Analogue Productions - AAPP 9135-45 - 200 Gram Virgin Vinyl
AAA 100% Analogue - Mastered by George Marino at Sterling Sound
3500 Numbered Limited Edition - Pressed at QRP Quality Record Pressings
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
The Absolute Sound Super Disc List TAS Harry Pearson Super LP List
100 Recommended All-Analog ressues Worth Owning - Michael Fremer Analogplanet 2019
And wow again listening to this impeccably pressed on 200g vinyl reissue. The attack of the pick on the guitar strings is astonishingly clean and detailed Sound 10/10 Michael Fremmer Analogue Planet
"...this new LP of Tea is a doozy. I hesitate to use the term 'last word' on anything, particularly records these days which can be remastered and even remixed (though very rarely), but this may well be the last LP pressing of this title that anyone will ever need. The dynamic scale, level of detail and the overall atmosphere of this pressing is superb. The warmth and suppleness of the sound is without equal. Yet another unqualified triumph from Kassem's sonic wonderland out on the Great Plains!" — Robert Baird, Stereophile.com.
"Yes, it does sound better at 45rpm: more open, dynamic and not slightly pinched on the inner groove area since it's stretched out to two LPs and the sides don't have to go as far towards the center of the record. If you already have the 33 do you need the 45 set? Only if you are absolutely fanatically dedicated to this record. Then you won't regret the purchase. It will become a collectible so you really can't go wrong." — TAS
Just when you thought it couldn't get any better, Analogue Productions has upped the ante! Introducing Tea For The Tillerman on 45 RPM. If you thought the 33 1/3 version was something to behold, just wait until you hear this.
In 1970, Lee Hulko at Sterling Sound cut Tea For The Tillerman for A&M Records in the U.S. and Island Records in the UK using a Telefunken M10 tape machine and a Neumann VMS 66 lathe with a Neumann SX68 cutterhead. Hulko started Sterling in 1968 and was its original mastering engineer. He's considered among the first engineers to advance mastering from just transferring music from tape to lacquer to an art where attention is paid to all the details that result in better sound. We actually found Hulko's original mastering notes from more than 40 years ago. It's incredible, but Sterling still has all of their notes filed away.
So, it was originally cut at Sterling - as were all of the early original Cat Stevens albums - and the tapes were last used at Sterling. How appropriate then that we should go back to Sterling for this monumental reissue. Using the original tapes, George Marino handled the mastering this time. He used an Ampex ATR-102 tape machine, another significant point of interest. While Ampex has long been revered for their sound, they had never made a preview version so that a mastering engineer could cut a lacquer from an Ampex machine. Mike Spitz at ATR Services made a unique preview modification for Sterling so that they could cut this record using an Ampex. Marino then used a Neumann VMS 80 lathe with a Neumann SX 74 cutterhead.
Cat Stevens, guitar, keyboards, vocals
Alun Davies, 2nd guitar
John Ryan, bass
Harvey Burns, drums
Jack Rostein, solo violin
Del Newman, string arrangement
1. Where Do the Children Play?
2. Hard Headed Woman
3. Wild World
4. Sad Lisa
5. Miles From Nowhere
6. But I Might Die Tonight
7. Longer Boats
8. Into White
9. On The Road To Find Out
10. Father And Son
11. Tea For The Tillerman
ORIGINAL MASTER TAPES
AAA 100% ANALOGUE
We use the Original Tapes and work with only the Best Mastering Studios
QUALITY RECORD PRESSINGS
Plated and Pressed at QRP the world`s Best Pressing Plant on Virgin Vinyl
Meticulous Test Pressing evaluation and Quality Control
Highest Quality Jackets and Rice Paper Inner Sleeves
Less than 1,000 Records per Stamper
Released in Limited Quantities