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Mobile Fidelity - UDSACD 2035 - SACD Hybrid Stereo

Numbered Limited  Edition - Plays On All CD Players 

Half Speed Mastered on the Mobile Fidelity GAIN 2™ Mastering Technology for Ultradisc UHR SACD

Original Analog Masters Located After 18 Years and Used for This Release!

The opening instrumental to Bossanova makes it clear that the Pixies weren’t about to take the same crazed approach on their major-label debut as they did on their initial standout efforts, 1987's Surfer Rosa and 1989's Doolittle. More straightforward, linear, fluid, subtle, and dreamy,Bossanova finds the band exploring pop structures, dropping psychedelic accents, and satisfying surf-rock urges. While it often verges off-the-beaten path, particularly for mainstream tastes circa 1990, the set is the most accessible and hook-ridden record the Pixies ever made.

Black Francis’ surreal narratives and breathy delivery flavor tunes like “Is She Weird,” “Velouria,” and “The Happening,” all of which sonically and/or lyrically tie into themes of aliens and sex. Macabre fixations and noisy outbursts take a backseat to tunefulness, putting a spotlight on Joey Santiago’s underrated guitar work and Kim Deal’s complementary back-up vocals.  Recognizing the changes, producer Gil Norton bestowed Bossanova with spacious dynamics and wide-open arrangements that allow the music to breathe.

The analog masters for Bossanova had been missing for 18 years before finally being located in 2008 in the WEA tape archives in Los Angeles. This release marks the first time that the original ½-inch analog master tapes have been used since Bossanova was originally released in August 1990. Be assured that this is the very finest version of Bossanova you will ever hear. At long last, the staggering dimensions of the Pixies’ canyon-wide soundscapes and three-dimensional atmospherics of their nuanced vocals are faithfully reproduced.

Bass, Vocals – Kim Deal
Drums, Vocals – Dave Lovering
Lead Guitar – Joey Santiago
Vocals, Guitar – Black Francis

Pixies Bossanova Tracklising:

1. Cecilia Ann  
2. Rock Music  
3. Velouria  
4. Allison  
5. Is She Weird  
6. Ana  
7. All Over The World  
8. Dig For Fire  
9. Down To The Well  
10. The Happening  
11. Blown Away  
12. Hang Wire  
13. Stormy Weather  
14. Havalina

Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts. 

It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics. 

Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction. 

GAIN 2™ Mastering Technology for Ultradisc UHR™ Hybrid SACD and Ultradisc II™ 24kt Gold CDs 

For over twenty years, Mobile Fidelity Sound Lab has continually searched for the ultimate audio experience. During this search MFSL engineers and associates created The GAIN™ System, a proprietary mastering technology which brought warmth and ambience to the compact disc format. A few years ago - with higher resolution formats on the horizon - the vision of GAIN 2™ began. As it stands today, GAIN 2™ is one of the greatest technical advancements in analogue and digital technology in the last ten years. It consists of a series of critical modifications and new components to Mobile Fidelity's proprietary mastering chain. 

We feel that GAIN 2™ has come extremely close to meeting this goal. The key accomplishments of GAIN 2™ System are 1) the ability to extract all the musical information as possible through the Ultra High bandwidth analogue tape playback system with proprietary custom tape playback heads, reproducer electronics and 2) transparently capturing and storing that information with the Direct Stream Digital recording system.