Dean Martin - This Time I'm Swingin' - 180g LP


Dean Martin - This Time I'm Swingin' - 180g LP

Product no.: MFSL1-410

In stock

Dean Martin - This Time I'm Swingin' - 180g LP
£49.95
Price includes VAT, plus delivery


Possible delivery methods: UK Tracked with Signature, Airmail Standard, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Mobile Fidelity - MFSL 1-410 - 180 Gram Virgin Vinyl  

Pure Analogue Mastered by Kreig Wunderlich from the Original Master Tape

AAA 100% Analogue - Numbered Limited Edition - Pressed at RTI  

Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System

The Absolute Sound Super Disc List      TAS Harry Pearson Super LP List

Legendary Crooner Backed by Orchestra Conducted by Nelson Riddle

1960 Capitol Album of Then-Recent and Classic Standards Arguably Martin's Most Timeless Set

MoFi Edition Includes Bonus Track "Ain't That a Kick in the Head"

Mastered from the Original Master Tapes: No Martin Album Sounds Like This

Dean Martin was always at his best when he sounded effortless, when the singing required no exertion—just the same amount of investment required to order a martini. Confident, refined, breezy, and easygoing, this 1960 Capitol album epitomizes the crooner’s charm. In pairing with arranger and Frank Sinatra right-hand-man Nelson Riddle, Martin strikes all the right notes on this collection of then-recent and retro standards. 
 
Mastered from the original master tapes, Mobile Fidelity’s 180g LP gets inside the core being of Martin’s impeccably smooth, relaxed singing by presenting every phrase, dip, and inflection with lifelike realism. The disc does similar wonders for Riddle’s backing orchestra. Horns teem with punch and midrange; rhythms possess incredible pacing; strings saunter and float. No Martin album has ever sounded like this. Mobile Fidelity also secured the rights to a bonus track, "Ain't That a Kick in the Head," left off the album and released as a single in order to promote the movie Ocean's Eleven.

While Martin enjoyed his biggest commercial success at Reprise, the aptly titled This Time I’m Swingin’ is considered by many critics and vocal-pop fans to be his finest studio hour. He approaches each song with supreme confidence and debonair control, never overreaching his limits or breaking a sweat. Here, he more than lives up to his nickname: The King of Cool. Charismatic, assured, and note-perfect, the album belongs alongside any of the period sets cut by his pal and once-and-future labelmate Sinatra. No wonder that his most recognized hit, the aforementioned and included “Ain’t That a Kick in the Head,” was actually cut at these sessions.

Riddle’s expert ordering of the charts and direction of horns, strings, and piano equates to jazz and swing genius. Brass blows hard and strong during breaks, calm down for verses during which slinky 88s and swaying strings join the dance, and then rise up, the mix elegantly performed and irresistibly catchy. If you’re not snapping your fingers and instantly transported to a swank nightclub within the first few passages of the opening “I Can’t Believe That You’re In Love With Me,” check your system’s setup. 

Yet Martin is the real star. Hearing him handle such classics as the devotional “I’ve Grown Accustomed to Her Face,” upbeat “You’re Nobody ‘Til Somebody Loves You,” hopeful “Someday (You’ll Want Me to Want You),” bluesy “You’re Mean to Me,” and clever “Please Don’t Talk About Me When I’m Gone” with such aplomb—and now, in such ravishing detail—will remind you why you love music, and why nothing of this ilk will likely ever be made again. 

Martin convincingly conveys the mood each song demands, but a sense of optimism, playfulness, and feel-good romance pervade this stylish effort. If you are a fan of real singing and emotional crooning, you cannot live without this  edition.

A veritable gem.

• Numbered, Limited Edition • 33rpm Speed Edition
• Mastering by Mobile Fidelity Sound Lab • Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes • Pressed at RTI

Credits
Vocals - Dean Martin

Conductor – Nelson Riddle

Producer – Lee Gillette

Dean Martin This Time I'm Swingin' Track Listing:

 
1. I Can't Believe That You're In Love With Me
2. True Love
3. You're Nobody 'Til Somebody Loves You
4. On the Street Where You Live
5. Imagination
6. (It Will Have to Do) Until the Real Thing Comes Along
7. Please Don't Talk About Me When I'm Gone
8. I've Grown Accustomed to Her Face
9. Someday (You'll Want Me to Want You)
10. Mean to Me
11. Heaven Can Wait
12. Just In Time
13. Ain't That a Kick in the Head
 

Dean Martin - This Time I'm Swingin' - 180g LP

Image result for mofi mobile fidelity sound lab
 
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.

As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.

 

 

 

 

 

 

 

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