Mobile Fidelity - MOFI 1-007 - 140 Gram Virgin Vinyl - AAA 100% Analogue
Numbered Limited Edition - Pressed at RTI
Mastered on the Mobile Fidelity The Gain 2 Ultra Analog System
How strong and looming of an influence is Echo and the Bunnymen? Strong enough to be the one band name-dropped in a great piece of dialogue from the music-loving film High Fidelity,whereupon Jack Black’s quipping record store clerk character cites the band as legitimate tastemakers for much of the cutting-edge music that happened in the late 80s and beyond. And on no record is the English quintet’s greatness more apparent than on 1981’s sophomoreHeaven Up Here, the group’s first effort to chart in the U.S. and a Top 10 smash in its native U.K.
The record’s merits are legion—and timeless: vocalist Ian McCulloch’s cavernous croon; dream-weaving guitar lines pushed through ominous, melodic soundscapes; neopsychedelic dirges and self-aware lyrics; glamorous drama and tortuous tension. These characteristics and more turn the music restrained euphoria and what the band called “black magic.” Rife with thick atmospherics and brooding dreamscapes, the harrowing songs clatter amidst arrangements infused with requisite air, space, and chamber echoes. Silhouetted guitar leads help convey moody dampness, despair, dread, and disgust, the themes directly connected to narratives that tackle distrust, dishonesty, betrayal, and arrested dreams.
Cloudy and jagged for certain, but the majesty of Heaven Up Here relates to how, in spite of the haunted arrangements and claustrophobic feel, ribbons of light and hope illuminate its shadowy corners and nocturnal glow. Sharing much in common with Joy Division’s period output and a precursor to later work by The Jesus and Mary Chain, The Cure, Love and Rockets, Ride, and countless other U.K. artists,Heaven Up Here soars on Will Seargant’s angular six-string blues, McCulloch’s vampiric grayness, and etched, stair-stepping bass movements.
Mastered on Mobile Fidelity’s world-renowned mastering system and pressed at RTI (America’s best record plant), Silver Label numbered limited edition LP presents Echo and the Bunnymen’s breakthrough in an involving fidelity that blows away what’s on the original pressings. Listeners will revel in the opened-up reverb, sound effects, complex tonalities, swimmy textures, and crafty overdubs that are so essential to the music. This is an 80s landmark, and if you like early U2, you need this album.
• Numbered, Limited Edition • 33rpm Speed Edition
• Mastering by Mobile Fidelity Sound Lab • Specially Plated and Pressed on 140 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes • Pressed at RTI
Echo and the Bunnymen Heaven Up Here Track Listing:
1. "Show of Strength" – 4:50
2. "With a Hip" – 3:16
3. "Over the Wall" – 5:59
4. "It Was a Pleasure" – 3:12
5. "A Promise" – 4:08
6. "Heaven Up Here" – 3:45
7. "The Disease" – 2:28
8. "All My Colours" – 4:06
9. "No Dark Things" – 4:27
10. "Turquoise Days" – 3:51
11. "All I Want" – 4:09
GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of MFSL’s founding fathers – Stan Ricker, an audio engineer responsible for many of MFSL’s most heralded past releases.
The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customized reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)
First and foremost, we only utilize first generation original master recordings as source material for our releases. We then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information. Our lacquers are then plated in a specialized process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). We further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors’ items, ensure that the quality of the last pressing matches the quality of the first.
As you can imagine, all these efforts involve a tremendous amount of time, technology, cost and effort. The introduction of GAIN 2 Ultra Analog™ maintains Mobile Fidelity Sound Lab’s position as the world’s leading audiophile record label, where a passion for music with extraordinary sound quality matters most.