Mobile Fidelity - MFSL 2-427 - 180 Gram Virgin Vinyl
AAA 100% Analogue - Numbered Limited Edition
Mastered by Kreig Wunderlich from the Original Master Tape at MFSL
Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
Pianist's First New Studio Album in More Than Four Years Masterfully Unites Harmony and Melody Via Uncommon Delicacy, Tonal Intimacy Barber Defies Expectations, Channels Melancholic Experiences Into Expressionistic Poetry and Attractive Arrangements
Instant Audiophile Classic: Mobile Fidelity's 180g 2LP Set Renders Atmospherics, Whisper-Soft Transients, Acoustic Dimensions, and Images With Utmost Detail and Precision "No One Else Writes or Sounds Like This"-Chicago Tribune Also Available on 180g 2LP from Mobile Fidelity Accessible and complicated, alluring and challenging, sensuous and liberating, Patricia Barber's Smash once and for all confirms the pianist/singer exists in an elevated artistic plane reached by none of her generational peers.
Four years in the making, and the beloved musician's first studio record since 2008, her Concord Records debut defies expectations and crystallizes her status as a preeminent songwriter. Informed by personal episodes of significant loss and yearning, the album masterfully unites harmony and melody via uncommon delicacy, tonal intimacy, and ethereal surrealism.
It will likely stand as 2013's finest jazz effort, an instant classic. Mastered from the original master tapes, possesses audiophile-quality fidelity and dynamic transparency unmatched by the commercially released CD. Akin to the reissue label's previous Barber releases, many of which are long out-of-print and command huge sums on the collector's market, Smash brings the singer and her band into your listening room, converting it into a recreation of the stage at Chicago's Green Mill, Barber's home base. Sonic characteristics crucial to Barber's sophisticated compositions-atmospherics, decay, whisper-soft transients, mood, acoustic dimensions, precise imaging-are rendered with utmost detail, balance, and accuracy.
All else that's required for your trip to the Green Mill is a stereo and glass of chardonnay. Punctuated by deft instrumental passages and mysterious verses, Smash marks a triumphant return for Barber after she endured a series of melancholic episodes, including the death of her mother and four other people close to her. In addition, a disagreement with business associate cost her untold amount of money. She also broke away from Blue Note after its president stepped down from his position. Barber channels these painful, often-angry experiences and transitional periods into expressionistic poetry on Smash, transferring her emotions to arrangements that mirror the deep, meaningful cycle of human life and death. Backed by a brilliant trio, Barber opts for her now-signature subdued methods, allowing each syllable to linger, every note to hover before fading, each rhythmic line to develop unique relationships with the groove.
Chicago Tribune jazz critic Howard Reich wrote in his rave review of Smash: "No one else writes or sounds like this, in other words, because no one else approaches the art of singing, songwriting, and piano playing with Barber's particular interests. The liquidity of her vocals, the sharp edge of her jazz pianism, and the quirkiness of her original songs cannot be imitated and remain a work in progress." These aspects, and more, are immediately apparent on Smash, arguably the boldest and most satisfying set of the reclusive talent's career. Her famously seductive and breathy vocals, supple right-hand runs, and nuanced harmonics simultaneously engage, hypnotize, and tempt. Her mates follow suit with aptly sculpted bass lines, taut percussion, and suggestive guitar fills.
A model of economical succinctness, Smash takes risks, harbors intensity, and utilizes silences to communicate. It represents a new level for 21st century jazz, and there's no way to better way to experience it and immerse yourself in its powers than via Mobile Fidelity's superb edition.
Secure your lowest-numbered copy of this groundbreaking album now! Patricia Barber Smash
• Numbered, Limited Edition • 33rpm Speed Edition
• Mastering by Mobile Fidelity Sound Lab • Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes • Pressed at RTI
Recorded At – Chicago Recording Company
Mixed At – Skywalker Sound
Bass – Larry Kohut
Drums – Jon Deitemyer
Guitar – John Kregor
Lead Vocals, Piano, Produced & Written By – Patricia Barber
Recorded By, Mixed By – Jim Anderson
Remastered By – Rob LoVerde
1. Code Cool
2. The Wind Song
6. Spring Song
7. Devil's Food
9. The Swim
11. The Storyteller
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.