Mobile Fidelity - UD1S 2-008 - UltraDisc - SuperVinyl - 180 Gram Virgin Vinyl
AAA 100% Analogue - Ultradisc One Step Pressing UD1S
7500 Numbered Limited Edition - 45RPM -
The Absolute Sound Super Disc List TAS Harry Pearson Super LP List
Revealed extreme resolution and realism, tiny details and layers, huge dimensionality and lifelike presence. The background was ultra-quiet, allowing the silky-smooth grooves to convey far more musical information than I could have imagined. Wow, was it stunning. Like hearing the LP for the first time. Ah, the magic of vinyl lives on.- The Absolute Sound
I can only rely on what I hear from the One-Step LPs, which sound wonderful. Instrumental and mixing lines are well delineated, and the bottom end is substantial, as it is with each One-Step release I've heard. Resolution of fine detail, important for the layered arrangements, is especially high, increasing the sense of hearing all the master tape has to offer. The records are dead quiet. You'll notice this when you drop the needle at the beginning of a side or after a track ends, but also when the music is playing, when the whoosh endemic to vinyl normally is present. Not here -- SuperVinyl will satisfy even the pickiest noise-haters. makes What's Going On even super-er. This vinyl earns its lofty moniker and delivers on the promise of quieter records, bringing you closer to the music Sound 5/5 The Audio Beat
I compared my original RCA mastered and pressed original (Tamla TS310) and then with this "1 Step" version (pressed on the new MoFi "Supervinyl" manufactured by NEOTECH and it's difficult to believe these are sourced from the same tape. The "one step" destroys the others by a wide margin. This reissue is a major sonic step forward both for Mobile Fidelity and for vinyl reissues generally. It would be interesting to compare it to the master tape Michael Fremer /www.analogplanet,com
To conclude, Mobile Fidelity's fifth UD1S release—Marvin Gaye's What's Going On—is along with Santana's Abraxas their two best musical and sonic releases ever . 'Master cutter' Krieg Wunderlich with Rob LoVerde form an incredible team just like Gray and Hoffman did in the past. These guys get it right, the vibe cuts through—at least most of the time—and now with the advances MoFi has brought with their superior mastering-cutting gear, 45 rpm releases, and UltraDisc One-Step pressings, they seem unbeatable. Sound 10/10 Tone Audio
My original pressing of the album is edgy and harsh, with pinched dynamics, a thin bottom end, and flat perspective. Behold, then, this mind-popping reissue. Gaye’s voice is suddenly highly present and integrated into the whole—as are his own accompanying vocals. The bottom end is deeper, richer, and it really moves. There’s dynamic range and a sense of freedom to the sound, with a notable sense of air and space. Most importantly, the music’s already powerful emotional impact is that much greater. I couldn’t—and can’t—stop playing it. Wayne Garcia - TAS
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Mastered from the Original Master Tapes and Pressed on MoFi SuperVinyl: What's Going On Mobile Fidelity UD1S 45RPM 2LP Box Set Is the Ultimate Version of Marvin Gaye's Groundbreaking Album
Lavish Packaging Includes Opulent Box, Foil-Stamped Jackets, and World's First MoFi SuperVinyl LPs: Deluxe Audiophile Set Strictly Limited to 7,500 Numbered Copies (Limit Two Per Customer)
Pure Soul Genius That Redefined Pop Music and Motown: Socially Relevant What's Going On Pulses with Vitality and Urgency, Named the Sixth Greatest Album of All Time by Rolling Stone
Named the 6th best album in music history by Rolling Stone, Marvin Gaye's staggeringly influential What's Going On is pure soul genius and an ageless document about urban ills, employment issues, environmental concerns, and social responsibilities that's as relevant today as it was upon release in 1971. At once, the singer both revolutionized Motown's cache and upped the ante for his fellow artists. And now, the song cycle that toes the line between optimism, dismay, healing, futility, and urgency features sound and packaging that matches the groundbreaking arrangements, singing, and lyrical content within.
Gaye's definitive statement reaches three-dimensional sonic and emotional heights never before attained on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 7,500 numbered copies and pressed on MoFi SuperVinyl featuring the world's quietest surfaces and accurately cut grooves, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that redefined pop. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, What's Going On places Gaye and his cadre of session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.
The lavish packaging, beautiful presentation, and pressing treatment of Mobile Fidelity's What's Going On UD1S pressing befit its extremely select status. Housed in a deluxe box, the collectible version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of What's Going On exists a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the textures and liner notes.
Incredibly, the record almost didn't get made. Motown head honcho Barry Gordy detested the iconic title track but soon realized Gaye's ultimatum to issue it as a single had merit. After selling 100,000 copies in its first days on the market, the release allowed Gaye carte blanche to make the remainder of the album on his terms – and to serve as its producer, effectively signaling his split from the Detroit label's iron-clad hit-factory approach. The results forever changed soul, Motown, and Gaye, turning him from a crooner and sex symbol into someone far more complex, vital, and relatable on a human level.
The societal themes coursing through What's Going On – largely concerning the American Dream and what it really meant, and if it could still be attained, and if so, by whom and for what cost – were largely informed by events of the time. Civil Rights riots, the assassination of Martin Luther King Jr., the Kent State shootings, as well as Gaye's own losses – the death of his duet partner Tammi Terrell, the unraveling of his marriage, the pressures he faced from the IRS for unpaid taxes – all prominently figured in the songwriting. Yet no subject mattered more than the Vietnam war and its returning veterans, one of whom was his brother. "I was very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home," the singer told Rolling Stone in an interview. "I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people. I wanted them to take a look at what was happening in the world."
Gaye matched the scope of his expanded lyrical palette with equally innovative arrangements steeped in jazz hues. Songs effortlessly flow into one another with layers of strings, brass, and vocal overdubs laid over the rhythm tracks. Vocally, Gaye pioneered a new dual-vocal approach by relaxing and taking inspiration from a Lester Young album, distinguishing the tracks with an unhurried feel reminiscent of a conversation – albeit one imbued with of-the-moment urgency. The sessions' vibes, developed in an atmosphere rich with marijuana smoke, re reflected in tunes such as "Flyin' High (In the Friendly Sky)." Environmental anxieties and spiritual dramas, meanwhile, form the core of staples like "What's Happening Brother," "Mercy Mercy Me (The Ecology)," and "Inner City Blues (Make Me Wanna Holler)."
No less of an authority than "Sound Opinions" co-host, longtime Chicago Tribune critic, and award-winning author Greg Kot smartly observed that with What's Going On, Gaye "created soul music's first ‘art' album, an inner-city response to the Celtic mysticism of Van Morrison's Astral Weeks, the psychedelic pop of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the rewired blues of Bob Dylan's Highway 61 Revisited." And that's honestly just scratching the surface of this singular record.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.