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AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Mobile Fidelity - MFSL 2-334 - 180 Gram Virgin Vinyl - 45RPM
Numbered Limited Edition - - Pressed at RTI - 45RPM - Two Disc
Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
100 Recommended All-Analog ressues Worth Owning - Michael Fremer Analogplanet 2019
Costello and the Attractions’ 1980 Masterpiece Expands Rock Palette and Touches on Every Aspect of Classic Soul and R&B Elvis Costello and the Attractions’ masterful Get Happy!! is largely believed born of national scandal. While in a Holiday Inn bar, the English singer attempted to end an annoying conversation by baiting Stephen Stills with outrageous, offensive racial remarks about Ray Charles and James Brown.
With everyone involved inebriated, the details are unclear, but the fallout—death threats, radio embargos, protests—is infamous. The upshot? Costello and company retreated, scrapped a planned record, and created the soulful genius that is Get Happy!!, the band’s fourth consecutive five-star effort. Half-speed mastered from the original master tapes, and pressed on two 45RPM LPs to replicate the very first promotional pressing in the UK, the 1980 LP has never sounded better on any format. Rather than cram nearly 50 minutes of music and 20 songs onto a single record,
Mobile Fidelity has gone the extra mile and back to the album's UK roots with two 45RPM discs. For the first time, listeners can home in on the record’s signature sound that relates to the decision to record the vocals in a studio’s glass strings room. In addition, the dimensions and images associated with Steve Nieve’s penetrating organ, Pete Thomas’ punchy drumming, and Costello’s bounding vocals know no limits. The music simply leaps off the proverbial page, the uptempo rhythms jumping and nimble bass lines kicking. Clearly, the group is motivated, and the leader brings some of his very finest songs to the table, including “High Fidelity,” “Riot Act,” “Motel Matches,” and “The Imposter.” While some believe the drunken incident caused Costello to shelve a planned new-wave-leaning effort for the soul-stoked Get Happy!!, the vocalist claims that his ability to find so many great soul records in America from 1977 through 1979 inspired the group to change course. Whatever the cause, Get Happy!! is a start-to-finish wonder. Paying homage to Northern soul, Motown, Stax, and Southern soul strains, and infused with smooth and gritty arrangements,
Get Happy!! runs on an efficient R&B motor. Subtle tributes abound. “High Fidelity” quotes a Supremes song; “Love for Tender” borrows a Supremes riff; “Opportunity” tips its hat to Al Green; “Clowntime Is Over” bows to Curtis Mayfield. And two covers, of Sam & Dave’s “I Can’t Stand Up for Falling Down” and the Merseybeats’ “I Stand Accused,” are recast as quick, R&B rave-ups. There’s not a misplaced note or bad step on this record. And for history buffs, the closing, searing ballad “Riot Act” is Costello’s response to his hypocritical critics and finger-pointers. As essential as anything in Costello’s catalog, and one of the truly great records of the 1980s, you owe it to yourself to experience Get Happy!! in the supreme sonic fidelity that this numbered limited edition Mobile Fidelity double-LP pressing affords.
For those intimately familiar with its contents, listening will be a revelation. And for fans that have never heard the record, prepare to be wowed. Part of Mobile Fidelity’s Costello catalog restoration series, Get Happy!! will make you positively ecstatic.
Car aficionados like to say “there’s no substitute for cubic inches.” The same holds true for a vinyl record—one can only fit so much musical information in those tiny grooves. Along with dynamics, bass response suffers when tracks are tightly squeezed together. And while the original Get Happyoffers no real bass, this pressing has a proper foundation—as well as increased presence of guitar and keyboards.High fidelity? Indeed. Pitch your old copy and revel in the ability to crank this one up. —Jeff Dorgay Toneaudio
Elvis Costello Get Happy!! Track Listing:
1. "Love for Tender" – 1:57
2. "Opportunity" – 3:13
3. "The Imposter" – 1:58
4. "Secondary Modern" – 1:58
5. "King Horse" – 3:01
6. "Possession" – 2:03
7. "Men Called Uncle" – 2:17
8. "Clowntime Is Over" – 2:59
9. "New Amsterdam" – 2:12
10. "High Fidelity" – 2:28
11. "I Can't Stand Up For Falling Down" – 2:06
12. "Black & White World" – 1:56
13. "5ive Gears in Reverse" – 2:38
14. "B Movie" – 2:04
15. "Motel Matches" – 2:30
16. "Human Touch" – 2:30
17. "Beaten to the Punch" – 1:49
18. "Temptation" – 2:33
19. "I Stand Accused"– 2:21
20. "Riot Act" – 3:35
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.