Rimsky Korsakov - Sheherazade : Gianandrea Noseda : Filarmonica Teatro Regio Torino- 180g LP


Rimsky Korsakov - Sheherazade : Gianandrea Noseda : Filarmonica Teatro Regio Torino- 180g LP

Product no.: LP074

Rimsky Korsakov - Sheherazade : Gianandrea Noseda : Filarmonica Teatro Regio Torino- 180g LP
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AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Fone Records - LP074 - 180 Gram Virgin Vinyl - AAA 100% Analogue

Pure Analogue Recording , Mastering & Cutting

Club 496 - Only 496 Copies Numbered Limited Edition - Pressed in Germany

• 180g Virgin Vinyl
• Limited Edition
• 33 rpm
• Pure Analogue Recording & Cutting
• Cutting Machine wired by Signoricci
• One-Stage Pressing Process
• Heavy Quality Sleeves
• Signoricci Vinyl Printed in Germany
• Produced in only 496 copies

Filarmonica Teatro Regio Torino
Gianandrea Noseda: Direttore

Nikolai Rimsky-Korsakov - Seherazade -. Suite Sinfonica Op 35 Gianandrea Noseda conducts the Filarmonica Teatro Regio Torino. Aufnahmenam April 13, 2015 at the Teatro Regio Torino in Turin, Italy

 by Giulio Cesare Ricci on already legendary today Neumann tube microphones U47, U48 and M49. Nikolai Rimsky-Korsakov's symphonic suite "Scheherazade", Opus 35, is one of those orchestral works of classical music, which have earned the excellent audiophile treatment made ​​by Fone in a special way. After all, the colorful, multifaceted and incredibly variable orchestration that brought Rimsky-Korsakov here on absolutely masterly level to apply, comes in the recording only to its best advantage when they can be collected and reproduced in all its details and nuances. And who could it be better guarantee than Fon CEO Giulio Cesare Ricci Rimsky-Korsakov's musical fairy tale by the "Thousand and One Nights" from 1888 swam that time although on a popular wave of Orient-enthusiasm that pervaded tsarist Russia, but its high compositional and narrative quality let this be more than just a transient side note.

With some characteristic leitmotifs and themes, leitmotifs treated instrumentation and an enormous sense of dramaturgy and dramatic Rimsky-Korsakov leads with more accurate narrative magic through the fairytale world of the East, can Sinbad ship gliding through stormy seas, a young prince and princess fall in love, opulent feasts in romanticized Baghdad arise in the mind's eye - and through the four movements of the work repeatedly leads the delicate voice of the storyteller Scheherazade, represented by the cantabile solo violin. The lush occupied Orchestra (all in triplicate occupied woodwinds, strings, twelve brass and a gigantic array on percussion instruments) will be adopted in this recording from 2015 by the Philharmonic Orchestra of the Teatro Regio Torino under Gianandrea Noseda.

Born in Milan in 1964 conductor who conducted already at the Met, at the Mariinsky Theater, conducted the BBC Philharmonic Orchestra and of course in the Scala of his hometown, since 2007, musical director of the Teatro Regio di Torino, and was already with the album "Verdi", which began his orchestra there together with Anna Netrebko, worldwide Celebrating success. On "Scheherazade" is Noseda proves as sensitive playwright who manages to still have energy for the next highlight in store at all dramatic outbursts of sumptuous work, and easily take back to the quiet and introspective moments sound violence and mood - and the handset so inevitably to captivate.

Giulio Cesare Ricci took this magnificent interpretation purely analog in Teatro Regio with the unbeatable Neumann tube microphones on - no better way to hear this! A real must-have.

Mastering by Giulio Cesare Ricci pure analog on his Ampex 2-track analog machine, even the one-stage section is realized purely analog, was pressed in Germany on high quality 180g Virgin Vinyl. Strictly limited to 496 pieces! Pure Analogue Recording Pure Analogue Cutting Cutting Machine wired by Signoricci One-Stage Pressing Process Heavy Quality Sleeves

Signoricci live recording
Conceived, produced and recorded by: Giulio Cesare Ricci
Recorded at Teatro Regio Torino
Recording date: April 13, 2015
Recording assistant: Paola Liberato
Producer: Rachel Smith
Photo Gianandrea Noseda: © Lorenzo Di Nozzi - www.lorenzodinozzi.com
Valve microphones: Neumann U47, U48, M49
Mike pre-amplifiers, cables ( line, digital, microphone, supply ): Signoricci
Recorded in stereo DSD on the Pyramix Recorder using dCS A/D and D/A converters

1. Largo e maestoso - Lento - Allegro non troppo - Tranquillo
[Il mare e la nave di Sindbad]
2. Lento - Andantino - Allegro Molto - Molto Moderato - Vivace scherzando - Moderato Assai - Allegro molto ed animato - Con moto
[Il racconto del Principe Kalender]
3. Andantino quasi allegretto
[Il giovane Principe e la giovane Principessa]
4. Allegro molto - Allegro molto e frenetico Vivo - Allegro non troppo e maestoso
[Festa a Bagdad - Il mare - Naufragio - Conclusione]


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In the context of classical and jazz music market, fonè proposes three decades of recordings using advanced techniques, aimed at the recovery of the original musical atmospheres.
Each new recording is the result of a passionate encounter between art and the art of execution and aims to recreate and reproduce the same spirit with which the works of the past have been performed. One basic feature that makes the difference between fonè and others, is the recording of musical works in natural places and original, constant production that leads to choose from time to time historically more space? Suitable for: church, theater, villa, living room ...
 
All this is done by retrieving a simple incision that does not do violence to the music: all the equipment is in high definition. Using pairs of valves Neumann microphones in the years 1947 and 1949 (U47, U48 and M49) using techniques very natural timbre bimicrofoniche field effect. These microphones have an important story: they are the microphones used to record the Beatles at Abbey Road Studio and RCA for the "Living Stereo."
 
No use is made of electronic manipulation of the signal, nor any artificial correction that if they make a sound easier to carve, it is true that distort so unacceptable. With this method you get to transfer the music information on the standard analog for the production of virgin vinyl 180g &  200g
 
fonè uses for the standard analog Nagra 4S, Studer C37 and J37 and Ampex ATR 102, the standard for digital, in collaboration with Philips the DSD (Direct Stream Digital) technology that has opened the doors to the SACD. For all subsequent stages of processing and control, in which it must be a playback of the sound reproduction systems are used very sophisticated.
 
After the pressing demands of the enthusiast market and after a long series of investigations to ensure the best possible support, the virgin vinyl 180/200 grams, fonè now makes available its most prestigious titles in the LP format. 
strong opposition to current trends in the multinational market, tending to offer a product that is increasingly homogenized and devoid of content. 
 
Implementation is of the highest quality and is dedicated to those who appreciate the pursuit of perfection in the field of sound reproduction, to collectors, to the true connoisseur and expert of things beautiful
 
Rimsky Korsakov : Sheherazade : Gianandrea Noseda : Filarmonica Teatro Regio Torino- 180g LP

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