The Byrds - Notorious Byrd Brothers - SACD

Product no.: UDSACD2015

The Byrds - Notorious Byrd Brothers - SACD
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Mobile Fidelity - UDSACD 2015 - SACD Hybrid Stereo 

Numbered Limited  Edition - Plays On All CD Players + 6 Bonus Tracks

Mastered on the Mobile Fidelity GAIN 2™ Mastering Technology for Ultradisc UHR SACD   

Mastered From the Original Analog Master Tapes for Incredible Sound
 
Includes Six Stereo Bonus Tracks
 
The Notorious Byrd Brothers was originally released on January 3, 1968, and remains the Byrds' most interesting album, the songs among the best in the band's catalog. Although the group was in turmoil at this point, the album that emerged was cohesive, consistently challenging, and thematically unified.
 
Mobile Fidelity has done an amazing job with the mastering from the original analog mono master tape. This edition also includes 6 bonus tracks in stereo, of which David Crosby’s "Triad" is a standout; one of the reasons Crosby left the band is because of its omission from the original record. Ten minutes of hidden studio chatter at the end also proves illuminating, the Byrds' fierce battling in the studio a mirror into to their serious problems.
 
While not filled with hits, this set marks the last time any Byrds album captured the magical alchemy of the band's trademark guitar jangle and emotionally evocative harmonies. Now, experience it all like never before.
 
"While recording their fifth album, Byrds guitarist David Crosby was fired and drummer Michael Clarke quit. According to legend, for the album-cover photo, the band erased Crosby's face — and replaced him with a horse. But despite the internal drama, the Byrds made Notorious a warm, gentle comedown for Sixties children facing up to the morning after the Summer of Love. The sound is melancholic but friendly, blending spacey studio effects and Moog synthesizers with guitars, strings and horns to build the elegiac mood of "Draft Morning" and "Goin' Back" as well as the optimistic surge of "Dolphin's Smile" and "Natural Harmony." - www.rollingstone.com
 
The recording sessions for the Byrds' fifth album, The Notorious Byrd Brothers, were conducted in the midst of internal turmoil that found them reduced to a duo by the time the record was completed. That wasn't evident from listening to the results, which showed the group continuing to expand the parameters of their eclecticism while retaining their hallmark guitar jangle and harmonies. With assistance from producer Gary Usher, they took more chances in the studio, enhancing the spacy quality of tracks like "Natural Harmony" and Goffin & King's "Wasn't Born to Follow" with electronic phasing. Washes of Moog synthesizer formed the eerie backdrop for "Space Odyssey," and the songs were craftily and unobtrusively linked with segues and fades. But the Byrds did not bury the essential strengths of their tunes in effects: "Goin' Back" (also written by Goffin & King) was a magnificent and melodic cover with the expected tasteful 12-string guitar runs that should have been a big hit. "Tribal Gathering" has some of the band's most effervescent harmonies; "Draft Morning" is a subtle and effective reflection of the horrors of the Vietnam War; and "Old John Robertson" looks forward to the country-rock that would soon dominate their repertoire.
 
Engineer – Don Thompson, Roy Halee
Performers– Chris Hillman, Michael Clarke, Roger McGuinn
Producer – Gary Usher
 
The Byrds The Notorious Byrd Brothers Track Listing:
 
1. Artificial Energy (2:18)
2. Goin’ Back (3:26)
3. Natural Harmony (2:11)
4. Draft Morning (2:42)
5. Wasn’t Born To Follow (2:04)
6. Get To You (2:39)
7. Change Is Now (3:21)
8. Old John Robertson (1:49)
9. Tribal Gathering (2:03)
10. Dolphin’s Smile (2:00)
11. Space Odyssey (3:52)
 
BONUS TRACKS
12. Moog Raga (3:24) (instrumental)
13. Bound To Fall (2:08) (instrumental)
14. Triad (3:29)
15. Goin’ Back  (3:55) (version one)
16. Draft Morning (2:55)  (alternate end) 
17. Universal Mind Decoder (3:33) (instrumental)
 
TRACKS 1 - 11 MONO
TRACKS 12 - 17 STEREO
Byrds - Notorious Byrd Brothers - SACD
 
Image result for mofi mobile fidelity sound lab
Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts. 
 
It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics. 
 
Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction. 
 
GAIN 2™ Mastering Technology for Ultradisc UHR™ Hybrid SACD and Ultradisc II™ 24kt Gold CDs 
 
For over twenty years, Mobile Fidelity Sound Lab has continually searched for the ultimate audio experience. During this search MFSL engineers and associates created The GAIN™ System, a proprietary mastering technology which brought warmth and ambience to the compact disc format. A few years ago - with higher resolution formats on the horizon - the vision of GAIN 2™ began. As it stands today, GAIN 2™ is one of the greatest technical advancements in analogue and digital technology in the last ten years. It consists of a series of critical modifications and new components to Mobile Fidelity's proprietary mastering chain. 
 
We feel that GAIN 2™ has come extremely close to meeting this goal. The key accomplishments of GAIN 2™ System are 1) the ability to extract all the musical information as possible through the Ultra High bandwidth analogue tape playback system with proprietary custom tape playback heads, reproducer electronics and 2) transparently capturing and storing that information with the Direct Stream Digital recording system. 
 

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