WAITING A REPRESS - BACK IN STOCK SOON
AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Impex TBM-30-45 - 180 Gram Virgin Vinyl - AAA 100% Analogue
Mastered by Kevin Gray - Pressed at RTI
Three Blind Mice TBM-30 - Limited Edition
The sonics on these 45rpm vinyl pressings are off the charts! I'm not a huge jazz fan but the sonics are so compelling I keep playing them over & over. - AudioReview
Mastered by Tohru Kotetsu and pressed at RTI, this 45rpm LP will live up to and surpass your most demanding judgments.
One of the most sough-after titles from the acclaimed Three Blind Mice catalog.
Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty.
The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Takeshi "Tee" Fujii have been the benchmark to match. It is to their immense credit that Blow Up, Midnight Sugar, and Misty have yet to be matched, even 40 years later.
Impex, who as Cisco Music has had a long association with Tee and Three Blind Mice, has finally made available these seminal recordings on its state-of-the-art LP Kevin Gray's careful, unobtrusive mastering provides a listening experience
Touring with the Micky Curtis Band, Tsuyoshi Yamamoto had the chance to explore several international experiences that he would later use on his 1974 album, Misty, as he worked with this band in France, England and Switzerland.
The Yamamoto Trio's Misty is a Stoned Cold Killer! A1 Reference Material!!! Misty earned both the "Best Engineering" Award and Jazz Dick Award of Swing Journal in 1974. Recorded at Aoi Studio, Tokyo, on August 7, 1974. Tsuyoshi Yamamoto is highly musical and his expressions natural, neither overly technical nor serious, his performance is relaxed and melodious.
Tsuyoshi Yamamoto, piano
Isoo Fukui, bass
Tetsujiro Obara, drums
4. Honey Suckle Rose
5. Smoke Gets In Your Eyes
6. I Didn’t Know What Time It Was
7. Angel Eyes
Impex Records is the exciting audiophile label from the team that brought you Cisco Music. With more than 20 years experience and 150 titles released, Cisco Music developed many of the techniques used by other labels to make higher quality 180-gram LPs, SACDs and Gold and aluminum CDs.
We brought definitive editions Jennifer Warnes' The Well, The Hunter and Famous Blue Raincoat in multiple formats, including a 45 rpm box set that Absolute Sound magazine declared "defines the state-of-the--art in vinyl playback." Other classic reissues we nurtured to fantastic rebirths include the jazz-rock perfection of Steely Dan's Aja, Joan Baez' Farewell Angelina, NathanMilstein's poetic interpretation of Dvorak's Violin Concerto and four exquisite 45-rpm Three Blind Mice LPs.
Even in our humbler origins we were trusted with the distribution and production of The Super Analogue Disc, the original audiophile 180-gram LPs. King Records recognized, from the very beginning, that Cisco Music brought unflinching passion to the music and unflailing dedication to the process of bringing that music to the most discerning listeners in the world.
Now as Impex Records some of the original Cisco staff (Abey Fonn, Robert Pincus and Robert Sliger), along with Robert Donnelly, will follow and expand our own high standards for a new generation of audiophile products. Analog products will always be cut using analog tapes and analog mastering at the finest mastering facilities like Sterling, Cohearent and Bernie Grundman--just as it should be. Gold CD's will always be cut with high-definition digital or analog tape transfers from original sources. We will introduce America to Sony's revolutionary Blu-Spec CD, which redefines production excellence in 16-bit digital playback.
With a singular vision for making the best records anywhere, Impex Records is poised to expand Cisco Music's peerless legacy well into the 21st century. It's going to be quite a journey and we look forward to your joining us. We have committed ourselves, with every new release, to your complete satisfaction.
RTI HQ-180 Vinyl
Record Technology is a world class record pressing plant located in Camarillo, California. We have been operating since 1974, pressing for most audiophile record labels and for many quality minded independent and major record labels from around the world.