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Music Matters - MMBST-84140 - 180 Gram Virgin Vinyl - AAA 100% Analogue
Mastered By Kevin Gray at Cohearent Audio
from the Original Rudy Van Gelder Master Tapes
2,500 Limited Edition - Pressed at RTI - Blue Note BST 84140
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
Page One is one of the most brilliant recording debuts in jazz history. While most first efforts feature a promising jazz musician in their early stages when they sound a bit like their musical heroes since they are in the process of developing their own original voices. Page One is much different. Joe Henderson, who was 26 at the time, was already fully formed. His sound was immediately recognizable and his ability to play both inside (hard bop) and outside (explorative jazz) at the same time made him unique from the beginning of his career.Henderson began his career playing locally in Detroit. After serving in the military and having a brief stint with organist Jack McDuff, he joined trumpeter Kenny Dorham’s group in 1962. Dorham championed Henderson and helped get him signed to Blue Note.
For Page One, Henderson utilized Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca for a remarkable set of forward-looking and passionate jazz. Page One includes the earliest recordings of Dorham’s “Blue Bossa” (which has been a standard ever since), “La Mesha” and four Henderson originals including “Recorda Me.” Henderson and Dorham make for a perfect team as they show on such numbers as the swinging “Jinrikisha,” the explosive “Homestretch” and the blues “Out Of The Night.” Dorham, a veteran from the bebop era, effectively passed the torch to Joe Henderson who from this point on would make a superb series of timeless recordings.
A remarkable tenor saxophonist whose passionate ballad playing and often fiery solos made him one of the most influential tenors in jazz.
Page One was a giant first step in a very significant career.
All New Mastering
While Music Matters wanted to use the original 33rpm format to honor the 75 years since Blue Note was founded in 1939, they did not want to sacrifice sonically, because only the very best sound can fully reveal the exquisite subtleties contained in this music. Consequently, over this past year they have worked tirelessly with Kevin Gray at Cohearant Audio Mastering to refine the mastering process. Nothing was spared to make these the definitive 33RPM Blue Note reissues. With an additional $75,000 worth of studio upgrades, featuring all WEL Signature AudioQuest cable and an all new Class A front end, the results will become apparent when you listen to these exceptional recordings. These studio upgrades have reached a point where Music Matters are confident that the 33 rpm format will not only honor the originals, but also fully and accurately present the sonic wonders contained on these master tapes. 2014 marks the 75th Anniversary Celebration of Blue Note records, here, handpicked are what Music Matters believe are 12 of the finest offerings on the label, all from the original master tapes! These recordings are offered at 33RPM just as they were originally manufactured by the label!
The Blue Note Jackets
Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. Accordingly, no expense has been spared. Designed from scratch, these jackets are modeled after the most successful work from the Blue Note and Impulse! labels of the 50s and 60s. The materials and craftsmanship of that era produced many jackets that still look new today. With that in mind, the Music Matters Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination. The Impulse! LP jackets from the ‘60s were especially renowned for their crisp, sharp spine hinges. Music Matters has retained one of the artisans who worked on the Impulse! jackets from that era to do the design work on these jackets. It’s all about getting the right tone, texture and weight on the jacket — quality you’ll be able to feel in your hand the moment you pick up one of these albums.
In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos. Many of these photos have never been seen by the public before, adding additional value to the package. Wherever possible, they are actually rebuilding the original cover art using the original cover photo negative. At least four 4” by 4” photos and a full size 12” by 12” will adorn the inside of each gatefold, all printed on the highest quality, acid free photo paper.
The Music Matters gatefold jackets set a new high water mark for presentation, styling and content — archival quality releases that will soon become collector’s items.
Kenny Dorham, trumpet
Joe Henderson, tenor sax
McCoy Tyner, piano
Butch Warren, bass
Pete La Roca, drums
1. Blue Bossa
2. La Mesha
6. Out of the Night