Beethoven - Symphony No. 3 ("Eroica") : Bruno Walter : Columbia Symphony Orchestra - 180g LP

Product no.: MS6036

In stock

Beethoven - Symphony No. 3 ("Eroica") : Bruno Walter : Columbia Symphony Orchestra - 180g LP
£34.99
Price includes VAT, plus delivery


Available delivery methods: UK Tracked with Signature, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

Speakers Corner / Columbia MS 6036 - 180 Gram Virgin Vinyl -

AAA 100% Analogue  - Mastered by Kevin Gray at Cohearant Audio 

Limited Edition -  Audiophile Mastering - Pressed  at Pallas 

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head 20 Years pure Analogue

Pallas, where all Speakers Corner LPs are pressed, has done a good job with this reissue, which is free from surface pops and ticks. When comparing this new pressing of "Eroica" to the one that's part of the 1973 Odyssey boxed set of Beethoven symphonies [Odyssey Y7 30051], this Speakers Corner LP is clearly more resolving and has better image definition. It also has a blacker background with almost no surface noise, whereas the Odyssey edition has a distinctly grayish background noise that intrudes on the music and obscures some low-level detail. Both versions have some steeliness in the massed strings of the first movement, but Speakers Corner’s version is still clearly superior in every way and the one to own.- The Audio Beat

Ludwig van Beethoven: Symphony No. 3 in E flat major, op. 55 ("Eroica") - The Columbia Symphony Orchestra conducted by Bruno Walter

What would Beethoven have thought of all this? I think he would have been quite excited by Hollywood, and would have gladly written music for the big screen. In his own time he wrote a lot of music for the theatre, and he was always short of money. And he would have been so good at it! As to this recording — I doubt any performance in his own time could have touched it. I also believe he would have been well pleased with Walter's interpretation, just as in the early twentieth century, Gustav Mahler delighted in Walter's performances of his own newly minted symphonies.

This then is a truly wonderful performance. The greatness lies not in the perfection of the playing or the beauty of the sound, but in the realization of the composer's vision. Beethoven set out to change the world in this symphony, and Walter is with him all the way.

Recordings of classical repertoire in the Fifties and Sixties were made during a time of technical development, which is hardly given a thought in our day with its global digitalisation and mass reproduction. To appreciate the improvement offered by analogue recording technology as opposed to a high-quality mono reproduction, one can do no better than listen to the present rendition of Beethoven’s Symphony No. 3. Bruno Walter and his handpicked Columbia Symphony Orchestra present this major orchestral work with its heroic, revolutionary character as a grand symphonic undertaking. Thanks to the new studio technology, Beethoven’s 'new path', and his daring experiment with musical form and content is revealed with previously unheard of depth and amplitude. Just how prudently Walter approaches the score is shown again and again in the highly detailed reconstruction and finely chiselled rendition of passages for small ensembles. Instead of depending upon brusque contrasts of the elements, Walter’s conducting concentrates on exposing the wealth of differing styles and tonality in the score. This strategy of balancing out the contrasts blazed a trail for today’s unremitting search for the much-heralded original sound.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: January 1958 at Legion Hall, Hollywood (CA)

Ludwig van Beethoven
Symphony No.3 in E Flat Major, Opus 55, Eroica
Columbia Symphony Orchestra
Bruno Walter, Conductor

    I. Allegro Con Brio

    II. Funeral March (Adaglo Assai)
    III. Scherzo (Allegro Vivace)
    IV. Finale (Allegro Molto; Poco Andante)

Beethoven - Symphony No. 3 ("Eroica") : Bruno Walter : Columbia Symphony Orchestra - 180g LP

                               
20 Years pure Analogue
This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head
 
Are your records completely analogue?
Yes! This we guarantee!
As a matter of principle, only analogue masters are used, and the necessary cutting delay is also analogue. All our cutting engineers use only Neumann cutting consoles, and these too are analogue. The only exception is where a recording has been made – either partly or entirely – using digital technology, but we do not have such items in our catalogue at the present time
 
Are your records cut from the original masters?
In our re-releases it is our aim to faithfully reproduce the original intentions of the musicians and recording engineers which, however, could not be realised at the time due to technical limitations. Faithfulness to the original is our top priority, not the interpretation of the original: there is no such thing as a “Speakers Corner Sound”. Naturally, the best results are obtained when the original master is used. Therefore we always try to locate these and use them for cutting. Should this not be possible, – because the original tape is defective or has disappeared, for example – we do accept a first-generation copy. But this remains an absolute exception for us.
 
Who cuts the records?
In order to obtain the most faithful reproduction of the original, we have the lacquers cut on the spot, by engineers who, on the whole, have been dealing with such tapes for many years. Some are even cut by the very same engineer who cut the original lacquers of the first release. Over the years the following engineers have been and still are working for us: Tony Hawkins, Willem Makkee, Kevin Gray, Maarten de Boer, Scott Hull, and Ray Staff, to name but a few.
At the beginning of the ‘90s, in the early days of audiophile vinyl re-releases, the reissue policy was fairly straightforward. Companies such as DCC Compact Classics, Mobile Fidelity, Classic Records and others, including of course Speakers Corner, all maintained a mutual, unwritten code of ethics: we would manufacture records sourced only from analogue tapes. 
 
Vinyl’s newfound popularity has led many other companies to jump on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source from which to master: CDs, LPs, digital files and even MP3s. 
 
Even some who do use an analogue tape source employ a digital delay line, a misguided ’80s and ‘90s digital technology that replaces the analogue preview head originally used to “tell” the cutter head in advance what was about to happen musically, so it could adjust the groove “pitch” (the distance between the grooves) to make room for wide dynamic swings and large low frequency excursions. Over time analogue preview heads became more rare and thus expensive. 
 
So while the low bit rate (less resolution than a 16 bit CD) digital delay line is less expensive and easier to use than an analogue “preview head”, its use, ironically, results in lacquers cut from the low bit rate digital signal instead of from the analogue source! 
 
Speakers Corner wishes to make clear that it produces lacquers using only original master tapes and an entirely analogue cutting system. New metal stampers used to press records are produced from that lacquer. The only exceptions are when existing metal parts are superior to new ones that might be cut, which includes our release of “Elvis is Back”, which was cut by Stan Ricker or several titles from our Philips Classics series, where were cut in the 1990s using original master tapes by Willem Makkee at the Emil Berliner Studios. In those cases we used only the original “mother” to produce new stampers. 
 
In addition, we admit to having one digital recording in our catalogue: Alan Parsons’ “Eye in the Sky”, which was recorded digitally but mixed to analogue tape that we used to cut lacquers. 
 
In closing, we want to insure our loyal customers that, with but a few exceptions as noted, our releases are “AAA”— analogue tape, an all analogue cutting system, and newly cut lacquers.
 
60 Years Pallas
 
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade! 

 

Browse this category: CLASSICAL