All Mobile Fidelity Fluids are recommended for manual or machine cleaning!
Mobile Fidelity PLUS Enzyme LP Cleaning Fluid Removes All Organic Materials Embedded in the Grooves of Your Precious Vinyl Records. Nothing on the Market Works as Well to Remove Oils, Sweat, Smoke and Mold!
Mobile Fidelity PLUS Enzyme Cleaner for all Vinyl LPs is a revolution in record cleaning!
PLUS uses enzymes to more completely clean records than any other fluid we've found.
Most sound degrading contaminants found on records are organic in nature, oils and sweat from hands,.skin. hair and other minuscule particles of dust are attracted by electrostatic charges on the vinyl and can become deeply embedded in the vinyl. The best way to remove these is with an enzyme specifically designed for this purpose. By coating the play surface with PLUS Enzyme Cleaning Fluid and allowing it to sit on the record surface for 3-5 minutes, the enzymes will break the particles down and loosen them from the grooves.
Highly purified, high surface tension water is used as the base for PLUS - water that will bead up, removing contaminants and holding them in the water beads, rather than allowing them to settle back into the grooves.
Using PLUS is a revelation, even on a clean record, the improvement is shocking. Drastically lower noise floor, increased dynamic range, richer tonal balance and clear undistorted peaks. Put simply, PLUS reveals more of the information that's been hiding in the grooves. To get the most out of PLUS, we highly recommend using mobile fidelity record rinse PURE is ultra-pure water that has gone through four stages of deionization, after which it is triple-distilled, then treated with high intensity ultraviolet light to kill all bacteria and microbiological particles. This intense and thorough process leaves nothing in PURE to harm your vinyl.
Mobile Fidelity has a history of setting industry standards. We are the first to provide this quality of care in our base and rinse water. The ultraviolet light purification sets the bar
Record-cleaning fluids are another natural for Mobile Fidelity, and another market segment where the company's name is a benefit. Vinylphiles choose record cleaning fluids as carefully as enophiles choose cabernets. For me, a good record-cleaning fluid must spread evenly (not all of them do) and be easily removed, along with all of the dust and other noise-creating crud. If, as some claim, a fluid enhances midrange presence or increases bass weight, that's a sign of something being left on the record, which is not the point. I just want a clean record, and that means removing dirt and grunge along with the fluid.
EVERY RECORD IN YOUR COLLECTION SHOULD BE CLEANED BEFORE YOU PLAY IT AGAIN, AND EVERY RECORD ADDED TO YOUR COLLECTION SHOULD BE CLEANED BEFORE PLAYING.
Every record, even if thought to be cleaned, is soiled with a wide range of dirts and contaminants, including mold and mildew. Vinyl discs are also coated with sticky compounds.removing pressing debris and 'mold release compound' from sealed LP Contaminants between the groove and diamond styluse cause mistracking and are abrasive resulting in unnecessary, excessive wearing of both record and stylus. By interfering with proper groove tracing, dirty records produce inaccurate, noisy sound.
Resulting in reduced sound quality
Reduction in Stylus Life span
Increaesd Record wear
Increasing Static , pops & Clicks
Clean all your records
1/ Manually with a commercial record cleaning fluid & Wet Record Brush
2/ Record Cleaning Machine RCM - Vacuum or Ultrasonic
this is NOT a expense but a Investment for your music collection
A CLEAN RECORD IS A HAPPY RECORD
FULL Mofi LP CARE RANGE
Mobile Fidelity Brush - Mobile Fidelity Cleaning Fluids & Anti Static Inner Sleves
Mobile Fidelity - One Record Cleaning Solution
Mobile Fidelity - Super Record Wash
Mobile Fidelity MoFi - LP Record Brush Replacement Pads
Mobile Fidelity - Plus Enzyme Cleaner
Mobile Fidelity Mofi - Super Deep Cleaner
Mobile Fidelity MoFi Original Master Record Sleeves Inner Sleeves
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.