AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Analogue Productions - APRJ 7200 - 180 Gram Virgin Vinyl - AAA 100% Analogue

Mastered By Kevin Gray at AcousTech Mastering - Prestige 7200

Limited Edition - Pressed at QRP Quality Record Pressings

Pressed at QRP with Deep groove label pressings, tip-on jackets on thick cardboard stock

The Absolute Sound Super Disc List            TAS Harry Pearson Super LP List

Analogue Productions has continued to push its own already high bar higher still. Its Quality Record Pressings plant is delivering the best vinyl discs to be found, its jackets and cover reproduction quality have hit new levels, and it continues to have the best in the biz — such as Kevin Gray for this series (25 mono LPs from the Prestige label's exceptional late-50s run) cut lacquers from original analog master tapes. ... Steamin' is the warmest sounding of the lot, with wonderful textures and detail. It also has the most relaxed and easy feeling of these titles, even when the band is smoking on tunes like the bop classic 'Salt Peanuts.'" — Wayne Garcia, The Absolute Sound

200-gram pressing by Quality Record Pressings has a flat edge profile and deep groove label, true to the original LP Deluxe high-gloss tip-on album jacket Of Miles Davis’s many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis’s muted ballads and medium-tempo standards endeared him to the public.

The horns’ searing exposition of classics like "Salt Peanuts" and "Well, You Needn’t" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Although there is no original material on Steamin, it may best represent the ability of the Miles Davis quintet to take standards and rebuild them to suit their qualifications.

Steamin’ is a significant portion of the music of this remarkable group. Originally released in 1961 Miles Davis, trumpet John Coltrane, tenor saxophone Red Garland, piano Paul Chambers, bass Philly Joe Jones, drums

All of the stylistic elements that made Miles Davis’ 1956 quintet one of the immortal bands in jazz history are on display in this collection. “Surrey with the Fringe on Top” and “Diane” are medium-tempo standards that highlight the contrast between the leader’s Harmon-muted horn, the explorations of John Coltrane’s tenor sax and Red Garland’s sparkling piano. “Salt Peanuts” and “Well, You Needn’t,” each a modern jazz classic, allow for intense swinging over the beat of Paul Chambers’ bass and Philly Joe Jones’ drums. And “Something I Dreamed Last Night” and “When I Fall in Love” give us vulnerable, visceral ballad playing by Davis that remains unsurpassed.
 

Of Miles Davis’s many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis’s muted ballads and medium-tempo standards endeared him to the public. The horns’ searing exposition of classics like "Salt Peanuts" and "Well, You Needn’t" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere.

Although there is no original material on Steamin, it may best represent the ability of the Miles Davis quintet to take standards and rebuild them to suit their qualifications. Steamin’ is a significant portion of the music of this remarkable group.

Musicians:
Miles Davis, trumpet
John Coltrane, tenor saxophone
Red Garland, piano
Paul Chambers, bass
"Philly" Joe Jones, drums

Selections:
1. Surrey With the Fringe on Top
2. Salt Peanuts
3. Something I Dreamed Last Night
4. Diane
5. Well, You Needn't 
6. When I Fall In Love