Henry Mancini - Pink Panther : OST - 180g LP

Product no.: LSP2795

In stock

Henry Mancini - Pink Panther : OST - 180g LP
£23.99
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Possible delivery methods: UK Tracked with Signature, Airmail Standard, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Speakers Corner / RCA  - LSP-2795 - 180 Gram Virgin Vinyl - AAA 100% Analogue

Limited Edition - Pure Analogue Audiophile Mastering - Pressed  at Pallas Germany

Speakers Corner 25 Years Pure Analogue  This LP is an Entirely Analogue Production

Outstanding recording of an absolute classic. Terrific sound.If you like Mancini’s music, either for reasons of retro-cool or simply because it is most enjoyable in its own right, you cannot go wrong with either of the Speakers Corner LPs. They are beautifully made and very much worthy successors to the originals - AUDIOBEAT Review

"Henry Mancini is one of the most talented fellows one could wish to meet. He has made quite a name for himself. That of Mancini, to be exact, and very famous in the bargain. But lest I be thought guilty of gross flattery, I feel I should point out that in private life he can be rather difficult. I once pointed this out to him and he kicked my shin.

A lot of his music has been issued in the form of long-playing records. The great advantage of this is that you can sit and listen to Hank’s score without having to sit through the film. As yet, you cannot see the film without having to sit through the music. However, I understand that scientists are perfecting a device that may make this possible."

 Peter Sellers, from the original album notes

The film director Blake Edwards brought into existence what is probably the best opening sequence to his comic crime film when he commissioned a young enterprising company to produce an animated Pink Panther cartoon film. The creative team came up with the idea of giving the cold, glittering diamond the guise of a cool, pink panther, which leads a bungling detective on a merry dance to the slinky sound of the Panther theme.

Mancini would not be Mancini if he did not bathe the film location – the skiing resort Cortina d’Ampezzo –in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba ("It Had Better Be Tonight"), the shuffle ("Champagne And Quail"), and the cha-cha ("Something For Sellers"). But also the ballad, sung by a muted trumpet and saxophone ("Royal Blue"), or the simple combination of keyboard and strings ("Piano And Strings") are all woven into the story.

One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the Bohème, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along.

German Pressing Speakers corner Pallas • Stereo • Original on the RCA Victor Label

Musicians: Henry Mancini and His Orchestra Johnny Mercer, vocals :

Side 1:

1. The Pink Panther Theme

2. It Had Better Be Tonight (instrumental)

3. Royal Blue

4. Champagne and Quail

5. The Village Inn

6. The Tiber Twist

Side 2:

1. It Had Better Be Tonight

2. Cortina

3. The Lonely Princess

4. Something For Sellers

5. Piano and Strings

6. Shades of Sennett

Recorded September 1963 at RCA Victor's Music Center of the World, Hollywood, by Jim Malloy

Pink Panther - Harry Mancini - OST Soundtrack - 180g LP

25 Years pure Analogue
 
Are your records completely analogue?
Yes! This we guarantee!
As a matter of principle, only analogue masters are used, and the necessary cutting delay is also analogue. All our cutting engineers use only Neumann cutting consoles, and these too are analogue. The only exception is where a recording has been made – either partly or entirely – using digital technology, but we do not have such items in our catalogue at the present time
 
Are your records cut from the original masters?
In our re-releases it is our aim to faithfully reproduce the original intentions of the musicians and recording engineers which, however, could not be realised at the time due to technical limitations. Faithfulness to the original is our top priority, not the interpretation of the original: there is no such thing as a “Speakers Corner Sound”. Naturally, the best results are obtained when the original master is used. Therefore we always try to locate these and use them for cutting. Should this not be possible, – because the original tape is defective or has disappeared, for example – we do accept a first-generation copy. But this remains an absolute exception for us.
 
Who cuts the records?
In order to obtain the most faithful reproduction of the original, we have the lacquers cut on the spot, by engineers who, on the whole, have been dealing with such tapes for many years. Some are even cut by the very same engineer who cut the original lacquers of the first release. Over the years the following engineers have been and still are working for us: Tony Hawkins, Willem Makkee, Kevin Gray, Maarten de Boer, Scott Hull, and Ray Staff, to name but a few.
At the beginning of the ‘90s, in the early days of audiophile vinyl re-releases, the reissue policy was fairly straightforward. Companies such as DCC Compact Classics, Mobile Fidelity, Classic Records and others, including of course Speakers Corner, all maintained a mutual, unwritten code of ethics: we would manufacture records sourced only from analogue tapes. 
 
Vinyl’s newfound popularity has led many other companies to jump on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source from which to master: CDs, LPs, digital files and even MP3s. 
 
Even some who do use an analogue tape source employ a digital delay line, a misguided ’80s and ‘90s digital technology that replaces the analogue preview head originally used to “tell” the cutter head in advance what was about to happen musically, so it could adjust the groove “pitch” (the distance between the grooves) to make room for wide dynamic swings and large low frequency excursions. Over time analogue preview heads became more rare and thus expensive. 
 
So while the low bit rate (less resolution than a 16 bit CD) digital delay line is less expensive and easier to use than an analogue “preview head”, its use, ironically, results in lacquers cut from the low bit rate digital signal instead of from the analogue source! 
 
Speakers Corner wishes to make clear that it produces lacquers using only original master tapes and an entirely analogue cutting system. New metal stampers used to press records are produced from that lacquer. The only exceptions are when existing metal parts are superior to new ones that might be cut, which includes our release of “Elvis is Back”, which was cut by Stan Ricker or several titles from our Philips Classics series, where were cut in the 1990s using original master tapes by Willem Makkee at the Emil Berliner Studios. In those cases we used only the original “mother” to produce new stampers. 
 
In addition, we admit to having one digital recording in our catalogue: Alan Parsons’ “Eye in the Sky”, which was recorded digitally but mixed to analogue tape that we used to cut lacquers. 
 
In closing, we want to insure our loyal customers that, with but a few exceptions as noted, our releases are “AAA”— analogue tape, an all analogue cutting system, and newly cut lacquers.
 
PALLAS
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade! 

 

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