SORRY - SOLD OUT
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Impex - IMP6017-45 RCA LSP-2574 - 180 Gram Virgin Vinyl -
Numbered 2500 Copies - Limited Edition - 45RPM - Two Disc
AAA 100% Analogue - Mastering by Kevin Gray & Robert Pincus - Pressed at RTI
The Absolute Sound Super Disc List TAS Harry Pearson Super LP List
Harry Belafonte has always been a musical chameleon. Using a thick base of folk music, he added blues, soul, jazz, pop and a plethora of various Caribbean styles to create albums that were unique, socially relevant and just plain fun.
Nowhere is his broad, encompassing vision more in effect than on his 1962 release The Many Moods of Belafonte. From the Appalachian miner ballad "Dark as a Dungeon" through Hebrew lullaby "Lyla, Lyla" and even a Broadway ballad ("Try To Remember" from The Fantastiks), there's a little something for everyone. Belafonte himself seems inspired by these tunes, singing with gusto on the fun tracks and with reverential tact on the darker, more emotional material.
Presented for the first time ever on 45-rpm LP by Impex Records and Audio International in Germany.
All-Analog mastering from original master tapes ny Kevin Gray & Robert Pincus.
New deluxe gatefold jacket with original lyrics.
Individually numbered and strictly limited to 2,500 copies
An actor, humanitarian, and the acknowledged "King of Calypso," Harry Belafonte ranked among the most seminal performers of the postwar era. One of the most successful African-American pop stars in history, Belafonte's staggering talent, good looks, and masterful assimilation of folk, jazz, and worldbeat rhythms allowed him to achieve a level of mainstream eminence and crossover popularity virtually unparalleled in the days before the advent of the civil rights movement -- a cultural uprising which he himself helped spearhead.
Belafonte's follow-up album to The Midnight Special is another record stressing the diversity of world music. This time, a small combo accompanies Belafonte on the various tracks, as opposed to the big band approach of his last album. Several crowd-pleasers were introduced on this album for the first time: the calypso "Zombie Jamboree," which soon replaced "Matilda" as Belafonte's epic audience participation song; and the showtune "Try to Remember," from the off-Broadway show The Fantasticks. The two highlights on the album are both songs dealing with American folk music. "Betty an' Dupree" is a classic murder ballad in the tradition of "Frankie and Johnny," performed with the intensity the subject matter commands. Country-western composer Merle Travis' "Dark as a Dungeon," a protest song dealing with the dreary, bitter life of the coal miner was inadvertantly recorded during a thunderstorm, giving the song a dose of ominous spontaneity. Two of Belafonte's proteges from South Africa are also featured: singer Miriam Makeba and jazz trumpeter Hugh Masekela..
"Belafonte's follow-up album to The Midnight Special is another record stressing the diversity of world music. This time, a small combo accompanies Belafonte on the various tracks, as opposed to the big band approach of his last album. Several crowd-pleasers were introduced on this album for the first time: the calypso "Zombie Jamboree," which soon replaced "Matilda" as Belafonte's epic audience participation song; and the showtune "Try to Remember," from the off-Broadway show The Fantasticks. The two highlights on the album are both songs dealing with American folk music...This is a very satisfying album." -Cary Ginell, allmusic
LP 1 - Side 1:
1. Tongue Tie Baby
2. Who's Gonna Be Your Man
3. Long About Now
LP 1 - Side 2:
1. Bamotsweri
2. I'm On My Way To Saturday
3. Betty An' Dupree
LP 2 - Side 3:
1. Summertime Love
2. Lyla, Lyla
3. Zombie Jamboree
LP 2 - Side 4:
1. Try To Remember
2. Dark As A Dungeon
Impex Records is the exciting audiophile label from the team that brought you Cisco Music. With more than 20 years experience and 150 titles released, Cisco Music developed many of the techniques used by other labels to make higher quality 180-gram LPs, SACDs and Gold and aluminum CDs.
We brought definitive editions Jennifer Warnes' The Well, The Hunter and Famous Blue Raincoat in multiple formats, including a 45 rpm box set that Absolute Sound magazine declared "defines the state-of-the--art in vinyl playback." Other classic reissues we nurtured to fantastic rebirths include the jazz-rock perfection of Steely Dan's Aja, Joan Baez' Farewell Angelina, NathanMilstein's poetic interpretation of Dvorak's Violin Concerto and four exquisite 45-rpm Three Blind Mice LPs.
Even in our humbler origins we were trusted with the distribution and production of The Super Analogue Disc, the original audiophile 180-gram LPs. King Records recognized, from the very beginning, that Cisco Music brought unflinching passion to the music and unflailing dedication to the process of bringing that music to the most discerning listeners in the world.
Now as Impex Records some of the original Cisco staff (Abey Fonn, Robert Pincus and Robert Sliger), along with Robert Donnelly, will follow and expand our own high standards for a new generation of audiophile products. Analog products will always be cut using analog tapes and analog mastering at the finest mastering facilities like Sterling, Cohearent and Bernie Grundman--just as it should be. Gold CD's will always be cut with high-definition digital or analog tape transfers from original sources. We will introduce America to Sony's revolutionary Blu-Spec CD, which redefines production excellence in 16-bit digital playback.
With a singular vision for making the best records anywhere, Impex Records is poised to expand Cisco Music's peerless legacy well into the 21st century. It's going to be quite a journey and we look forward to your joining us. We have committed ourselves, with every new release, to your complete satisfaction.