Stan Getz & Joao Gilberto - The Best Of Two Worlds - 180g LP

Product no.: PPAN33703

In stock

Stan Getz & Joao Gilberto - The Best Of Two Worlds - 180g LP
Price includes VAT, plus delivery

Available delivery methods: UK Tracked with Signature, Airmail Standard, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head

Pure Pleasure / Columbia - PPAN 33703 - 180 Gram Virin Vinyl - AAA 100% Analogue

Pressed at Pallas Germany - Limited Edition - Columbia PC 33703

Mastered at Ray Staff at Air Mastering London

The session was produced by Columbia’s famed Teo Macero and among the sidemen is the remarkable pianist Albert Dailey. There is a delightful female voice in the style of Astrud Gilberto but with better intonation and a more professional delivery. She is Heloisa Buarque, sister of another top Brazilian singer/songwriter, Chico Buarque.  She was brought up from Brazil to weave her warm voice with that of Gilberto and Getz’s horn.  Getz too, has deepened and enriched his sound during the dozen years.  It’s all right here in the grooves of this gem of Brazilian music. - Sound 5/5 AudiophileAudition 
For lovers of the sweet, gentle and romantic rhythms of bossa-nova, with the masters: saxophonist, Stan Getz and singer & guitarist, Joao Gilberto, who started all the trend, back in 1964, with "The Girl of Ipanema".
This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carolos Jobim (or Tom Jobim), along with the stylish and noninstrusive arrangements of Oscar Carolos Neves. The trio changed the world in the early 1960s with its Getz/Gilberto albums. With Neves, they almost did it again, but with all the crap falling down around them in the musical climate of the mid-'70s – fusion, disco, overblown rock, and the serious decline of jazz – this disc was critically overlooked at the time.
Joining these four men in their realization of modern bossa and samba are drummers Billy Hart and Grady Tate, percussionists Airto, Ray Armando, and Ruben Bassini, bassist Steve Swallow, pianist Albert Daily, and Heliosoa Buarque de Hollanda singing the English vocals as a fill-in for Astrud Gilberto – who was not invited to join this session and would have declined if she were. The most beautiful thing about this recording is that Jobim – whose song forms had reached such a degree of sophistication that he was untouchable – chose to write all of his lyrics in English…This is something that did not come naturally or effortlessly to Jobim, but sounds as if it did.
In 1976 Getz – who already had the most-heard bossa nova jazz album around in his first Getz/Gilberto LP (it’s said his recordings changed the Brazilian economy) -  encored his stint with Gilberto on this disc.  In the dozen years which had passed Gilberto’s voice had gone deeper and his lyrics had more maturity in their poetry, as pointed out in the extensive liner notes by lyric writer, singer and jazz writer Gene Lees. His own notes wax poetic in observations such as “At times people forget the beauty of the sound of humanity in the human voice.”  Gilberto’s sound does come across with great presence and beauty on this disc. I had not paid much attention when hearing the lyrics previously which Gilberto wrote (in 1973) for his tune Waters of March. This time, both with his wonderful delivery in English, and the fact they are printed in the album, I did.  They are compelling poetry for sure, and cleverly supported by their accompaniment.
Arranged By – Oscar Castro Neves
Bass – Clint Houston, Steve Swallow
Drums – Billy Hart, Grady Tate
Executive-Producer – Teo Macero
Guitar – Joao Gilberto, Oscar Castro Neves
Mixed By – John Guerriere
Percussion – Airto Moreira, Joao Gilberto, Ray Armando, Ruben Bassini*, Sonny Carr
Piano – Albert Dailey
Producer – Stan Getz
Recorded By – Stan Tonkel
Vocals [English] – Heloisa (Miucha) Buarque De Hollanda
Vocals [Portuguese] – Joao Gilberto
1. Double Rainbow
2. Aguas De Marco (Waters Of March)
3. Ligia
4. Falsa Bahiana
5. Retrato en Branco e Prieto (Picture In Black And White)
6. Izaura (You Know I Just Shouldn’t Stay)
7. Eu Vim da Bahia
8. Joao Marcello
9. E Preciso Perdoar
10. Just One Of Those Things
Stan Getz & Joao Gilberto - The Best Of Two Worlds - 180g LP
Image result for pure pleasure records

Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

There really is nothing quite like it.  It’s the touch, the feel, you have to stop and stare, the cover,  the real thing, even the smell.

Its tangible, you can feel it, see it, study it,   muse/dream over it, it’s real, someone  has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.  

The music and the physical record.  Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover,  the sleeve notes, you are  holding a unique package, produced by craftsmen.

Pure Pleasure  Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe 

Pure Analogue Audiophile Mastering - Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl - Released in Limited Quantities

60 Years Pallas
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!  



Customers who bought this product also bought

* Prices include VAT, plus delivery

Browse this category: JAZZ