Young Rascals - Groovin' - 45rpm 180g 2LP Mono

Product no.: MFSL2-503

In stock

Young Rascals - Groovin' - 45rpm 180g 2LP Mono
£74.99
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Available delivery methods: UK Tracked with Signature, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

Mobile Fidelity - MFSL2-503 -  180 Gram Virgin Vinyl -   

Mastered  by Kreig Wunderlich - 5,000 Numbered Limited Edition - Pressed at RTI

1/4" / 15 IPS analog mono master to DSD 256 to analog console to lathe

Presented in Fully Restored Mono!  

Mastered from the original master tapes and pressed on dead-quiet vinyl at RTI, Mobile Fidelity's numbered-edition 180g 45RPM 2LP of Groovin' presents the album in fully restored mono. In addition, the painstakingly produced restoration includes "A Beautiful Morning," an early 1968 million-selling hit that reached the third spot on the Billboard Hot 100 chart and debuted as the first release under the band's then-newly truncated Rascals name. Blue-eyed soul and innocuous optimism have rarely sounded more contagious than on this audiophile-grade reissue.

Expertly portraying the quartet's unmistakable harmonies, the analog set captures the deep-seated personality and effortless melodies that seemingly occupy every passage. Reflecting the playfulness of the cover art, the members demonstrate a cohesiveness, chemistry, and charm made vividly apparent via the newly uncovered detail, airiness, and tonalities. Benefiting from the focus, immersion, and accuracy unique to mono, and free of any artificial panning or effects, Mobile Fidelity's edition lets the songs breathe and expand. Notes blossom and decay, voices rise and fall, and the craftsmanship of the arrangements emerges with revealing clarity. Long overlooked due to the dozens of other landmarks issued in the pivotal year, Groovin' now firmly earns its place in history as a masterwork.

Look no further than the opening "A Girl Like You," commandeered by Felix Cavaliere's confident singing and skated along by peppy jazz-rock architecture marked by exuberant horns, lilting piano lines, and splashing rhythms. Or "How Can I Be Sure," on which Eddie Brigati takes the vocal lead over a waltzing pattern that conveys joyousness, rumination, and the rollercoaster ups/downs that accompany the initial stages of a relationship. Brigati also does the honors on the reflective, subdued, albeit optimistic Motown cover "A Place in the Sun," while he and Cavaliere share the lead on "If You Knew," a strolling ditty underlined by a subtle, swift bass line.

Of course, no piece on Groovin' remains more celebrated or recognized than the smash title track – part of the Rock and Roll Hall of Fame's collection of 500 Songs That Shaped Rock and Roll. As birds chirp and congas echo, the Young Rascals paint a picture of bliss, with R&B harmonies and a laidback harmonica whisking the listener to ecstasy. The original B-side, the Latin-inspired "Sueno," further puts the foursome's vocal aptitude on display. Sonically and lyrically ("I have been flying high above reality"; "Only thing needed is someone to come along and trip along with me"), it hints at the psychedelic experimentation the group would soon embrace to its detriment.

Indeed, Groovin' steers clear of any indulgence or falseness, wrapping its metaphorical arms around on the colors, moods, and possibilities of the age. Here, upbeat soul ("I'm So Happy Now") coexists with persuasive garage rock ("Find Somebody") and energized, fuzz-toned nuggets ("You Better Run") that prove the Young Rascals had their ears to the ground in both the States and England. In practically every way, it is thoroughly 1967 – and a quintessential part of any music library.

A Girl Like You
Find Somebody
I'm So Happy Now
Sueno
How Can I Be Sure
Groovin'
If You Knew
I Don't Love You Anymore
You Better Run
A Place in the Sun
It's Love
A Beautiful Morning

 

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GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.

As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.

https://store.acousticsounds.com/images/FormatIcons/180gram.jpg RTI 180 HQ Vinyl

 

Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.

 

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