Analogue Productions - APRJ 7094 - 200 Gram Virgin Vinyl - AAA 100% Analogue
Mono - Prestige 7094 -Mastered by Kevin Gray at Acoustech Mastering
Limited Edition - Pressed at QRP Quality Record Pressings
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
Cut from the analogue masters by renowned mastering engineer Kevin Gray
200-gram pressing by Quality Record Pressings has a flat edge profile and deep groove label, true to the original LP Deluxe high-gloss tip-on album jacket
"Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz - such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes. ... (Cookin') does have a warm, quite intimate perspective, with a fine sense of instrumental textures." — Wayne Garcia, The Absolute Sound
Cookin’ With the Miles Davis Quintet is the first classic album of four total that emerged from two marathon and fruitful sessions recorded in 1956 (the other three discs released in Cookin’s wake were Workin’, Relaxin’ and Steamin’). All the albums were recorded live in the studio, as Davis sought to capture, with Rudy Van Gelder’s expert engineering, the sense of a club show á la the Café Bohemia in New York, with his new quintet, featuring tenor saxophonist John Coltrane. In Miles’s own words, he says he called this album Cookin’ because “that’s what we did—came in and cooked.” What’s particularly significant about this Davis album is his first recording of what became a classic tune for him: “My Funny Valentine.” Hot playing is also reserved for the uptempo number “Tune Up,” which revs with the zoom of both the leader and ’Trane.
Cookin' was the first album to be released of the famed extended recording sessions of the Miles Davis Quintet, wherein they taped the band's basic repertoire (and what a marvelous mixture of jazz originals and standards) in the manner of nightclub sets rather than the repetition of the usual studio takes. The album excited listeners not only with its contents but with its promise of more to come. Davis, Coltrane, Garland, Chambers and Philly Joe Jones; one of the classic groups in the history of jazz. It established a level of excellence that was to foster a long, successive line of outstanding Davis quintets and sextets through the 50s and 60s.
From the muted eloquence of "My Funny Valentine", through the finger-poppin' "Blues By Five", to the urgent swing of "Airegin" and "Tune Up", Cookin' has the ability to thrill the listener no matter how many times it is played—the mark of an all-time great performance.
he famed extended recording sessions of the Miles Davis Quintet, wherein they taped the band’s basic repertoire (and what a marvelous mixture of jazz originals and standards) in the manner of nightclub sets rather than the repetition of the usual studio takes. Cookin’ was the first to be released and it excited listeners not only with its contents but with its promise of more to come. Davis, Coltrane, Garland, Chambers, and Philly Joe: one of the classic groups in the history of jazz. It established a level of excellence that was to foster a long, successive line of outstanding Davis quintets and sextets through the Fifties and Sixties. From the muted eloquence of “My Funny Valentine,” through the finger-poppin’ “Blues by Five,” to the urgent swing of “Airegin” and “Tune-Up,” Cookin’ has the ability to thrill the listener no matter how many times it is played–the mark of an all-time great performance.
Recorded in 1956.
Miles Davis, trumpet
John Coltrane, saxophone (tenor)
Red Garland, piano
Philly Joe Jones, drums
Originally released in 1957.
"There is an undeniable telepathic cohesion that allows this band... to work so efficiently both on the stage and the studio. This same unifying force is also undoubtedly responsible for the extrasensory dimensions scattered throughout these recordings. The immediate yet somewhat understated ability of each musician to react with ingenuity and precision is expressed in the consistency and singularity of each solo as it is maintained from one musician to the next without the slightest deviation." - Lindsay Planer, allmusic
• Plated by Gary Salstrom
• Mastered by Kevin Gray
My Funny Valentine
Blues By Five
When Lights Are Low
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