Eric Dolphy - Out To Lunch - 180g LP


Eric Dolphy - Out To Lunch - 180g LP

Product no.: MMBST-84163

Usually 7-21 Days

Eric Dolphy - Out To Lunch - 180g LP
£89.95
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Music Matters / Blue Note - MMBST-84163 - 180 Gram Virgin Vinyl

Mastered By Kevin Gray at Cohearent Audio 

2,500 Limited Edition - Pressed at RTI - Blue Note ST-84163

AAA 100% Analogue This  LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head

100 Recommended All-Analog LP Reissues Worth Owning - Michael Fremer  Analogplanet.com

Remastered from the original Rudy Van Gelder Blue Note master tapes

but if your only version is a well-worn original or one of the Japanese reissues, the well-delineated sound and quiet RTI pressing ensure that your money will be well spent. (One note: we rate recordings on an absolute scale that includes purist audiophile recordings, which can sound amazing but are sometimes of questionable musical value. Relative to reissues of recordings from their era, and especially other Blue Note reissues, these from Music Matters are easily 5/5 -- the best of the best.) - Theaudiobeat
 
Eric Dolphy - Out To Lunch
 
In the history of jazz, Eric Dolphy was the first innovator to develop a strikingly original yet different voice on three instruments: alto-sax, flute and bass clarinet. When Dolphy burst upon the New York scene in 1960, he already had over a decade of experience. Originally influenced most by Charlie Parker, Dolphy was part of Los Angeles' Central Avenue scene in the late 1940s. Virtually nothing was heard of him on records in the 1950s before he joined the Chico Hamilton Quintet in 1958, but by then he was ready for the big leagues.
 
His associations with Charles Mingus and John Coltrane, along with his series of dynamic recordings for Prestige, gave him attention. His speech like solos on alto (which featured wide interval jumps), his pioneering of the bass clarinet as a solo instrument, and his flute playing inspired by the sound of birds marked him as a major innovator and a true original. His playing was consistently emotional, often-jubilant and always full of passion. Out To Lunch from 1964, his final studio album before his premature death at the age of 36, has long been considered one of his greatest statements.
 
Not only is Dolphy heard at his most explorative and inventive on each of his instruments but he contributes five very original compositions including an unusual Thelonious Monk tribute ("Hat And Beard") and the eccentric "Straight Up And Down." Utilizing an all-star group that features Freddie Hubbard, Bobby Hutcherson, Richard Davis and a teen aged Tony Williams, Dolphy maps out a future for jazz that he would never live to experience. One can hear bits of such future greats as Oliver Lake, Anthony Braxton, Bennie Maupin, David Murray and James Newton in Dolphy's playing and writing but, truth be told, there was only one Eric Dolphy.
 
Out To Lunch is his last masterpiece.
 
All New Mastering
 
While Music Matters wanted to use the original 33rpm format to honor the 75 years since Blue Note was founded in 1939, they did not want to sacrifice sonically, because only the very best sound can fully reveal the exquisite subtleties contained in this music. Consequently, over this past year they have worked tirelessly with Kevin Gray at Cohearant Audio Mastering to refine the mastering process. Nothing was spared to make these the definitive 33RPM Blue Note reissues. With an additional $75,000 worth of studio upgrades, featuring all WEL Signature AudioQuest cable and an all new Class A front end, the results will become apparent when you listen to these exceptional recordings. These studio upgrades have reached a point where Music Matters are confident that the 33 rpm format will not only honor the originals, but also fully and accurately present the sonic wonders contained on these master tapes. 2014 marks the 75th Anniversary Celebration of Blue Note records, here, handpicked are what Music Matters believe are 12 of the finest offerings on the label, all from the original master tapes!
These recordings are offered at 33RPM just as they were originally manufactured by the label! 
 
The Blue Note Jackets
 
Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. Accordingly, no expense has been spared. Designed from scratch, these jackets are modeled after the most successful work from the Blue Note and Impulse! labels of the 50s and 60s. The materials and craftsmanship of that era produced many jackets that still look new today. With that in mind, the Music Matters Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination. The Impulse! LP jackets from the ‘60s were especially renowned for their crisp, sharp spine hinges. Music Matters has retained one of the artisans who worked on the Impulse! jackets from that era to do the design work on these jackets. It’s all about getting the right tone, texture and weight on the jacket — quality you’ll be able to feel in your hand the moment you pick up one of these albums. 
 
In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos. Many of these photos have never been seen by the public before, adding additional value to the package. Wherever possible, they are actually rebuilding the original cover art using the original cover photo negative. At least four 4” by 4” photos and a full size 12” by 12” will adorn the inside of each gatefold, all printed on the highest quality, acid free photo paper. 
 
The Music Matters gatefold jackets set a new high water mark for presentation, styling and content — archival quality releases that will soon become collector’s items. 
 
Musicians:
 
Freddie Hubbard, trumpet
Eric Dolphy, bass clarinet, alto sax, flute
Bobby Hutcherson, vibraphone
Richard Davis, bass
Tony Williams, drums
 
Selections:
 
1. Hat and Beard
2. Something Sweet, Something Tender
3. Gazzelloni
4. Out To Lunch
5. Straight Up and Down

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