180g 200g 45rpm Box Sets.

Junior Wells - Pleading The Blues - 180g LP

Product no.: PPAN017

In stock

Junior Wells - Pleading The Blues - 180g LP

£29.99

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Available delivery methods: UK Tracked with Signature, Airmail Standard, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

Description

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Pure Pleasure - PPAN017 - 180 Gram Virgin Vinyl - AAA 100% Analogue

Pure Analogue Audiophile Mastering by Ray Staff at Air Mastering London

Limited Edition - Pressed at Pallas Germany

Pure Analogue This LP is an Entirely Analogue Production

A fantastic album, with the finest blues in the typical Wells / Guy style, with a very good sound quality. Not too high and still enjoy distortion-free music at high volumes.A great blues album and an unconditional recommendation from me. 5/5 LPreview

The year was 1959. The occasion was a “Battle of the Blues” at the Blue Flame Club in Chicago. A young harmonica player Junior Wells – who got his start as Little Walter Jacobs’ replacement in Muddy Waters’ band back in ’52 — probably didn’t imagine he would come in second. After all, he had already put down both Otis Rush and Magic Sam. Still to come, though, was this fleet-fingered, skinny young Louisiana cat — Buddy Guy, who came first. As the climax to his blistering solo, Guy tossed his guitar in the air, then caught it by the neck … one handed. As it slid through his fingers, Buddy created this high levee moan. Crowd gone wild. It was the beginning of a beautiful friendship.

That chance meeting set in motion more than a relationship. This early, and profound, respect translated into a partnership that somehow superceded Wells’ early work with one of the most important people in the blues. Wells and Guy would produce some of the most unabashed and deeply cool West Side blues recordings.

This album recorded for the French Isabel label, in 1979 is a companion piece to Guy’s “Blues Giant” recording of the same year.

There’s the gentle blues shuffle of “It Hurts Me Too,” made famous by Elmore James. There’s the electric-blues muscle of the title tune. Finally, as a bonus track, there’s the funky, clearly James Brown-influenced “I Smell Something.”

This is a fine recording — and certainly one of Junior’s best little-known releases.by Nick DeRiso

Five stars are just not enough for this, great material, harp playing and that man Guy on guitar supported by his brother. Gems one and all. If you are a fan of either or both it is a must.

Recorded on Halloween night in 1979, this pairs up Wells and Guy in a fashion that hasn't been heard since Hoodoo Man Blues, their first, and best collaboration.

Solid backing by The Philip Guy band (Buddy's brother) makes this album a rare treat.

Personnel:

Buddy Guy, guitar, vocals

Phil Guy, rhythm guitar

J. Williams, bass guitar

Ray Allison, drums

Tracklisting

Side 1:

1. I Smell a Rat

2. Are You Losing Your Mind

3. You've Been Gone Too Long

Side 2:

1. She Is Out There

2. Outskirts of Town

3. When I Left Home

Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

There really is nothing quite like it. It’s the touch, the feel, you have to stop and stare, the cover, the real thing, even the smell.

Its tangible, you can feel it, see it, study it, muse/dream over it, it’s real, someone has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.

The music and the physical record. Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover, the sleeve notes, you are holding a unique package, produced by craftsmen.

Pure Pleasure Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe

Pure Analogue Audiophile Mastering

Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl

Released in Limited Quantities

Audiophile Vinyl - Made in Germany For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!