Cannonball Adderley - Somethin` Else - 180g LP


Cannonball Adderley - Somethin` Else - 180g LP

Product no.: MMBST-81595

Cannonball Adderley - Somethin` Else - 180g LP
£39.95
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Music Matters - MMBST-81595 - 180 Gram Virgin Vinyl

Mastered By Kevin Gray at Cohearent Audio - Blue Note 1595

2,500 Limited Edition - Pressed at RTI

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Remastered from the original Rudy Van Gelder Blue Note master tapes

Because it’s the best sounding one I’ve heard - Music 9/10 Sound 9/10 Michael Fremer Analogue Planet

"The new 33 1/3 sounds more vibrant, more "live", faster, more dynamic, more three-dimensional and just plain more of everything you'd want... So what accounts for the enormous sonic improvement? Gray is using a new tape playback deck and console, new analog electronics, and new Audioquest Wild Blue interconnects throughout the lacquer chain. The sound and packaging of the two reissues I heard was stunning... if they all sound as spectacular as the Burrell and Coltrane reissues, get these while you can, would be my advice." - Michael Fremer, 

It is an understatement to say that Miles Davis did not record as a sideman for just anyone. In fact, the number of times after 1950 that the trumpeter agreed to uplift another musician’s record can be counted on one hand, but Cannonball Adderley was not just “another musician.” Considered a sensation when he debuted in New York in 1955, Adderley’s brilliant technique and creative ideas were matched by his jubilant sound which was always full of joy and excitement. After leading a very enjoyable and commercially successful quintet during 1955-57, Adderley became a member of the Miles Davis Sextet, playing next to John Coltrane. Cannonball would have phenomenal success with his own quintet in 1959 but he was already one of the greatest jazz musicians when he recorded his lone Blue Note album, Somethin’ Else in 1958. Joined by the Hank Jones Trio, this was the lone album that Adderley and Davis ever made together as the only horns. Among the five performances are very memorable renditions of “Love For Sale” and “One For Daddy-O.” The highpoint is what could be considered the finest jazz recording ever of “Autumn Leaves.” Davis’ melancholy tone proved to be the perfect contrast to Adderley’s joyful and exuberant playing which is overflowing with both creative ideas and pure enthusiasm. The classic music on Somethin’ Else is sophisticated and earthy, melodic yet full of constant creativity. This is a true gem.

All New Mastering
 
While Music Matters wanted to use the original 33rpm format to honor the 75 years since Blue Note was founded in 1939, they did not want to sacrifice sonically, because only the very best sound can fully reveal the exquisite subtleties contained in this music. Consequently, over this past year they have worked tirelessly with Kevin Gray at Cohearant Audio Mastering to refine the mastering process. Nothing was spared to make these the definitive 33RPM Blue Note reissues. With an additional $75,000 worth of studio upgrades, featuring all WEL Signature AudioQuest cable and an all new Class A front end, the results will become apparent when you listen to these exceptional recordings. These studio upgrades have reached a point where Music Matters are confident that the 33 rpm format will not only honor the originals, but also fully and accurately present the sonic wonders contained on these master tapes. 2014 marks the 75th Anniversary Celebration of Blue Note records, here, handpicked are what Music Matters believe are 12 of the finest offerings on the label, all from the original master tapes! These recordings are offered at 33RPM just as they were originally manufactured by the label! 
 
The Blue Note Jackets
 
Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. Accordingly, no expense has been spared. Designed from scratch, these jackets are modeled after the most successful work from the Blue Note and Impulse! labels of the 50s and 60s. The materials and craftsmanship of that era produced many jackets that still look new today. With that in mind, the Music Matters Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination. The Impulse! LP jackets from the ‘60s were especially renowned for their crisp, sharp spine hinges. Music Matters has retained one of the artisans who worked on the Impulse! jackets from that era to do the design work on these jackets. It’s all about getting the right tone, texture and weight on the jacket — quality you’ll be able to feel in your hand the moment you pick up one of these albums. 
 
In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos. Many of these photos have never been seen by the public before, adding additional value to the package. Wherever possible, they are actually rebuilding the original cover art using the original cover photo negative. At least four 4” by 4” photos and a full size 12” by 12” will adorn the inside of each gatefold, all printed on the highest quality, acid free photo paper. 
 
The Music Matters gatefold jackets set a new high water mark for presentation, styling and content — archival quality releases that will soon become collector’s items. 

 

Miles Davis, trumpet
Cannonball Adderley, alto sax
Hank Jones, piano
Sam Jones, bass
Art Blakey, drums 
 
Selections: 
1. Autumn Leaves
2. Love For Sale
3. Somethin' Else
4. One For Daddy-O
5. Dancing In The Dark
 

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