Mobile Fidelity - UDSACD 2075 - SACD Hybrid Stereo
Numbered Limited Edition - Plays On All CD Players
Half Speed Mastered by Shawn R Britton
Mastered on the Mobile Fidelity GAIN 2™ Mastering Technology for Ultradisc UHR™ SACD
Tin Pan Alley is now my track of choice to demo the sonic capability of stereo only SACD. THIS is how hi-fi should sound. Full. Rich. Detailed. Clear. Dynamic. 5/5 Sacdnet
Like the destructive tornado on the album’s cover, Stevie Ray Vaughan’s Couldn’t Stand the Weather blows with gale-force intensity, moves everything in its path, and contains beautiful moments of calm at its center. Caught up in the momentum gained from his brilliant debut, the guitar slinger comes on with a startling degree of authority, confidence, and swagger that hadn’t been witnessed in the blues realm in decades.
At last, this incredible tour de force has been finally been done right. Surpassing the myriad inferior remastered and reconfigured editions, we went straight to the source—the original master tapes—to produce a version of Couldn’t Stand the Weather that will last a lifetime. The numbered limited-edition hybrid SACD brings Vaughan and Co. into your listening room and places them at your feet. Vaughan’s trademark Fender Stratocaster has never sounded more lifelike, powerful, or authentic.
By the time Vaughan and Double Trouble entered the studio in January 1984, the band’s reputation as the hottest blues-rock act in the world had been cemented. Vaughan even declined a juicy offer to tour as part of David Bowie’s band in order to live out his own dreams. And this proud Texas boy doesn’t mess around. Pulling no punches and embracing his role as blues’ modern ambassador, Vaughan’s scorching 1984 record epitomizes his hallmark styles and moods: brazen, ferocious, mesmerizing, cathartic, defiant, soulful, all at once.
Here, in the form of the jaw-dropping version of “Voodoo Chile (Slight Return),” is Vaughan’s touching acknowledgment of Jimi Hendrix’s looming influence. And in the hopping instrumental “Scuttle Buttin’,” there’s a lingering taste of the guitarist’s playful personality and pyrotechnic skill. “Cold Shot” bleeds with a lover’s scorn, but like a determined fighter, Vaughan picks himself up off the canvas and rears, ready to make another go. Brother Jimmie Vaughan assists on the title track, redolent with the slinky rhythms gleaned from rural Texas bluesman and down-home attitudes.
As he did on Texas Flood, Vaughan closes out the record in high style, bringing the concoction of smoldering blues, sultry shuffles, and jukejoint boogies to a simmer with the instrumental “Stang’s Swang”—dedicated to jazz great Grant Green and punctuated with Stan Harrison’s fiery tenor saxophone lines. Gutsy, gritty, and ceaselessly original, Couldn’t Stand the Weather served further notice that Vaughan was here to stay and demanded to be heard. The double platinum sales figures and Grammy nominations were additional confirmation of that fact.
Our numbered limited-edition hybrid SACD brings the images of Vaughan’s street-wise stare, lived-in cowboy boots, lightning-fueled fingers, and Palladin hat into pristine focus. More importantly, the searing tones from his ’59 Stratocaster guitar, drawl of his raspy voice, and every strategic bend of the strings are captured with extreme delicacy, so you don’t miss a note. The soundstage is deep and wide, and the microdynamics simply pop. Welcome to Texas, Stevie Ray style. It doesn’t get any better than this.
Stevie Ray Vaughan Couldn't Stand The Weather Track Listing:
1. Scuttle Buttin'
2. Couldn't Stand the Weather
3. The Things (That) I Used to Do
4. Voodoo Chile (Slight Return)
5. Cold Shot
6. Tin Pan Alley
7. Honey Bee
8. Stang's Swang
Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts.
It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics.
Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction.
GAIN 2™ Mastering Technology for Ultradisc UHR™ Hybrid SACD and Ultradisc II™ 24kt Gold CDs
For over twenty years, Mobile Fidelity Sound Lab has continually searched for the ultimate audio experience. During this search MFSL engineers and associates created The GAIN™ System, a proprietary mastering technology which brought warmth and ambience to the compact disc format. A few years ago - with higher resolution formats on the horizon - the vision of GAIN 2™ began. As it stands today, GAIN 2™ is one of the greatest technical advancements in analogue and digital technology in the last ten years. It consists of a series of critical modifications and new components to Mobile Fidelity's proprietary mastering chain.
We feel that GAIN 2™ has come extremely close to meeting this goal. The key accomplishments of GAIN 2™ System are 1) the ability to extract all the musical information as possible through the Ultra High bandwidth analogue tape playback system with proprietary custom tape playback heads, reproducer electronics and 2) transparently capturing and storing that information with the Direct Stream Digital recording system.