Gerry Mulligan & Lee Konitz - Konitz Meets Mulligan - 180g LP Mono

Product no.: PPANPJ38

In stock

Gerry Mulligan & Lee Konitz - Konitz Meets Mulligan - 180g LP Mono
£29.99
Price includes VAT, plus delivery


Available delivery methods: UK Tracked with Signature, UK Express, Airmail Tracked with Signature, UK Standard, Heavy Item

AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only, from the Master Tapes through to the Cutting Head

Pure Pleasure - PPAN PJ38 - 180 Gram Virgin Vinyl - AAA 100% Analogue

Mastering by Steve Hoffman & Kevin Gray - Pacific Jazz PJ38 

Limited Edition - Pressed  at Pallas Germany - Mono

A word about this re-issue. The original source was a mono recording. The laid down tracks whether live or otherwise, were most probably captured using a single microphone and an Ampex ( or similar) tape recorder. No multi-track sound-board here. Pure Pleasure Records has called their remastering a High Fidelity release and that designation rightly applies. They have done a fabulous job in cleaning up the sound. The music now resonates with some noticeable depth, and they have brought Lee Konitz’s solos to an astounding clarity and freshness. In effect they have turned a sow’s ear into a silk purse. 5/5 Audiophileaudition 
 
O.K., so it's mono. And, for much of the recording, Mulligan's quartet seems simply to be backing Konitz. But hang on, this is a marvelous little gem. Mulligan on the bariton, Konitz on alto, and - yes - Chet Baker on trumpet. How can you pass this up? 
 
But this is more than an artifact. This is jazz at its spontaneous and inventive best. Konitz, freed from Stan Kenton, has all sorts of new ideas about these old standards. And, for many of the cuts, as Lee explores the possibilities, you can hear Mulligan purring far in the background (mono, remember), and, every once in a while, moving to the foreground to make a few statements of his own. These two jazz minds talk to each other, tease each other,support and - in a gentle way - challenge each other. 
And, of course, in a few cuts, Baker's sweet trumpet announces itself and joins the two sax players in their explorations. The now-unheralded but extremely deft Carson Smith takes on most of the bass responsibilities, and provides - along with Larry Bunker on drums - a solid stage for Baker, Mulligan, and Konitz to swing on. 
 
Mulligan, Konitz, and Baker, of course, went their separate ways, Konitz and Mulligan to long and brilliant careers, Baker to a briefer, tragic, but still shining career. This, then, was a moment in time, and is now your chance to catch these giants sharing a stage, playing for and with one another, showing admiration and affection for each other's talents and ideas. 
Mono - so what? This is a treasure from the vaults of Pacific Jazz.
 
 A simply wonderful pairing of idiosyncratic talents.- Allmusic
 
The surfaces of both these LPs are impeccable -- as quiet as vinyl gets. This helps reveal the personality of each recording all the better. Pure Pleasure has released ten Pacific Jazz titles, but there are hundreds of the label's recordings that are unrepresented among LP reissues. Here's hoping that Pure Pleasure continues to mine this especially deep vein. - TheAudioBeat
 
Musicians:
Lee Konitz, alto saxophone
Gerry Mulligan, baritone saxophone
Chet Baker, trumpet
Carson Smith, bass
Joe Mandragon, bass (1,5,7)
Larry Bunker, drums
 
Selections:
1. I Can't Believe That You're In Love With Me
2. Broadway
3. Almost Like Being In Love
4. Sextet
5. Oh Lady Be Good
6. Bernie's Tune
7. Oh Lady Be Good (alternate version)
8. Too Marvelous For Words
9. Lover Man
10. I'll Remember April
11. These Foolish Things
12. All The Things You Are
 
Recorded in Los Angeles at the Haig, January, 1953.
Gerry Mulligan & Lee Konitz - Konitz Meets Mulligan - 180g LP
 
 
Image result for pure pleasure records
 

Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

There really is nothing quite like it.  It’s the touch, the feel, you have to stop and stare, the cover,  the real thing, even the smell.

Its tangible, you can feel it, see it, study it,   muse/dream over it, it’s real, someone  has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be.  

The music and the physical record.  Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover,  the sleeve notes, you are  holding a unique package, produced by craftsmen.

Pure Pleasure  Records bring you vinyl albums of quality Jazz - Blues - R+B - Soul - Funk, remastered by some of the best engineers in the world and pressed on 180 gram audiophile vinyl at what is probably the best pressing plant in Europe 

Pure Analogue Audiophile Mastering
 
Plated and Pressed at Pallas in Germany on 180 Gram Virgin Vnyl
 
Released in Limited Quantities

 
Audiophile Vinyl - Made in Germany  For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!  

 

 

Customers who bought this product also bought

* Prices include VAT, plus delivery

Browse this category: JAZZ