WAITING A REPRESS - BACK IN STOCK SOON
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Mobile Fidelity - MFSL 2-45008 - 180 Gram Virgin Vinyl
AAA 100% Analogue - Numbered Limited Edition - 45RPM - Pressed at RTI
Pure Analogue Mastered by Shawn R. Britton from the Original Master Tape at MFSL
Half Speed Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
Featured in Michael Fremer's Heavy Rotation in the November 2007 Issue of Stereophile
The 10,000 Maniacs were at their peak when group founder and scintillating vocalist Natalie Merchant announced that she was leaving the band to pursue a solo career. It took her four months to record Tigerlily, a gorgeously detailed folk-pop debut that became a permanent fixture on the album charts for a year after its 1995 release.
The five-times platinum set spawned three giant hits—“Wonder,” “Carnival,” and the haunting “Jealousy”—that simultaneously crossed over to the pop, adult-contemporary, and mainstream singles charts. It’s easy to understand why. On Tigerlily, Merchant turns in a vocal performance for the ages, spinning majestic webs of mellow atmosphere woven with rhythmic textures and low-key movements. This is a mood masterpiece.
Remastered from the original analog tapes, Mobile Fidelity’s collectable version of Tigerlily mines every last nuance and delicate tone from this intimate gem. Merchant’s beautiful voice—her precious coos, soulful inflections, and whisper-soft purrs harken back to the Jazz Era—is presented with an up-close clarity and full-bodied richness that enhance the album’s deeply emotional feel. She uses volume and pitch as a painter utilizes shades on a canvas. Subtle and tender, her phrasing and crescendos underscore the personal nature of the lyrics. Merchant sings about mature topics most songwriters lack the courage to explore, probing the painful loss of a longtime partner on “Beloved Wife,” actor River Phoenix’s tragic death on “River,” and life-altering myths on “San Andreas Fault.”
The vocalist’s bracing conviction is matched by small-scale acoustic frameworks that don’t let a note go to waste. And Mobile Fidelity’s engineers worked to make sure you hear all of them. Aligned on a wide soundstage, the discerning mix of Hammond organs, pianos, chamber percussion, and bluesy guitars come across with their understated intentions intact. Balances are superb, dynamics are grand. There is no better way to experience and enjoy the rich sonic fabrics on this album. The results will leave you hypnotized.
True to its title, Tigerlily balances fierceness and delicacy, creating a rare span of emotional territory.
Listening to Tigerlily, a distinct songwriter's voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse.
All in all a pleasant, very beautiful voice, lyrics to savor, and some magic. Originally released in 1995, Tigerlily still sounds as fresh as it did then. Natalie froze time and space in this her first solo album following her break from 10,000 Maniacs.
Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.
• Numbered, Limited Edition • 45rpm Speed Edition
• Mastering by Mobile Fidelity Sound Lab • Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes • Pressed at RTI
Bass Guitar, Guitar – Barrie Maguire
Drums, Percussion – Peter Yanowitz
Electric Guitar, Acoustic Guitar, Backing Vocals – Jennifer Turner
Engineer, Mixed By – John Holbrook
Vocals , Producer, Written-By – Natalie Merchant
1. San Andreas Fault
3. Beloved Wife
1. I May Know the Word
2. The Letter
3. Cowboy Romance
5. Where I Go
6. Seven Years
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.