AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Pure Pleasure - PPAN SD18158 - 180 Gram Virgin Vinyl - AAA 100% Analogue
Mastering by Ray Staff at Air Mastering London - Atlantic SD8158
Limited Edition - Pressed at Pallas Germany
It is hard to fathom how a singer this talented never became a major star (and legendary producer Jerry Wexler agrees). He did not receive a Grammy until 2003. Pure Pleasure Records has done a superior job in re-mastering King Solomon to 180-gram vinyl. The overall mix is balanced with Burke’s soulful voice in the front. Both the grittiness and fluid tonality of Burke are captured with a radiating warmth. All of the instrumentation is folded in to surround the vocals. Long live the King Of Rock ’N’ Soul! - Sound 4.5/5 Audiophile Audition
You could certainly listen to King Solomon on CD or stream it, but do your ears a favour and spin it on vinyl to get the full impact of one of the true masters. -Rod Evans , Living Bluese Magazine
Luckily, this thick, analog remaster has come along to remind us of Burke’s standing as an important, if sometimes overlooked, link in the chain forged between rock and soul.4/5 LPreview
With his big, powerful voice and fervent but controlled emotionality, Solomon Burke was one of the early pioneers of soul music, though his contributions were not fully recognized until the new millennium, when he belatedly won his first Grammy.
By the age of nine, Solomon Burke (b. March 21, 1940, Philadelphia, PA) was a preacher and choir soloist at his family's Philadelphia church, the House of God for All People. At twelve he began hosting his own gospel radio show, "Solomon's Temple," and touring the gospel circuits billed as the "Wonder Boy Preacher." In 1955 he began recording both religious and secular music for Apollo and Singular before signing with Atlantic Records in 1960.
At Atlantic Burke made some of the first soul records by setting his gospel "preaching" style in song forms borrowed from R&B, rock & roll and other secular music styles.. He was a major influence on Mick Jagger, who covered Burke-related songs "You Can Make It If You Try," "Everybody Needs Somebody to Love," "If You Need Me" and "Cry to Me" on early Rolling Stones albums. Otis Redding also covered Burke's R&B variation on the traditional folk ballad "Down in the Valley."
It's Been A Change
Take Me (Just As I Am)
Time Is A Thief
Keep A Light In The Window
Baby, Come On Home
Someone Is Watching
When She Touches Me (Nothing Else Matters)
Woman, How Do You Make Me Love You Like You Do
It's Just A Matter Of Time
Presents For Christmas
ORIGINAL MASTER TAPES
AAA 100% ANALOGUE
We use the Original Tapes and work with only the Best Mastering Studios
Plated and Pressed at Pallas in Germany on 180 gram Virgin Vinyl
Highest Quality Jackets and Inner Sleeves
Low Numbers per Stamper Released in Limited Quantities
Pure Pleasure Records
The Restoration of the Art of Sound
180g Vinyl Mastered From The Best Available Sources
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records. During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production. To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
There really is nothing quite like it. It’s the touch, the feel, you have to stop and stare, the cover, the real thing, even the smell.
Its tangible, you can feel it, see it, study it, muse/dream over it, it’s real, someone has spent hours and hours over its construction and presentation. Pure Pleasure Records is just that, Pure Pleasure and that is what it has set out to be. The music and the physical record. Something to keep, treasure, admire and above all enjoy.Of course with vinyl it’s not just a record, it’s the cover, the sleeve notes, you are holding a unique package, produced by craftsmen.
60 Years Pallas
Audiophile Vinyl - Made in Germany For over 60 years the family business in the third generation of the special personal service and quality "Made by Pallas" is known worldwide. Our custom PVC formulation produces consistently high pressing quality with the lowest surface noise in the industry. Our PVC complies with 2015 European environmental standards and does not contain toxic materials such as Lead, Cadmium or Toluene. Our vinyl is both audiophile and eco-grade!