WAITING A REPRESS - BACK IN STOCK SOON
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Mobile Fidelity - MFSL 1-372 - 180 Gram Virgin Vinyl - AAA 100% Analogue
Mastered by Kreig Wunderlich from the Original Master Tape at MFSL
Numbered Limited Edition - - Pressed at RTI
Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog
After a long wait, this classic finally sounds as it should 35 years later thanks to Kreig Wunderlich and Rob LoVerde. Dynamics are explosive Tone Audio,
But Krieg Wunderlich’s remastering has given Pretenders a big, expansive, more detailed sound without sacrificing the gritty undercurrent that gives the album its strength. Soundstage
Mastered from the Original Master Tapes: Added Extension, Sharper Imaging, Multi-Dimensional Soundstaging Place the Pretenders on a Small Stage in Your Room
Pretenders' Self-Titled Record Moves Fast With Biting Hooks, Soulful Melodies, Guitar-Charged Toughness, and Chrissie Hynde's Inimitable Mix of Toughness and Tenderness: Includes "Brass In Pocket," "Precious," and "Tattooed Love Boys"
The milieu the Pretenders create on their groundbreaking debut didn't exist when the album came out in early 1980. Such is the magnitude of originality, creativity, and nerve the band captured on a record that captivated each side of the Atlantic and both upended and advanced tradition. The no-nonsense set also announced the arrival of the inimitable Chrissie Hynde, one of the greatest singer-songwriters in rock history, gender be damned. Equally significant, the album remains just one of two studio efforts featuring the original members before tragedy ended the lives of guitarist James Honeyman-Scott and bassist Pete Farndon.
Mastered from the original master tapes, Mobile Fidelity's collectable of Pretenders grants the influential music newfound clarity, punch, dynamics, and perspective that enhance the realism and attack of everything from Hynde's vocal snarl to the band's myriad textures. Originally recorded live in the studio at high volume levels by producer Chris Thomas, the record now boasts added extension, sharper imaging, multi-dimensional soundstaging, and a crispness that practically places the Pretenders onstage in your room. Replete with detail and nuance—particularly, Hynde's singing and Honeyman-Scott's terrific array of hovering chords, colorful palettes, and inventive effects—this is a record that rewards repeat listening and full-bloom playback.
Cited by Rolling Stone as the 155th Greatest Album of All Time, Pretenders took shape via the vision of the Ohio-born Hynde and chemistry she achieved with three Brits circling the same punk orbit—one that saw the frontwoman work with the Sex Pistols and briefly embark on a serious music-criticism career. Indeed, while Hynde is the unquestionable leader of the gang, the Pretenders are the sum of their total parts, displaying rapport and interaction that never came together more convincingly, naturally, or emotionally as it does on their debut. Honeyman-Scott's ringing arpeggio tones seamlessly combine with Hynde's no-muss sass, sensuality, and soulfulness. Similarly, the rhythm section contributes considerable thump and classically styled explosiveness. Together, the four sound like no other band.
Such distinctiveness helps explain why Pretenders remains as contemporary now as it did 30-odd years ago. Schooled in the era's raw, unfiltered English punk yet equally versed in rockabilly, new-wave pop, and British Invasion rock, the band orchestrates songs that overflow with keen hooks, sexual swagger, and ear-catching melodies. Courtesy of the aggressive guitars and leather-tough cool, Pretenders moves fast, Hynde's assertive deliveries and take-notice lyrics jolting the senses with a lethal mix of sophistication, toughness, tenderness, rebelliousness, and romance.
With Honeyman-Scott playing the Richards to her Jagger, Hynde operates on pure instinct. She throws down the gauntlet on the corrugated pulse of "Precious," proves she can hang with even the roughest boys on the energetic bounce of "Tattooed Love Boys," and, on the smash hit "Brass In Pocket," spouts self-aggrandizing claims that she would back up for decades to come. Yet Hynde and the Pretenders' appeal goes much deeper than brazenness. Akin to her guitarist's unconventional phasing and treated effects, the singer never abides by rules or stereotypes as she balances the gutsiness and attitude with sensitivity ("Lovers of Today"), compassion (the jangling "Stop Your Stopping"), and vulnerability ("Kid").
Pretenders is not only one of the most impressive album debuts in history, it's one of the most essential records, independent of genre or timing, ever made. Hear this energetic music in the finest-possible fidelity it's ever enjoyed.
Bass, Vocals – Pete Farndon
Drums, Vocals – Martin Chambers
Guitar, Vocals – Chrissie Hynde
Guitar, Vocals, Keyboards – James Honeyman-Scott
Pretenders Pretenders Track Listing:
The Phone Call
Up the Neck
Tattooed Love Boys
Stop Your Sobbing
Brass In Pocket
Lovers of Today
• Numbered, Limited Edition
• Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
• Gatefold Jacket
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.
RTI HQ-180 Vinyl
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.