AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head
Analogue Productions - AAPF 1972 - 200 Gram Virgin Vinyl
AAA 100% Analogue - Mastered by Kevin at Cohearent Audio
Limited Edition - Pressed at QRP - RCA-1972
5/5 Great singing, great band, great recording, excellent pressing and packaging One of my favorite albums. LPReview
200-gram LP plated and pressed at Quality Record Pressings!
Mastered by Kevin Gray at Cohearent Audio
Old-style tip-on heavyweight jacket by Stoughton Printing
A favorite off the recommended list by The Absolute Sound magazine, and, as expressed in the liner notes, Harry Belafonte's favorite recording. Belafonte has never before sung on records as he does in this album. He is freer, more earthy, more exultantly identified with his material than ever before. He has always communicated an often ferocious power as well as lyrical sensitivity, but in this collection he achieves a unity of emotional strength in and understanding of his material that marks an important stage in his evolution as an artist.
Includes classic songs "Cotton Fields," "God Bless' The Child," "Hallelujah I Love Her So." Recorded in New York City in January and March 1958, and in Hollywood, California, in June 1958.
As the liner notes by Nat Hentoff state, there is not much to say about the individual performances that is not entirely clear on hearing them. Truly a classic for discerning audiophiles, Belafonte Sings The Blues was the first Belafonte album recorded in stereo. The sound is incredible, and the dead-silent backgrounds of QRP 200-gram vinyl preserve every exquisite detail!
This is one of Belafonte's most satisfying set of performances.
Harry Belafonte has never before sung on records as he does in this album. He is freer, more earthy, more exultantly identified with his material than ever before. He ha always communicated an often ferocious as well as lyrical sensitivity, but in this collection he achieves a unity of emotional strength in and understanding of his material that marks an important stage in his evolution as an artist.
"This is the area - the blues - with which I have the strongest identification," emphasizes Belafonte. It took a long time, however, before he was able to make this kind of a direct, basic blues album. By blues, incidentally, it is not meant that the songs are strict blues in terms of bar and chord structure, but that the feeling and the wryly unconquerable spirit of the blues pervade all the numbers.
"When I started singing," Belafonte explains, "I was involved with an enbironment that emphasized the modern school of jazz, and it was difficult for me to adapt the way I felt to the requirements of that kind of singing. But that was what I was exposed to at the time. I've always had a feeling for the basic blues, but it took several years of removing myself from the predominantly modern jazz environment and finding myself and my own set of blues before I had teh courage to attempt an album like this. Here I can just step out and sing wholly the way I feel."
Belafonte Sings the Blues was recorded over four sessions during the first half of 1958, and released by RCA later that year. The album features performances of numerous Billie Holiday, Johnny Mercer, and Ray Charles songs performed in a way that only Belafonte can.
1. A Fool For You
2. Losing Hand
3. One For My Baby
4. In The Evenin’ Mama
5. Hallelujah I Love Her So
6. The Way That I Feel
7. Cotton Fields
8. God Bless’ The Child
9. Mary Ann
10. Sinner’s Prayer
11. Fare Thee Well
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