Johnny Cash - I Walk The Line - 45rpm 180g 2LP Mono

Product no.: MFSL2-495

In stock

Johnny Cash - I Walk The Line - 45rpm 180g 2LP Mono
£84.99
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Mobile Fidelity - MFSL2-495 - 180 Gram Virgin Virgin 

Mastered by Kreig Wunderlich  

3,000 Numbered Limited Edition -  Pressed at RTI 

1/4" / 15 IPS analog mono master to DSD 256 to analog console to lathe

The usual price considerations come into play with Mobile Fidelity releases it’s steeper than other versions on sale but to me, there’s no denying that it’s the best by far. Packaging – including the beautifully done gatefold sleeve and soft polythene inner to prevent surface scratching of the vinyl – is also beyond reproach. Ultimately, a fair chunk of your hard-earned cash buys you the finest version of one of the ultimate country music recordings ever committed to black plastic. The fact that it’s limited to just 3,000 numbered copies, makes it all the more treasurable this release is well up to the company’s usual stellar standards. Taken straight from the original master tapes, with meticulous attention paid to sound quality, this amazing mono recording sounds positively holographic on any good vinyl-based hi-fi system.- .- Sterenet

1964 Columbia Album Includes "Big River," "Understand Your Man," and Other Johnny Cash Staples: I Walk the Line Captures Iconic Singer at Height of His Country Dominance

Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies on 180g 45RPM 2LP: Mobile Fidelity Analog Set Presents the Music in True-to-the-Original Mono

Originally released in 1964 on Columbia, produced by fellow Country Music Hall of Fame inductee Don Law, and featuring note-for-note re-recordings of several staples Johnny Cash made for Sun Records – including the title track, "Hey Porter," and "Big River" – as well as several new originals, I Walk the Line cemented the singer's place as the leading country artist of the era. Indeed, as the original liner notes state, "I Walk the Line offers Johnny Cash, renowned storyteller-in-song, at his creative and performing best."

Now, for the first time in more than five decades, you can experience it in true-to-the-source mono courtesy of Mobile Fidelity's meticulously restored reissue. Mastered from the original mono master tapes, pressed at RTI, and strictly limited to 3,000 numbered copies, the audiophile label's 180g 45RPM 2LP set broadcasts the inimitable sonics of the Man in Black's cut-from-bedrock baritone, earnest acoustic strumming, and hand-in-glove band with utmost clarity, directness, and realism.

Much has been rightly made about the sparse, deceivingly simple boom-chicka-boom sound of Cash's righthand men, otherwise known as the Tennessee Three: bassist Marshall Grant, guitarist Luther Perkins, and drummer W.S. "Fluke" Holland. On this collectible edition of I Walk the Line, the trio's steady, fundamental rhythms and fresh, driving beats resonate with a presence, solidity, and immediacy unavailable on any other Cash recording. Such are the advantages associated with going back to mono, which gets right to the core of the rough-and-tumble country tenor of songs such as "Folsom Prison Blues" and "I Walk the Line."

There's a profound release of more textures, embedded details, and lively cohesiveness, with the group enmeshed with rather than separated from Cash's vocals. Key instrumental and vocal contributions from the likes of the Carter Family, steel guitarist Don Helms, pianist Floyd Cramer, and trumpeters Bill McElhiney and Karl Garvin (the same duo who played the signature Mexican-inspired brass refrain on "Ring of Fire") also come to the fore, no longer buried or artificially panned in the false stereo mix. Mobile Fidelity's I Walk the Line epitomizes the classic Cash sound and approach, through and through.

As for the music, it remains infallible. While the Sun material may be redone, the inspired performances equal those of the originals and, in some cases, like the fresh arrangement of "Wreck of the Old 97," improve upon them. And that says nothing of the new songs, most notably, the now-legendary "Understand Your Man," a humorous takedown that thematically and melodically references soon-to-be Cash collaborator Bob Dylan and his "Don't Think Twice, It's Alright." The tune hit Number One on the Billboard Country charts and stayed there for six weeks.

Coupled with other new fare (e.g., the sly "Bad News" and gospel-bent closer "Troublesome Waters) and his ensemble's chemistry and in-the-moment enthusiasm, a byproduct of the momentum that witnessed the singer/guitarist and company attain crossover fame, and the reprised music helps make I Walk the Line a benchmark Columbia set – and a Cash milestone.

Hear it in the finest-possible fidelity and original mono by securing your numbered copy  today!

Numbered, Limited Edition
Strictly Limited to 3,000 Numbered Copies
Mastered Fom the Original Mono Master Tapes
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Pressed On Dead-Quiet Vinyl at RTI


Selections
I Walk The Line
Bad News
Folsom Prison Blues
Give My Love To Rose
Hey Porter
I Still Miss Someone
Understand Your Man
Wreck Of The Old 97
Still In Town
Big River
Goodbye Little Darlin' Goodbye
Troublesome Waters

 
Image result for mofi mobile fidelity sound lab
 
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.

As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.
 
https://store.acousticsounds.com/images/FormatIcons/180gram.jpg RTI 180 HQ Vinyl
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.
 

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