles in the LP format.
strong opposition to current trends in the multinational market, tending to offer a product that is increasingly homogenized and devoid of content.
Implementation is of the highest quality and is dedicated to those who appreciate the pursuit of perfection in the field of sound reproduction, to collectors, to the true connoisseur and expert of things beautiful.
60 Years Pallas
Audiophile Vinyl - Made in Germany For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!
