The sound on this disc is warm and pillowy with just enough definition and punch to keep the groove engaging. It’s not entirely surprising to learn that Ndegeocello and keyboardist/producer Jebin Bruni were steeped in Neil Young’s Harvest while they recorded these sessions, because the songs are carefully arranged and imbued with expansive, cinematic touches. Pete Min mixed and mastered the album and deserves credit for the recording’s well-balanced EQ. Bass heads and prog-rock fans should revel in the subterranean depths of Ndegeocello’s muscular bass runs. All of this aids in making Ventriloquism a sonically satisfying journey thorough 1980s and 1990s musical landscapes you might have known but didn’t fully appreciate the first time around.Sound 4/5 The Audio Beat
Musically, Ventriloquism has the hallmarks of all of Ndegeocello's work, lush and investigative, subversive and sublime. As always, she pays tribute to her diverse influences and in these eleven covers, we hear them layered over one another. Ndegeocello filters "Tender Love" through a folky, Californian filter and brings Vaudevillian accents to "Sensitivity". She recreates Smooth Operator in five, and turns "Private Dancer" into a sultry waltz. The reimagining affords not just a new musical experience but also a comment on the narrow expectations of sounds and structures for black artists and black music.
This album was recorded in Los Angeles with the familiar family of partners and players that Meshell has worked with for years. Chris Bruce plays guitar, Abraham Rounds is on drums, Jebin Bruni co-produced the album and plays keys. S. Husky Huskolds engineered while Pete Min mixed and mastered. Lasting and collaborative relationships with her fellow musicians is among the most important parts of music making for Meshell, prompting her to say on more than one occasion: "Meshell Ndegeocello is a band".
A final note to the listener, Meshell chose art for the album package that hints at what's inside: A graphic V, a hidden M, the artwork is symbolic, sexy, and calls on the language of protest of the era these songs were mined from. With no words or pictures, the artwork is itself a declaration that even when you cannot imagine what to say, if you come together to create, you can find transformation and reinvention, the old can become new, today can become tomorrow.
Beautiful double LP, gatefold packaging, heavyweight 180g + digital download card. The vinyl features an etching on side D
A portion of the profits from this album will be donated to the American Civil Liberties Union.
