Unique One-Step Supersonic Process - 180 Gram Virgin Vinyl
AAA 100% Analogue - Mastered By Bernie Grundman -
2,000 Numbered - Autographed Limited Edition - Pressed at RTI
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
The Absolute Sound Super Disc List TAS Harry Pearson Super LP List
The sound is stupendous - Sound 10/10 Michael Fremer Analogueplanet
Specially Autographed, Numbered Limited Edition 180g 45rpm Double LP
Unique One-Step Supersonic™ Process!
Lyn Stanley’s SuperSonicVinyl™ is a superior quality vinyl, utilizing state of the art mixing and mastering techniques, from top engineers and studio boards, and combined with top rated master engineering and ONE-Step experienced pressing plants we create what we believe is the ultimate in sounding records.
The Moonlight Sessions has a total of 25 songs tracked to be divided into two albums (Volume 1 and Volume 2) in the series. The songs include a number of arrangements that combine classical music with jazz standards for never before created new versions of timeless music. There are also new jazz versions of pop tunes like Willie Nelson’s “Crazy “ and “Why Don't You Do Right.”
Lyn Stanley’s Moonlight Sessions project ventures into new musical territory with her creative approach to American music. This time, she borrows from the classical composers–Chopin, Beethoven, Debussy, Mozart, and Ravel to breathe a new excitement into a few jazz standards like you’ve never heard them before. This is a two-part series released as Volume One with Volume Two to follow.
She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. On board for The Moonlight Sessions are her stellar cast of musicians. Piano: Mike Garson, Christian Jacob and Tamir Hendelman; Bass: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker and Bernie Dresel; Jazz Guitar: John Chiodini; Percussion: Luis Conte; Harmonica: Hendrik Meurkens; Harp: Corky Hale, Carol Robins; Trumpet: Chuck Findley; Trombone: Bob McChesney; Tenor Sax: Rickey Woodard are all on board and recorded. This project’s arrangers include, Mike Garson, Christian Jacob, Tamir Hendelman, John Chiodini, Steve Rawlins and Doug Walter. Lyn Stanley is the Executive Producer with Co-Producers Lyn Stanley, Mike Garson and John Chiodini.
The recording engineers for this project are Al Schmitt and Steve Genewick. Tracks were recorded at The Village Recording Studio D in Los Angeles, California in February 2017.
This one-step pressing process was used often during the early days of vinyl record manufacturing. But when mass vinyl production was needed, the manufacturers had to create more cost effective means to make vinyl copies.
To make a vinyl record, you need a "Negative Source" to imprint the vinyl grooves. The industry standard today is a THREE-step lacquer process designed to create the largest number of records from one lacquer (they are expensive to create). To do this three steps are required–from the lacquer (positive source) STEP ONE: make a "Father" (a negative source), STEP TWO: create a Mother from the Father (positive source) and then STEP THREE: create "Stampers" (negative source) from the "Mother." This way the "Father" does not get used very often and is the most preserved “negative source.”
However, the record you listen to is three steps removed from the original mastered lacquer and can grab hissing, or subtile glitches that affect the sound recording on your system. The ONE-Step method takes the “Father” from the original lacquer and that is what will create your vinyl record. Some “Fathers” only last for 100 pressings, others have gone to 1000. It depends on the processing and original lacquer quality. Once the Father is no longer able to make a great recording, it must be destroyed and no other albums can be created from that original lacquer.
Lyn Stanley's SupersonicVinyl™ is a superior quality vinyl record utilizing advanced recording techniques captured with analog mixed and mastered quality tape-recorded and mastered by award-winning engineers in state-of the art studios. Then they hire One-Step experienced 'audiophile quality' pressing plants to create what is believed to be "simply the best recordings' available today.
• Unique SupersonicVinyl™ One-Step process
Musicians for Volumes 1 & 2 - Players are different based on songs in the project:
Lyn Stanley (all vocals)
Mike Garson (piano)
Tamir Hendelman (piano)
Christian Jacob (piano)
Chuck Berghofer (bass)
Joe La Barbara (drums)
Ray Brinker (drums)
Bernie Dresel (drums)
John Chiodini (guitar)
Corky Hale (harp)
Carol Robins (harp)
Hendrik Meurkens (harmonica & finger snaps)
Luis Conte (percussion)
Chuck Findley (trumpet)
Rickey Woodard (tenor sax)
Bob McChesney (trombone)
1. All or Nothing At All
2. Moonlight Serenade
4. My Funny Valentine
5. Willow Weep For Me
6. How Insensitive
7. Embraceable You
8. Why Don't You Do Right?
9. Close Your Eyes
10. Angel Eyes
11. The Very Thought of You
12. The Summer Knows
13. Over The Rainbow
RTI HQ-180 Vinyl
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.
SupersonicVinyl™ is a superior quality vinyl record utilizing advanced recording techniques captured with analog mixed and mastered quality tape-recorded and mastered by award-winning engineers in state-of the art studios. Then they hire One-Step experienced 'audiophile quality' pressing plants to create what is believed to be "simply the best recordings' available today.
• Unique SupersonicVinyl™ One-Step process