Gil Evans Orchestra - Great Jazz Standards - 180g LP Mono

Product no.: PPANWP1270

In stock

Gil Evans Orchestra - Great Jazz Standards - 180g LP Mono
£34.99
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Available delivery methods: UK Tracked with Signature, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head

Pure Pleasure / Pacific Jazz - PPAN WP1270 - 180 Gram Virgin Vinyl

AAA 100% Analogue  -  Mastered by Steve Hoffman & Kevin Gray at Cohearant Audio

Limited Edition - Pressed  at Pallas Germany 

"Pure Pleasure’s musical archeological digs have managed to find some interesting obscurities, this Gil Evans session from 1959 being one of them. It certainly deserves to be brought to your attention...an atmospheric, cinematic approach to playing and arranging that is as startling and evocative today as it must have been back in 1959...if you appreciate this arranger’s art and wish to hear it realized fully through a series of mostly recognizable jazz standards packed with great soloing, your listening will be well-rewarded." - Michael Fremer, analogplanet
 
Great Jazz Standards" was recorded when Evans was red-hot from two successes with Miles Davis, "Miles Ahead" and "Porgy And Bess".
Evans' signature brass choir is in place - creatively voiced, spaciously arranged, a supple, multi-coloured, sonically surprising counterpoint to a succession of superb soloists. The added bonus, for Evans' projects, is the foregrounding of saxophone and clarinet soloists Steve Lacy and Budd Johnson. 
 
Lacy and the original swing-to-bop missing link, Johnson, are the ones who will make the hair on your neck curl. Lacy's solos on Monk's "Straight No Chaser" and John Lewis' "Django" must be some of the finest pre-free improvisations he recorded, already heading from quirky to out-there. Johnson's clarinet solo on Don Redman's spooky, swing-meets-whole tone classic, "Chant Of The Weed", and slow-burning, stirring tenor solo on Evans' "La Nevada" are some of the finest the all-but-forgotten genius ever recorded. Trumpeter Johnny Coles, has the inevitable misfortune of being compared to Miles Davis and being found to be ... different. Sunny, open and extroverted, he may not be a stylist of Davis' proportions, but he's an enjoyable alternative foil for Evans' arrangements. 
A magnificent but neglected album, and still coming up fresh as daisies.
 
Musicians:
Dick Carter, bass (A1, A2, B1)
Tommy Potter, bass (A3, A4, B2, B3)
Dennis Charles, drums (A1, A2, B1)
Elvin Jones drums (A3, A4, B2, B3)
Earl Chapin, French horn (A3, A4, B2, B3)
Bob Northern, French horn (A1, A2, B1)
Chuck Wayne, guitar (A1, A2, B1)
Ray Crawford, guitar (A3, A4, B2, B3)
Steve Lacy, soprano saxophone
Budd Johnson, tenor saxophone, clarinet (A3, A4, B2, B3)
Bill Elton, trombone (A1, A2, B1)
Curtis Fuller, trombone (A1, A2, B1)
Dick Lieb, trombone (A1, A2, B1)
Jimmy Cleveland, trombone (A3, A4, B2, B3)
Rod Levitt, trombone (A3, A4, B2, B3)
Allen Smith, trumpet (A1, A2, B1)
Danny Stiles, trumpet (A3, A4, B2, B3)
Johnny Coles, trumpet
Louis Mucci, trumpet
Bill Barber, tuba
Al Block, woodwind (A1, A2, B1)
Ed Caine, woodwind (A3, A4, B2, B3)
Gil Evans, piano, conductor
 
Selections:
Side A
1. Davenport Blues
2. Straight No Chaser
3. Ballad of the Sad Young Men
4. Joy Spring
Side B
1. Django
2. Chant of the Weed
3. La Nevada (Theme)
 
Recorded February 5, 1959
 
Gil\u0020Evans\u0020Orchestra\u0020\u002D\u0020Great\u0020Jazz\u0020Standards\u0020\u002D\u0020180g\u0020LP
 
 
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Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

There really is nothing quite like it.  It’s the touch, the feel, you have to stop and stare, the cover,  the real thing, even the smell.

Its tangible, you can feel it, see it, study it,   muse/dream over it, it’s real, someone  has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.  

The music and the physical record.  Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover,  the sleeve notes, you are  holding a unique package, produced by craftsmen.

Pure Pleasure  Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe 

Pure Analogue Audiophile Mastering 
Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl 
Released in Limited Quantities

PALLAS
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!  

 

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