Mobile Fidelity - MFSL 2-318 - 180 Gram Virgin Vinyl - AAA 100% Analogue
Numbered Limited Edition - Pressed at RTI
Mastered by Paul Stubbleline from the orginal Mastertape at MFSL
Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
A singular jazz work, Patricia Barber’s groundbreaking Mythologies is the result of the pianist becoming the only singer-songwriter to ever win a Guggenheim Fellowship. Allowed the time to craft a sophisticated album, the ambitious 2006 set is without peer in any musical genre.
A cycle based on Greek mythology and Ovid’s “Metamorphoses,” Mythologies brings each of the eleven characters from Ovid’s play to life in song. Accompanied by guitarist Michael Alger, bassist Michael Arnapol, and drummer Eric Montzka, and assisted by a few special guest background vocalists--including a children's choir--Barber has turned in one of the first legitimate masterworks of the new century.
Lyrically addressing lovestruck emotions, insomnia, desires, risks, and more, Barber habitually turns conventions on their head. She matches her sonnets, double entendres, and fascinating narratives with music that’s at once seductive, sad, beautiful, and powerful. Intended to be listened to from start to finish, Mythologies comes off as a sonic cycle that traces life and death in an engrossingly imaginative fashion that’s on par with the classic Greek influences.
Half-speed mastered from the original master tapes, Mobile Fidelity’s numbered limited-edition 180-gram 2-LP set of Mythologies boasts astounding sonics. Every vocal delicacy and breathy aspect of Barber’s singing is fully audible, balanced, and gorgeously textured. Instrumental decay and acoustic details are suspended against a pitch-black background.
Vocal jazz records don’t get better than this!
Don’t settle for the standard CD version, which is robbed of much of the presence, richness, and atmosphere.
"(a) dark sense of humor mingling with a bright musicality." - downbeat
"Barber, for my money the single most interesting female American jazz singer on the contemporary scene, has remained an uncompromisingly brilliant innovator." - jazztimes
Mythologies is a single moment in jazz when the entire music moves forward because it engages the culture as it is. Blues and swing are embedded in these complex, ever-shifting harmonics and melodic songs; they shape-shift through pop, balladry, rock, post-bop, and even hip-hop. They stand on their own in the full poetic view of the written and sung word. Indeed, as a whole they become something wonderfully new, generated from the meat, bone, and sinew of the past as it enters the here and now. Mythologies is Barber's masterpiece -- thus far. - Allmusic
• Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
Patricia Barber Mythologies Track Listing:
1. The Moon
5. Icarus (for Nina Simone)
6. Orpheus/ Sonnet
9. Whiteworld/ Oedipus
11. The Hours
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.