Foreigner - Head Games - SACD

Product no.: UDSACD2052

Foreigner - Head Games - SACD
£31.93
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Mobile Fidelity - UDSACD 2052 - SACD Hybrid Stereo

Numbered Limited  Edition - Plays On All CD Players

Mastered by Kreig Wunderlich  from the Original Master Tape at MFSL

Mastered on the Mobile Fidelity GAIN 2™ Mastering Technology for Ultradisc UHR SACD

The moment Head Games begins, a nastier, grittier tone is established, and it becomes apparent that Foreigner is bringing something new to the table. Namely, an edgier, leaner sound built around stronger guitars and harder rhythms. The heaviest record of the band’s career, the 1979 effort functions as irrefutable proof that the quintet rocked as hard as anybody in the mainstream and did so without losing sight of the melodies that put it at the top of the charts. And with Head Games, there Foreigner would stay.

Half-speed mastered from the original master tapes this longtime favorite classic-rock staple bursts with tremendous dynamics, soaring vocal timbres, punchy dynamics, and newfound instrumental separation. With more emphasis placed on Mick Jones’ guitar riffs and meatier grooves, you may just find yourself investing in a new power amp to get every last degree of detail that’s been uncovered! Longtime fans will be thrilled to hear the subtle nuances now fully discernible amidst a gargantuan soundstage.

Joined by new bassist Rick Wills, and guided by Queen producer Roy Thomas Baker, Foreigner goes for broke, ratcheting up the muscularity on hard-hitting fare such as the hit single “Dirty White Boy,” “Seventeen,” and the aptly titled “Rev on the Red Line.” However, the group maintains its trademark equilibrium, pushing the limits on toughness yet retaining a diamond-in-the-rough smoothness that allows the band’s hummable choruses and winding hooks to take hold.

Moreover, the band expands its use of synthesizers to wonderful effect. The smash title track, through which mesmerizing keyboard passages coarse, is a prime example of Foreigner’s slight albeit thrilling sonic evolution, the net result upping the drama, fanfare, and color. At the time, the combination was a breakthrough idea. Is it any wonder Head Games sold more than 5 million copies?

None, however, sound anywhere near as lifelike, involving, and rich as Mobile Fidelity’s remaster. Part of the reason why late 70s arena rock remains beloved, and why it’s so fun, owes to the go-for-broke nature of the arrangements, decibel-clearing volume levels, and free license to just let loose. By digging in and revealing all the musical information the master tapes provide, our pleasure principle by tenfold!

Bass, Vocals – Rick Wills
Drums – Dennis Elliott
Guitar , Vocals – Mick Jones
Guitar, Keyboards, Vocals – Ian McDonald
Keyboards, Synthesizer – Al Greenwood
Lead Vocals – Lou Gramm

Foreigner Head Games Track Listing:

1. "Dirty White Boy" (Jones, Gramm) – 3:37
2. "Love on the Telephone" (Jones, Gramm) – 3:18
3. "Women" (Jones) – 3:25
4. "I'll Get Even with You" (Jones) – 3:40
5. "Seventeen" (Jones, Gramm) – 4:43
6. "Head Games" (Gramm, Jones) – 3:37
7. "The Modern Day" (Jones) – 3:26
8. "Blinded by Science" (Jones) – 4:54
9. "Do What You Like" (McDonald, Gramm) – 3:58
10. "Rev on the Red Line" (Greenwood, Gramm) – 3:35

Foreigner - Head Games - 180g LP

 

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Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts. 

It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics. 

Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction. 

GAIN 2™ Mastering Technology for Ultradisc UHR™ Hybrid SACD and Ultradisc II™ 24kt Gold CDs 

For over twenty years, Mobile Fidelity Sound Lab has continually searched for the ultimate audio experience. During this search MFSL engineers and associates created The GAIN™ System, a proprietary mastering technology which brought warmth and ambience to the compact disc format. A few years ago - with higher resolution formats on the horizon - the vision of GAIN 2™ began. As it stands today, GAIN 2™ is one of the greatest technical advancements in analogue and digital technology in the last ten years. It consists of a series of critical modifications and new components to Mobile Fidelity's proprietary mastering chain. 

We feel that GAIN 2™ has come extremely close to meeting this goal. The key accomplishments of GAIN 2™ System are 1) the ability to extract all the musical information as possible through the Ultra High bandwidth analogue tape playback system with proprietary custom tape playback heads, reproducer electronics and 2) transparently capturing and storing that information with the Direct Stream Digital recording system. 

 

 

 

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