AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Fone Records - LP135 - 180 Gram Virgin Vinyl
AAA 100% Analogue - Recording , Mastering & Cutting
Club 496 - Only 496 Copies Numbered Limited Edition - Pressed in Germany
This album contains some of the greatest interpretations of the Italian violinist Salvatore Accardo. Accardo has been playing for 26 years with Foné's Giulio Cesare Ricci and this disc contains some of the most beautiful recordings for violin solo, violin and piano, quartet, violin and orchestra.
Lovers of beautiful sound will be able to appreciate the acoustics of the various places where Giulio Cesare Ricci has "set" the recording: Pontificio Istituto di Musica Sacra (Roma), Teatro Ponchielli (Cremona), Pieve del Convento dei Cappuccini (Peccioli), Auditorium di Lodi Arch. Renzo Piano, Palazzo Affaitati Museo Civico "Ala Ponzone" (Cremona), Sala Musica "Caetani" Villa di Ninfa (Latina), Auditorium dell'Accademia Nazionale di Santa Cecilia (Roma) and Oratorio del Gonfalone (Roma).
For this recording Giulio Cesare Ricci used only two microphone couples, two Neumann M49 and two Neumann U47. No editing. All tracks on this record are heard as they were performed. 180-gram vinyl, manufactured in Germany, limited to 496 copies!
Salvatore Accardo violin
Orchestra Da Camera Italiana
A. PIAZZOLLA (1921-1992)
Milonga En Re
N. PAGANINI (1782-1840)
24 CAPRICCI OP.1
No. 13 Allegro In Si Bemolle Magg.
No. 17 Sostenuto Andante In Mi Bemolle Magg.
J.S. BACH (1685-1750)
24 CAPRICCI OP.1
No. 18 Corrente Allegro In Do Magg.
No. 24 Tema Quasi Presto. Variazioni. Finale In La Min.
The story of fonè
In the context of classical and jazz music market, fonè proposes three decades of recordings using advanced techniques, aimed at the recovery of the original musical atmospheres.
Each new recording is the result of a passionate encounter between art and the art of execution and aims to recreate and reproduce the same spirit with which the works of the past have been performed. One basic feature that makes the difference between fonè and others, is the recording of musical works in natural places and original, constant production that leads to choose from time to time historically more space? Suitable for: church, theater, villa, living room ...
All this is done by retrieving a simple incision that does not do violence to the music: all the equipment is in high definition. Using pairs of valves Neumann microphones in the years 1947 and 1949 (U47, U48 and M49) using techniques very natural timbre bimicrofoniche field effect. These microphones have an important story: they are the microphones used to record the Beatles at Abbey Road Studio and RCA for the "Living Stereo."
No use is made of electronic manipulation of the signal, nor any artificial correction that if they make a sound easier to carve, it is true that distort so unacceptable. With this method you get to transfer the music information on the standard analog for the production of virgin vinyl 180g & 200g
fonè uses for the standard analog Nagra 4S, Studer C37 and J37 and Ampex ATR 102, the standard for digital, in collaboration with Philips the DSD (Direct Stream Digital) technology that has opened the doors to the SACD. For all subsequent stages of processing and control, in which it must be a playback of the sound reproduction systems are used very sophisticated.
After the pressing demands of the enthusiast market and after a long series of investigations to ensure the best possible support, the virgin vinyl 180/200 grams, fonè now makes available its most prestigious titles in the LP format.
strong opposition to current trends in the multinational market, tending to offer a product that is increasingly homogenized and devoid of content.
Implementation is of the highest quality and is dedicated to those who appreciate the pursuit of perfection in the field of sound reproduction, to collectors, to the true connoisseur and expert of things beautiful.