Bob Dylan - Bringing It All Back Home - SACD Mono

Product no.: UDSACD2181

In stock

Bob Dylan - Bringing It All Back Home - SACD Mono
£39.99
Price includes VAT, plus delivery


Mobile Fidelity - UDSACD 2181 - SACD Hybrid Mono  

3,000 Numbered Limited  Edition - Plays On All CD Players

Mastered by Kreig Wunderlich from the Original Master Tape

Half-Speed Mastered Quad DSD 11.2Mhz  Mobile Fidelity Ultradisc UHR Gain HD 

 

Bob Dylan’s Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. It’s a disarming broadcast that declares Dylan’s surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes. The end result is the very finest, most transparent  stereo edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the album’s you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.

The sonics are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbia’s Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fan into a tizzy. And what better record to cause such enthusiastic reactions?

More than 45 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant who’s privy to cerebral viewpoints, mental transferences, and “thought dreams” elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naiveté, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk music’s imprisoning rules and bounding restrictiveness—and a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.

Side One remains one of the boldest cohesive artistic statements ever assembled. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny “Subterranean Homesick Blues” before romping, slashing, and rolling through “Maggie’s Farm,” another fun albeit caustic indictment of homogenous thought and bohemian method. Dylan’s attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery

Ranked 31 on Rolling Stone’s list of the 500 Greatest Albums of All TimeBringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums don’t come more vetted.

You deserve to experience it in the finest-possible quality.

Bob Dylan – guitar, harmonica, keyboards, vocals
John Boone – bass guitar
Al Gorgoni – guitar
Bobby Gregg – drums
Paul Griffin – piano, keyboards
John P. Hammond – guitar
Bruce Langhorne – guitar
Bill Lee – bass guitar
Joseph Macho, Jr. – bass guitar
Frank Owens – piano
Kenny Rankin – guitar
John B. Sebastian – bass guitar

1. Subterranean Homesick Blues

2. She Belongs To Me

3. Maggie’s Farm

4. Love Minus Zero/No Limit

5. Outlaw Blues

6. On the Road Again

7. Bob Dylan’s 115th Dream

8. Mr. Tambourine Man

9. Gates of Eden

10. It’s Alright, Ma (I’m Only Bleeding)

11. It’s All Over Now, Baby Blue

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Mobile Fidelity believes that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, coloration or other sonic artifacts. 

New Ultradisc UHR GAIN HD mastering technology, designed to achieve "a higher level of musical accuracy, resolution and fidelity 

Mobile Fidelity Sound Lab (MFSL) has introduced its Ultradisc UHR GAIN HD with 4X DSD digital mastering technology. The Ultradisc UHR (Ultra-High Resolution) GAIN HD mastering process utilizes 4X DSD direct-to-CD conversion and a newly implemented mastering chain to achieve a higher level of musical accuracy, resolution and fidelity from CD.

GAIN stands for Greater Ambient Information Network, "and that's an indication of exactly what listeners will hear with our new mastering process,"  "The GAIN HD 4X DSD process delivers a subtle but significant improvement in low-level detail, ambient information and 'air,' and perhaps most importantly, a relaxed ease in the musical presentation that simply sounds less 'reproduced' and more natural and involving."
 
The GAIN HD mastering chain starts with Mobile Fidelity's custom Studer tape playback deck with proprietary reproducer electronics and tape head designed by legendary engineer Tim de Paravicini. "Thanks to this one-of-a-kind tape machine, we're pulling off more musical information from the master tapes from the get-go," . From there the signal is directly coupled to MFSL's 4X DSD A/D converter which samples at 11.2 MHz or 256fs, or 256 times the CD sampling rate of 44.1 kHz. The 4X DSD file is then downsampled to 1X DSD for the SACD layer and the 4X DSD file is also downsampled to 44.1 kHz for the CD layer. The result is better resolution in both formats.
 
Mobile Fidelity Sound Lab has been the leader in audiophile recordings since it was founded in 1977 by producer and recording engineer Brad Miller. The company's first half-speed-mastered Original Master Recording LPs set a remarkable new sonic benchmark for vinyl playback and through the decades MFSL has continued to redefine the state-of-the-art in LP, CD and high-resolution digital sound with technologies including the Ultradisc 24-karat gold-plated CD, GAIN 2 mastering system, Ultradisc UHR (Ultra High Resolution) SACD disc and other breakthroughs.
 
"For almost four decades Mobile Fidelity has been completely dedicated to furthering the development and acceptance of audiophile recordings. This has never been more important than today, where compressed audio and compromised sound encroach upon us more and more." He concluded, "If anything, this gives us all the more reason to do what we're doing with our newest technology upgrades - which is to bring music lovers and audiophiles closer than ever to listening to master-tape-quality sound in their home and enjoying a growing number of recordings the way the artists and producers intended them to be heard."
 
It is worth noting that Mobile Fidelity Sound Lab stands out as one of few record labels that independently invests in research and development of audio technology. With proprietary innovations such as GAIN 2™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware. Mobile Fidelity is pleased to work with a variety of engineering legends and companies including Tim de Paravicini, Ed Meitner, Pass Labs, Theta Digital and Sony Electronics. 

Our joint efforts to seek out the ultimate audio experience, has resulted in significant advances for the technology of music reproduction. 

GAIN 2™ Mastering Technology for Ultradisc UHR™ Hybrid SACD and Ultradisc II™ 24kt Gold CDs 

For over twenty years, Mobile Fidelity Sound Lab has continually searched for the ultimate audio experience. During this search MFSL engineers and associates created The GAIN™ System, a proprietary mastering technology which brought warmth and ambience to the compact disc format. A few years ago - with higher resolution formats on the horizon - the vision of GAIN 2™ began. As it stands today, GAIN 2™ is one of the greatest technical advancements in analogue and digital technology in the last ten years. It consists of a series of critical modifications and new components to Mobile Fidelity's proprietary mastering chain. 

We feel that GAIN 2™ has come extremely close to meeting this goal. The key accomplishments of GAIN 2™ System are 1) the ability to extract all the musical information as possible through the Ultra High bandwidth analogue tape playback system with proprietary custom tape playback heads, reproducer electronics and 2) transparently capturing and storing that information with the Direct Stream Digital recording system. 

 

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