AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Analogue Productions - AAPB 099 - 200 Gram Virgin Vinyl -
AAA 100% Analogue Limited Edition - Pressed at QRP Quality Record Pressings
Mastered at Ryan K Smith at Sterling Sound
Mastered by Ryan K. Smith at Sterling Sound
If for some strange reason someone had not heard or heard of Stevie Ray Vaughan by the late 1980s, In Step changed that in a hurry. Fueled by a desire to make up for lost time and delight in his reawakened commitment to life, the Texas guitarist turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler. In Step remains one of the five-greatest blues records of the past quarter century.
The years leading up to In Step weren't kind to Vaughan. In terms of deserved critical praise, yes. And in terms of continually hitting giant artistic strides, certainly. But Vaughan became mired in a haze of whiskey and cocaine, getting sucked into a downward spiral that culminated with him collapsing on a London stage in 1986 and coming close to death. After checking himself in for treatment, embracing the 12-step program, and finally kicking his vices, Vaughan returned with a vengeance on In Step, the first record he made sober.
The results teem with intensity, passion, and edge. Vaughan aggressively tears into uptempo hellraisers such as the No. 1 Billboard hit "Crossfire," "The House Is Rockin'" and "Scratch-N-Sniff," grabbing each song by the scruff, shaking them, and refusing to let go. He courageously delves into his personal scars on the semi-autobiographical "Tightrope" and "Wall of Denial," confessionals that leave nothing to the imagination. A pair of instrumentals and several powerhouse covers round out an effort defined by Herculean consistency, songwriting, and poignant honesty. That Vaughan was killed in a helicopter accident one year after its release only adds to the sense of urgency – and bittersweet feeling, particularly since everything here serves to uplift.
With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.
On 1989's In Step, Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty. Yes, there are a few covers, all well chosen, but the heart of the album rests in the songs he co-wrote with Doyle Bramhall, the man who penned the Soul to Soul highlight "Change It." Fueled by a desire to make up for lost time and delight in his reawakened commitment to life and sobriety, Vaughan turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler.
"Travis Walk" offers a heady rush of flat-picking, "The House is Rockin'" is full-tilt roots-boogie, "Let Me Love You Baby" and "Leave My Girl Alone" are sweet blues epiphanies, and the nine-minute instrumental "Riviera Paradise" is a truly soulful mix of blues and jazz. By now, just a year before his untimely death, Vaughan had also tamed his bawling voice into a rich instrument. In short, this 1989 session is Vaughan at his artistic peak.
As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.
In Step remains one of the five greatest blues records of the past quarter century. There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades
• 200-gram vinyl pressed at Quality Record Pressings
• All-analog mastering from the original tapes by Ryan K. Smith at Sterling Sound
• 1989 Grammy Award Winner for Best Contemporary Blues Album
• Includes the #1 Billboard hit "Crossfire"
• Deluxe tip-on gatefold jacket from Stoughton Printing
Bass Guitar – Tommy Shannon
Drums, Percussion – Chris Layton
Engineer – Richard Mullins
Guitar, Vocals – Stevie Ray Vaughan
Keyboards – Reese Wynans
Producer – Stevie Ray Vaughan And Double Trouble
1. The House is Rockin'
4. Let Me Love You Baby
5. Leave My Girl Alone
6. Travis Walk
7. Wall of Denial
8. Scratch N Sniff
9. Live Me Darlin
10. Riviera Paradise
ORIGINAL MASTER TAPES
AAA 100% ANALOGUE
We use the Original Tapes and work with only the Best Mastering Studios
QUALITY RECORD PRESSINGS
Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl
Meticulous Test Pressing evaluation and Quality Control
Highest Quality Jackets and Rice Paper Inner Sleeves
Less than 1,000 Records per Stamper
Released in Limited Quantities