Dianne Reeves - I Remember - 180g LP

Product no.: PPANBST90264

Dianne Reeves - I Remember - 180g LP
£22.93
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AAA 100% Analogue This  LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head

Pure Pleasure / Blue Note PPAN 90264 - 180 Gram Virgin Vinyl - AAA 100% Analogue

Pure Analogue Audiophile Mastering - Pressed  at Pallas Germany

Mastered by Ron McMaster at Capitol - Blue Note BST 90264 

“Pure Pleasure Records maintains its stature in analogue technology. Reeves’ impressive range is captured in rich, deep textures. Every detail (including the acoustic guitar and vibes) is rendered with pristine clarity and aural fullness. There are finely-tuned separation and volume levels. I Remember will enhance any jazz vinyl collection.” - Robbie Gerson,
 
Pure Pleasure Records has done vinyl fans a big favor by re-releasing this LP. The gatefold jacket of the reissue is gorgeous  and the record itself are both quality products.The Audio Beat
 
Jazz singer Dianne Reeves was born into a family rich in musical background. Her uncle, Charles Burrell, a bass player with the Denver Symphony Orchestra, introduced her to the music of jazz singers such as Ella Fitzgerald, Billie Holiday, and, especially impressive to Reeves, Sarah Vaughan.
 
Her musical career includes a tour with Eduardo del Barrio's group Caldera; singing with Billy Childs' jazz band Night Flight; touring with Sergio Mendes; from 1983-86 touring with Harry Belafonte as a lead singer. She also sang at the closing ceremony of the 2002 Winter Olympic Games in Salt Lake City.
 
Reeves has been awarded four Grammys for Best Jazz Vocal Performances for the albums In the Moment - Live In Concert (2001), The Calling: Celebrating Sarah Vaughan (2002), A Little Moonlight (2003), and Good Night and Good Luck (soundtrack) (2006).
 
"When she wants to sing jazz, Dianne Reeves has always had the ability to reach the top of her field. This Blue Note release finds her in consistently superb form. Reeves' treatments of such numbers as "Afro Blue" (which is particularly memorable), "Love for Sale," "Softly As in a Morning Sunrise," "How High the Moon," and McCoy Tyner's "You Taught My Heart to Sing" all border on the classic. Joined by such illustrious sidemen as pianists Billy Childs, Mulgrew Miller, and Donald Brown; bassists Charnett Moffett and Chris Severin; and drummers Billy Kilson and Marvin "Smitty" Smith, plus guest appearances by vibraphonist Bobby Hutcherson, altoist Greg Osby, and guitarist Kevin Eubanks, Reeves sounds inspired by the company. Highly recommended." - Scott Yanow/AMG
 
“Pure Pleasure Records maintains its stature in analogue technology. Reeves’ impressive range is captured in rich, deep textures. Every detail (including the acoustic guitar and vibes) is rendered with pristine clarity and aural fullness. There are finely-tuned separation and volume levels. I Remember will enhance any jazz vinyl collection.”  
 
When she wants to sing jazz, Dianne Reeves has always had the ability to reach the top of her field, but she has long seemed unable to make up her mind between jazz, R&B, world music, and pop. This Blue Note disc fortunately finds her mostly sticking to jazz and in consistently superb form. Reeves' treatments of such numbers as "Afro Blue" (which is particularly memorable), "Love for Sale," "Softly As in a Morning Sunrise," "How High the Moon," and McCoy Tyner's "You Taught My Heart to Sing" all border on the classic. Joined by such illustrious sidemen as pianists Billy Childs, Mulgrew Miller, and Donald Brown; bassists Charnett Moffett and Chris Severin; and drummers Billy Kilson and Marvin "Smitty" Smith, plus guest appearances by vibraphonist Bobby Hutcherson, altoist Greg Osby, and guitarist Kevin Eubanks, Reeves sounds inspired by the company. If only she would stick to this direction. Highly recommended.
 
Recorded at Madhatter Studios, Los Angeles, California on September 10-11, 1990 and The Van Gelder Studio, Englewood Cliffs, New Jersey on April 27-28 and May 9, 1988. 
 
Musicians:
Dianne Reeves, vocals
Kevin Eubanks, acoustic guitar
Bobby Hutcherson, vibraphone
Greg Osby, alto saxophone
Justo Almario, saxophone
Charles Mims, piano
Billy Childs, piano
Donald Brown, piano
Mulgrew Miller, piano
Chris Severin, bass
Charnett Moffett, bass
Billy Kilson, drums
Marvin Smitty Smith, drums
Terri Lyne Carrington, drums
Ron Powell, percussion, wind chimes
Bill Summers, percussion
Luis Conte, percussion
 
Side One:
1. Afro Blue
2. The Nearness Of You / Misty
3. I Remember Sky
4. Love For Sale
5. Softly As In The Morning Sunrise
Side Two:
1. Like A Lover
2. How High The Moon
3. You Taught My Heart To Sing
4. For All We Know

Dianne Reeves - I Remember - 180g LP

 
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Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

There really is nothing quite like it.  It’s the touch, the feel, you have to stop and stare, the cover,  the real thing, even the smell.

Its tangible, you can feel it, see it, study it,   muse/dream over it, it’s real, someone  has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.  

The music and the physical record.  Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover,  the sleeve notes, you are  holding a unique package, produced by craftsmen.

Pure Pleasure  Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe 

Pure Analogue Audiophile Mastering
 
Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl
 
Released in Limited Quantities

PALLAS
 
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!  

 

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