Stereophile Record of the Month Sound 5/5 Music 5/5  

"Pressed by AP's own Quality Record Pressing, the mixes are nothing short of a brilliant rejuvenation that all fans of this most American of 1960s pop bands will find entirely essential. They aren't merely different, or even just better - they're terrific. ...new colors and dimensions in the music abound. Wilson's grand arrangements are hugely well served by these breakthrough stereo mixes. ...it's hard to deny the feeling that these new mixes are a more accurate portrayal, a fuller realization, of everything Brian Wilson intended this breathtaking music to accomplish." - Robert Baird, Stereophile Magazine 

 

The ultimate pressings of the Beach Boys discography from Analogue Productions!

 

Mono mixes created under Brian Wilson's supervision

 

 

For Brother Records — Elliott Lott

 

Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes 

 

Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!

 

"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." 

 

To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!

 

For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.

 

We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!

 

But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themseleves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well. 

 

Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

"Put simply, this is the Beach Boys at their mid-'60s prime. Ironically, the band's greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band's live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys' studio sound. With Wilson's productions gaining a significant new depth and confidence (note the innovative modulations on 'Dance, Dance, Dance'), the first half of Today seems a logical, upbeat step forward from its predecessors. But it's the album's second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it's easy to imagine gorgeous, introspective tracks such as 'Please Let Me Wonder,' 'She Knows Me Too Well,' and 'In the Back of My Mind' intertwined with the best of Sounds."