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AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Mobile Fidelity - MFSL2-348 - 180 Gram Virgin Vinyl - AAA 100% Analogue
Mastered by Kreig Wunderlich from the Original Master Tape at MFSL
Numbered Limited Edition - Two Disc - Pressed at RTI
Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
Stereophile Magazine Record to Die For!
Michael Fremer Rated 10/10 Music, 8/10 Sonics! Numbered, Limited Edition! Half-Speed Mastered From Original Master Tapes
A Live LP milestone - Sound Quality = 91% - Ken Kessler, HiFi News, November 2016
Allen Toussaint's sympathetic horn arrangements, performed by top jazz musicians, propel this "greatest hits live" recital taken at breathtakingly deliberate tempos before an adoring, raucous crowd at the Academy of Music, in New York City, on New Year's Eve 1971. Whatever tensions were dividing the group dissipated as the Band immediately achieved lift-off and remained in orbit throughout the evening, with the definitive "Chest Fever," a haunting "The Night They Drove Old Dixie Down," and some of the best vocalizing this or any rock group has ever achieved on stage. MoFi's mastering beats Bob Ludwig's original, and that's saying a lot; plus, the vinyl is dead quiet. Get in the analog time machine - Stereophile Records to Die For
The Band's Ultimate Live Album Recorded at Its Career Peak!
Legendary Live Set Features Horn Arrangements by Allen Toussaint
Incredible Sound and Virtuosic Performances
The Last Waltz gets bigger billing, but The Band’s 1972 live album Rock of Ages is actually the better representation of a live Band album. Recorded at the tail end of the group’s Cahoots tour and over the course of four nights at New York’s Academy of Music at the end of December 1971, the incendiary concert set bookmarks the close of the first phase of the collective’s career.
Rather than follow the lead of most other live records made at the time (and many since), The Band resists any temptation to improvise or extend its material. Instead, the group plays with an intensity, chemistry, and spirit that’s nearly unrivaled by any other live album. The quintet also draws on a secret weapon: One Allen Toussaint, who tailors expert horn arrangements for multiple songs, a move that spices renditions of classics such as “Don’t Do It” and “Chest Fever.” To top it all off, the horn charts are performed by the Rock of Ages Horn Section—a five-piece ensemble that includes legendary trumpeter Snooky Young (Count Basie, Lionel Hampton) and saxophonist Joe Farrell (Charles Mingus, Elvin Jones).
“I felt very much at home with The Band. You could tell in their music they know where they’re coming from and they know where they’re going. Each one had an extremely special interest in what they were doing.”–Toussaint, as told to Rob Bowman
Do they ever. Unencumbered by the myriad guests and grandiose sense that define The Last Waltz, and energized by Toussaint’s invaluable work, Rock of Ages is the sound of a great band pulling out all the stops. Robbie Robertson’s guitar solos take “Unfaithful Servant” to a higher ground; “The W.S. Walcott Medicine Show” kicks with raunchy R&B abandon; Garth Hudson delivers a show-stealing performance on “The Genetic Method,” a thrilling organ piece that incorporates elements of Anglican church music, folk, classical, and pop—as well as “Auld Lang Syne,” due to its being recorded on New Year’s Eve.
After various inferior editions and reissues, Rock of Ages is finally presented on an immaculate-sounding 180g 2LP set from Mobile Fidelity that lets Toussaint’s contributions, horn section’s energy, and the Band’s feverish interplay shine like never before. Mastered from the original tapes, the open, airy, natural, and balanced sound will have you returning to Rock of Ages again and again.
"Live albums tend to gloss over the depth, mystery and emotional intensity found on studio versions of the same songs, particularly when the group speeds things up to cover its inability to produce the desired results live. Here, The Band slows everything down, producing even more intense, deliberate and emotionally satisfying versions of familiar songs. Each play reveals more gems hidden within the musical folds. Be sure to crank it up! " - Michael Fremer, www.analogplanet.com, Music 10/10, Sound 8/10!
• Numbered, Limited Edition
• 1/2 Speed Mastered from the Original Master Tapes!
• Specially Plated and Pressed on 180 Grams of High Definition Vinyl
• Heavy Duty Protective Packaging
• Double LP
• Special Static Free/Dust Free Inner Sleeves
• Gatefold Jacket
Alto Saxophone – J.D. Parron
Arranged By – Allen Toussaint
Baritone Saxophone, Tuba, Euphonium – Howard Johnson
Engineer – Mark Harman, Phil Ramone
Producer – The Band
Recorded By – Fedco Audio Labs
Tenor Saxophone– Garth Hudson
Soprano Saxophone– Joe Farrell
Trombone – Earl McIntyre
Trumpet– Snooky Young
Written-By – J.R. Robertson
1. Introduction / Don't Do It
2. King Harvest (Has Surely Come)
3. Caledonia Mission
4. Get Up Jake
5. The W.S. Walcott Medicine Show
6. Stage Fright
7. The Night They Drove Old Dixie Down
8. Across The Great Divide
9. This Wheel's On Fire
10. Rag Mama Rag
11. The Weight
12. The Shape I'm In
13. Unfaithful Servant
14. Life Is A Carnival
15. The Genetic Method
16. Chest Fever
17. (I Don't Want To) Hang Up My Rock And Roll Shoes
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.