Neuklang - NLP4119 - 180 Gram Virgin Vinyl - Live Direct To 2 Track
AAA 100% Analogue - Hand Numbered Limited Edition - Pressed at Pallas
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head
Klassische Philharmonie Nordwest
TECHNOLOGY Pure analogue direct-to-2-track recording:
Microphones: Neumann U 67, AKG C 414, Schoeps MK21, Brüel & Kjaer 4006
AMS Neve VXS console 60-Channel Patchbay
Studer A 820 tape machine
Live - Direct-To-2-Track
180 g Audiophile Vinyl Pressing
LIMITED EDITION
For "Talking Sinatra", Helmut Eisel has created an excitingly unconventional band project together with the experimentalist Sebastian Voltz on the keyboard, Mario Bartone on the bass and Dirk Leibenguth on drums. Highly emotional and born from the moment. And all this in a live performance that could be more vivid and intense. And the four musicians also felt the same: forgetting the recording and interacting with the audience, they played in the truest and best sense of the Klezmer thought and began to live in their music - and you can hear that too!
Helmut Eisel - clarinet
Sebastian Voltz - Fender Rhodes
Mario Bartone - bass
Dirk Leibenguth - drums
Pure analogue recordings in the direct-to-2-track process in the large Studio 1 of Bauer Studios in Ludwigsburg by Ludwig Heck.
The unusual composition of musicians at this studio concert from the ever-inspiring series of new sounds found for a project called "Talking Sinatra". The vocals are unusual because, on the one hand, the Sebastian Voltz Trio is a striking, electrically influenced modern jazz trio. On the other hand Helmut Eisel is a Klezmer clarinetist, one of the best in Germany, already with the legendary Giora Feidman worked. And so Fender Rhodes and E-Bass mix with Jewish folklore and a laughing clarinet, Sinatra classics like "My Funny Valentine" and "Strangers In The Night" are mixed up with klezmer as well as moody self-compositions like "The Bebop Freilach". This is an exciting combination that comes full, and which unfolds live the irrepressible energy and drama for which klezmer music is famous. It is a good thing for these hard-working professionals that the demands of the direct-to-2-track recording procedure did not have any musical ankle strings. On the contrary, this is where the mail goes.
Great sound.
Completely analogue recording, high-quality pressing on 180g-heavy vinyl. In the cover. Limited and numbered edition.
:
1. Devils Chocolate Cake 6:21 5. Strangers in the Night.
2.
The Last Ending Lunch 5:28
:
4. Thats Life & The Bebop Freilach 7:48 2. My Funny Valentine 5:53 3. The Never Ending Lunch
6:55
6. Albertines Dance 8:35)
"What great recording technique can do, has always been to admire at the studio concerts of Neuklang.
