WAITING A REPRESS - BACK IN STOCK SOON
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Analogue Productions - AAPP 070 - 200 Gram Virgin Vinyl - AAA 100% Analogue
Mastered by Kevin Gray at Cohearent Audio -
Limited Edition - Pressed at QRP Quality Record Pressings
"The original Artisan Sound mastering is masterful and if you have a clean one, you're all set. This reissue is not quite as transparent but the inner detail resolution is superior as is the bottom end. If I had to guess which album(s) were cut from 'best available' as opposed to master tapes I'd pick this one simply because the top end is not as open and airy. If you don't have an original you won't know you're missing something, and you are getting inner detail and bottom end weight the original lacks." — Michael Fremer, AnalogPlanet.com..
"While the consensus deems Pet Sounds to be The Beach Boys' greatest achievement, I derive much more joy from this 1971 release. Issued when the band was considered so unhip as to be beyond redemption, it featured Bruce Johnston's heartbreakingly gorgeous 'Disney Girls (1957),' famously covered by Art Garfunkel, 'Long Promised Road,' 'Till I Die,' 'Feel Flows' and the luscious title track. Surf's Up restored the band's credibility, despite Brian Wilson not dominating the proceedings. It sounds equally glorious on SACD. Audiophiles will note it was recorded for surround sound, to be heard via a Dynaco Quadaptor. — Sound Quality = 91% - Ken Kessler, HiFi News
The ultimate pressings of the Beach Boys discography from Analogue Productions!
Stereo mixes produced by Mark Linett and Alan Boyd / Mixed by Mark Linett
Audio production — Mark Linett
For Brother Records — Elliott Lott
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes
Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!
"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original."
A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Worth noting on Surf's Up is Stephen Desper's engineering work — the entire album was mixed to a center channel quad matrix that he was developing at the time.
Surf's Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts — the highest chart placement the group had had since 1967. At the time of its release, Surf's Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall.
Carl Wilson makes solid contributions on Surf's Up with "Long Promised Road" and "Feel Flows," and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic "Disney Girls (1957)," but the album's twin jewels are both from Brian Wilson — "Til I Die" and the title track — one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album's "Child Is Father to the Man" as a glorious coda.)
Surf's Up track "A Day in the Life of a Tree" is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. "Til I Die," isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life.
• 200g Virgin Vinyl LP
• Mastered by Kevin Gray at Cohearent Audio
• Stereo mixes produced by Mark Linett and Alan Boyd
• Mixed by Mark Linett
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings
• "Old school" Stoughton tip-on jackets
• Audio Production - Mark Linett
• For Brother Records - Elliott Lott
1. Don’t Go Near The Water
2. Long Promised Road
3. Take A Load Off Your Feet
4. Disney Girls
5. Student Demonstration Time
6. Feel Flows
7. Lookin’ At Tomorrow (A Welfare Song)
8. A Day In The Life Of A Tree
9. ‘Til I Die
10. Surf’s Up
ORIGINAL MASTER TAPES
AAA 100% ANALOGUE
We use the Original Tapes and work with only the Best Mastering Studios
QUALITY RECORD PRESSINGS
Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl
Meticulous Test Pressing evaluation and Quality Control
Highest Quality Jackets and Rice Paper Inner Sleeves
Less than 1,000 Records per Stamper
Released in Limited Quantities